Bishop T.K. Wilson, his wife & two children are a respectable family in their community - Yet the Wilson kids are fighting temptations & their son Dante has thoughts other than taking over his fathers church.
When Madea catches sixteen-year-old Jennifer and her two younger brothers looting her home, she decides to take matters into her own hands and delivers the young delinquents to the only ... See full summary »
Taraji P. Henson,
A talented young woman is torn between her dreams and her family in this musical. Sparkle (Jordin Sparks) has been blessed with a beautiful voice and a gift for songwriting, but she's afraid to perform her songs in public, in part because her mother Emma (Whitney Houston), a former entertainer whose career brought her nothing but heartache, refuses to allow her daughters to sing outside of church. But Sparkle persuades her older sibling Sister (Carmen Ejogo) to sing one of her tunes at a talent show, and the reaction proves that Sister has star quality and Sparkle can write potential hits. An ambitious would-be manager, Stix (Derek Luke), persuades Sparkle and Sister to form a singing group with their sibling Dolores (Tika Sumpter), but while the act clicks wit audiences, the sisters have to contend with their angry mother, Sister gets caught up in a destructive relationship with a short-tempered comedian (Mike Epps), and Sparkle finds herself falling in love with Stix.
Whitney Houston's last film - she died during post production. The picture was to be an acting comeback for the singer, who had not appeared in a theatrical release since The Preacher's Wife (1996) in 1996. The film is dedicated to her memory. See more »
In the end credits, when giving credit to the Glen Campbell variety show, Campbell's name is spelled with 2 n's. See more »
Pop star Jordin Sparks stars alongside Whitney Houston (in her final performance of what was supposed to be the second wind of her acting career) in Sparkle, a remake of the 1976 cult hit among black audiences. Conversely, the 2012 version, centred around a trio of sisters who hit the big time in 1960s Motown before being crippled by the lures of fame, is entirely devoid of any personality or soul, playing out like every other African-American themed shambles this side of Tyler Perry's repeated disasters.
Director Salim Akil (an apparent prodigy of Perry's stylings) breaths plastic life into the cardboard cut-outs he calls characters. Almost every stereotype conceivable in the dram-rom genre is on full display, including the preachy reverend, the tough girl, the abusive husband, the heavy-handed mother and her introverted daughter.
The performances across the board are sound, but a practically non-existent screenplay renders any interaction between characters essentially worthless. Even at a touch under two hours, Sparkle severely overstays its welcome. Given the similar plot frame and emphasis on glitz-and-glamour music, comparisons to Aussie crowd-pleaser The Sapphires are to be expected, but where the local production made its intentions clear from the outset, Sparkle rambles and labours, pleading with its audiences to maintain an unwarranted sliver of attention in the lead up to a drab and bitterly predictable conclusion.
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