Mumbai, March 5: Comedian Sunil Grover seems to have his hands full with his "Mad In India" show and has reportedly said no to being a part of a special Star Plus Holi offering.
Sunil had to dress up as a mermaid for the special show and has now been replaced by comedian Krushna Abhishek, said a statement.
"Sunil wants to focus on the show ('Mad In India') as it has received mixed reviews by the audience," said a source.
The comedy show, which sees Sunil essaying the role of Chutki, is being hosted by Manish Paul and features other comedians like Dolly Ahluwalia, Shweta Tiwari and Siddharth Jadhav.
-*-
Lauren.
Sunil had to dress up as a mermaid for the special show and has now been replaced by comedian Krushna Abhishek, said a statement.
"Sunil wants to focus on the show ('Mad In India') as it has received mixed reviews by the audience," said a source.
The comedy show, which sees Sunil essaying the role of Chutki, is being hosted by Manish Paul and features other comedians like Dolly Ahluwalia, Shweta Tiwari and Siddharth Jadhav.
-*-
Lauren.
- 3/5/2014
- by Anita Agarwal
- RealBollywood.com
Starring Deepika Padukone, Ranveer Singh
Directed by Sanjay Leela Bhansali
Just when you think you have seen it all, there comes a film that reminds you of how far the cinematic medium has come…And how far it can go in the right hands. And let’s face it. Bhansali is Bhansali. His visual imagery in all his earlier films from Khamoshi: The Musical to Guzaarish is comparable with the best art from any field of aesthetics.
You could say Bhansali’s cinema is the visual equivalent of Lata Mangeshkar’s singing. And you wouldn’t be wrong.
In terms of its free-flowing unmeasured operatic opulence Ram-Leela (with or without the censorial pre-fix) comes closest to the giddy high-pitched and yet miraculously controlled tempo and tenor of Bhansali’s Devdas. That too was a steeply sensuous cinematic adaptation from a literary source. Ram Leela goes to Shakespeare’s Romeo & Juliet...
Directed by Sanjay Leela Bhansali
Just when you think you have seen it all, there comes a film that reminds you of how far the cinematic medium has come…And how far it can go in the right hands. And let’s face it. Bhansali is Bhansali. His visual imagery in all his earlier films from Khamoshi: The Musical to Guzaarish is comparable with the best art from any field of aesthetics.
You could say Bhansali’s cinema is the visual equivalent of Lata Mangeshkar’s singing. And you wouldn’t be wrong.
In terms of its free-flowing unmeasured operatic opulence Ram-Leela (with or without the censorial pre-fix) comes closest to the giddy high-pitched and yet miraculously controlled tempo and tenor of Bhansali’s Devdas. That too was a steeply sensuous cinematic adaptation from a literary source. Ram Leela goes to Shakespeare’s Romeo & Juliet...
- 11/16/2013
- by Subhash K Jha
- Bollyspice
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