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After his wealthy family prohibits him from marrying the woman he is in love with, Devdas Mukherjee's life spirals further and further out of control as he takes up alcohol and a life of vice to numb the pain.

Writers:

Saratchandra Chatterjee (based on the novel by) (as Sarat Chandra Chattopadhyay), Prakash Kapadia (screenplay) | 2 more credits »
Reviews
Top Rated Indian Movies #182 | Nominated for 1 BAFTA Film Award. Another 49 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Shah Rukh Khan ... Devdas Mukherji
Aishwarya Rai Bachchan ... Parvati 'Paro' (as Aishwarya Rai)
Madhuri Dixit ... Chandramukhi
Jackie Shroff ... Chunnilal
Kiron Kher ... Sumitra
Smita Jaykar ... Kaushalya
Tiku Talsania ... Dharamdas
Vijayendra Ghatge ... Bhuvan Choudhry
Milind Gunaji ... Kalibabu
Ananya Khare Ananya Khare ... Kumud
Manoj Joshi ... Dwijdas
Ava Mukherjee Ava Mukherjee ... Dev's Badima (as Ava Mukherji)
Dina Pathak ... Badima
Vijay Crishna Vijay Crishna ... Narayan Mukherji
Muni Jha Muni Jha ... Kaka
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Storyline

Devdas Mukherji is black-listed by his multi-millionaire Zamindar father, Narayan. After completing 10 years of study; Devdas return to his home-town where his family prepares to welcome him but their happiness changes when Devdas prefers to visit his childhood sweetheart, Parvati alias Paro before paying respect to his mother. After so much years Devdas finds he is still the black spot in his father's life especially when he is prevented from marrying Paro who happen to be a lower-caste girl. Eventually time passes with Paro's family arranging her marriage to a much elderly man named Bhuvan Choudhry where she is introduce to Bhuvan's children - who happen to be within her age group. This sadness not only breaks Devdas heart but confines him to alcohol in a big way. Soon Devdas starts to frequent a brothel and catches the eyes of a courtesan named Chandramukhi - step by step Devdas starts to head towards a path of self destruction. Written by gavin (racktoo@hotmail.com)

Plot Summary | Plot Synopsis

Taglines:

A grand saga of timeless love

Genres:

Drama | Musical | Romance

Certificate:

See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

India

Language:

Hindi | Urdu | Bengali

Release Date:

12 July 2002 (India) See more »

Also Known As:

Девдас See more »

Filming Locations:

Aarey Colony, India See more »

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Box Office

Budget:

INR 500,000,000 (estimated)

Gross USA:

$3,500,000, 31 December 2002
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

|

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

For the creation of Paro's room in a haveli 122,000,008 pieces of stained glass were used. See more »

Goofs

When Devdas meets Paro in the full moon night, while she was sleeping her black mole keeps changing position. See more »

Quotes

Devdas Mukherjee: Who the hell drinks to tolerate life! I drink so that I can sit here, so that I can see you, so that I can tolerate you.
See more »

Alternate Versions

The High Definition version of the movie adds one more shot of Chandramukhi seeing Devdas leaving. The shot is of Chandramukhi standing at the Khota's doorstep with the camera slowly zooming out. See more »

Connections

Referenced in Coxwell & Gerrard (2008) See more »

Soundtracks

Silsila Yeh Chaahat Ka
Written by Nusrat Badr
Composed by Ismail Darbar
Performed by Shreya Ghoshal
Courtesy of Universal Music India
See more »

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User Reviews

Devdas 2002
7 July 2004 | by Shubh64ad1See all my reviews

The film Devdas raises a few questions ? How much liberty a film maker can be allowed ? Is it fair to change locale ? A few incidents in the film are not mentioned in the book should such incidents be allowed to be included in the film.The attributes of the charactars of story are different from one the origianal author - is it fair to to him ? Devdas of Sharadbabu id different from that of Sanjay's.Can a film maker make such substatial changes in the plot of film. Say a character is shown to be dead at the end of the story , can a filmaker show him living at the end or if A marries B in ther story can a film maker show him marrying C ?There should be some limit. To me it seems Sanjay has crossed those limits.(Maybe its my opinion ).


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