Directed by
David Moore |
Writing Credits (in alphabetical order)
Peter Bowker | ... | (written by) |
Cast (in credits order)
Produced by
Howard Ella | ... | co-producer |
Jennie Scanlon | ... | producer |
Music by
Dominik Scherrer |
Cinematography by
Mike Spragg |
Editing by
Lois Bygrave |
Production Design by
Anna Higginson |
Art Direction by
Richard Downes |
Costume Design by
Philip O'Connor |
Makeup Department
Mike Dargan | ... | prosthetics supervisor |
Jodie Fidell-Walker | ... | makeup supervisor |
Adele Firth | ... | makeup artist |
Laura Flynn | ... | special makeup effects artist |
Samantha Marshall | ... | makeup designer |
Debbie Ormrod | ... | makeup trainee |
Second Unit Director or Assistant Director
Heidi Gower | ... | third assistant director |
Jude Harrison | ... | second assistant director |
Jo Lea | ... | first assistant director |
Art Department
Kat Gardner | ... | petty cash buyer |
Amrita Ghir | ... | art department assistant |
Tom Higgins | ... | standby carpenter |
Lisa Kenny | ... | graphic designer |
Tilly Scandrett | ... | assistant art director |
Sound Department
Martin Beresford | ... | sound recordist: second unit |
Ben Cross | ... | foley mixer |
Mark DeSimone | ... | adr mixer |
Helen Dickson | ... | sound effects editor |
Lynne Hegarty | ... | dialogue editor |
Nick Kray | ... | adr mixer |
Markus Moll | ... | assistant rerecording mixer |
John Pearson | ... | sound recordist |
Adam Severs | ... | dubbing mixer |
Ian Southby | ... | sound assistant: dailies |
Chris Ward | ... | adr mixer |
Visual Effects by
Dan Marbrook | ... | post producer: The Look |
Camera and Electrical Department
David Ashby | ... | grip |
Andrei Austin | ... | a camera / steadicam operator / director of photography: second unit |
Darren Campbell | ... | electrician |
Kirsten de Maid | ... | clapper loader (as Kirsten Budd) |
Llyr Evans | ... | gaffer |
Emma Friend | ... | clapper loader: dailies |
Andrew Llewellyn | ... | electrician |
Jorge Luengas | ... | director of photography: second unit |
Daniel Moger | ... | assistant grip: dailies |
Steve Murray | ... | a-camera/steadicam operator |
Chris Sowden | ... | best boy |
Esther Vardy | ... | a camera trainee / b camera clapper loader |
Kim Vinegrad | ... | clapper loader / focus puller: "b" camera |
Paul Hanning | ... | b camera first assistant: dailies (uncredited) |
Costume and Wardrobe Department
Sophie Doncaster | ... | costume supervisor |
Paul Gregory | ... | stand-by costumer |
Cara Stevens | ... | costume trainee |
Editorial Department
Mark Maltby | ... | on-line editor: The Look |
Dan Marbrook | ... | post producer: The Look |
Mandy Miller | ... | post-production paperwork |
Becky Moore | ... | edit assistant |
Vicky Tooms | ... | assistant editor |
Thomas Urbye | ... | colourist: The Look |
Location Management
Alastair Don | ... | locations scout |
Ben Hepworth | ... | location manager |
Music Department
Steve Parr | ... | music recording & mixing |
Martin Thornton | ... | technical score assistant |
Script and Continuity Department
Helen Jenkins | ... | script editor |
Additional Crew
Natasha Bayford | ... | publicity manager |
Nic Benns | ... | title designer |
Yousef El Awage | ... | behind the scenes director/producer |
Marie Fargus | ... | production secretary |
Bob Farrell | ... | floor runner |
Matthew Hamilton | ... | production executive |
Tom Horn | ... | floor runner |
Jen Rooks | ... | production assistant |
Carlos Thions | ... | acting coach: Christina Chong (uncredited) |