
The Night Watch (2011)
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- TV-14
- 1h 29min
- Drama, Romance
- 12 Jul 2011 (UK)
- TV Movie
- 1 win & 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Jenna Augen | ... |
Iris Knight
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Neal Barry | ... |
Mr. Bryant
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Claudie Blakley | ... |
Nancy Carmichael
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Lucy Briers | ... |
Binkie
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Richard Cambridge | ... |
Policeman
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Kenneth Cranham | ... |
Horace Mundy
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Chas Early | ... |
Prisoner #1
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JJ Feild | ... |
Robert Fraser
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Claire Foy | ... |
Helen Giniver
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Liam Garrigan | ... |
Reggie Nigri
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Richard Huw | ... |
James Imrie
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Caitlin Innes Edwards | ... |
O'Neil
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Phill Langhorne | ... |
Cyclist
(as Phillip Langhorne)
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Colin Mace | ... |
Harry Hughes
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Stephen Matthews | ... |
Auntie Vi
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Anna Maxwell Martin | ... |
Kay Langrish
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Paul Ritter | ... |
Mr. Pearce
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Kris Saddler | ... |
Airman
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Harry Treadaway | ... |
Duncan Pearce
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Alex Waldmann | ... |
Alec Jennings
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Leona Walker | ... |
Orderly
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Phoebe Waller-Bridge | ... |
Lauren
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Tom Weston-Jones | ... |
Jack Brown
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Jodie Whittaker | ... |
Vivian Pearce
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Anna Wilson-Jones | ... |
Julia Standing
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Rest of cast listed alphabetically: | |||
Greg Bennett | ... |
Air Raid Warden (uncredited)
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Directed by
Richard Laxton |
Written by
Sarah Waters | ... | (novel) |
Paula Milne | ... | (screenplay) |
Produced by
Margaret Conway | ... | line producer |
Ann Tricklebank | ... | producer |
Music by
Nina Humphreys |
Cinematography by
David Katznelson |
Editing by
Philip Kloss |
Editorial Department
David Chisholm | ... | on-line editor |
Anya Dillon | ... | assistant editor |
Vincent Narduzzo | ... | colorist |
Casting By
Julia Crampsie | ||
Liz Stoll |
Production Design by
Martin Boddison |
Art Direction by
Mark Hudson | ||
Bob Hutton | ||
Nandie Narishkin |
Set Decoration by
Shonagh Smith |
Costume Design by
Pam Downe |
Makeup Department
Daphne Croker-Saunders | ... | makeup artist (as Daphne Croker) |
Julie Davies | ... | hair stylist / makeup artist |
Louise Fisher | ... | makeup supervisor |
Sarah Jane Marks | ... | hair stylist: dailies / makeup artist: dailies |
Stella O'Farrell | ... | makeup designer |
Jacqueline Russon | ... | key makeup artist |
Production Management
Katy Bishop | ... | post-production supervisor |
Mally Chung | ... | unit manager |
Second Unit Director or Assistant Director
Lydia Currie | ... | first assistant director |
Sarah Lawrence | ... | additional third assistant director |
Caroline Richards | ... | second assistant director |
Simon Whitby | ... | third assistant director |
Art Department
David Ackrill | ... | prop stand-by |
Eddie Baker | ... | props |
Greyham Feehily | ... | construction manager |
Jonathan Holbrook | ... | painter |
Johnny Mann | ... | standby carpenter |
Les Mills | ... | additional stand-by rigger |
Ian Murray | ... | standby rigger (as Ian Vincent Murray) |
Anastasia Portas | ... | graphic designer |
Sound Department
Chris Ashworth | ... | sound recordist |
Robert Brazier | ... | foley recordist |
Pietro Dalmasso | ... | sound effects editor |
Simon Diggins | ... | adr recordist |
Sue Harding | ... | foley artist |
Ian Wilkinson | ... | dialogue editor |
Rowena Wilkinson | ... | foley artist |
Special Effects by
Tom Harris | ... | special effects supervisor |
John Rafique | ... | special effects |
Chris Watson | ... | special effects |
Visual Effects by
Becci Blood | ... | visual effects producer |
Tanvir Hanif | ... | visual effects supervisor |
Mark Pickles | ... | digital effects artist |
Stunts
Stephanie Carey | ... | stunt double |
Camera and Electrical Department
Paul Benson | ... | best boy |
Paddy Blake | ... | camera operator: "a" camera |
Ian Clark | ... | additional camera operator |
Meg de Koning | ... | camera operator: "b" camera |
Simon Fogg | ... | key grip |
Dave Fowler | ... | electrician |
Tim Hyson | ... | second assistant camera |
Andreas Kragh-Jacobsen | ... | gaffer |
Daniel McCole | ... | electrician |
Christopher J. Reynolds | ... | focus puller: "b" camera |
James Scott | ... | first assistant camera |
Casting Department
Sophie Parrott | ... | casting assistant |
Costume and Wardrobe Department
Charlotte Mitchell | ... | assistant costume designer |
Hannah Summers | ... | costume stand-by |
Music Department
Steve Parr | ... | music mixer |
Script and Continuity Department
Amanda Lean | ... | script supervisor |
Transportation Department
Nick Kenyon | ... | driver: cast |
Additional Crew
Ciarron Clarkson | ... | key floor runner |
Jacqueline Graham | ... | assistant accountant |
David Packham | ... | production coordinator |
Janet Tyler | ... | story editor |
Sarah Lawrence | ... | daily floor runner (uncredited) |
Production Companies
Distributors
- British Broadcasting Corporation (BBC) (2011) (United Kingdom)
- Feelgood Entertainment (2013) (Greece) (DVD)
Special Effects
- Any Effects (special effects)
Other Companies
- I'm Rigging (rigging services)
- OutPost Facilities (post-production facilities)
Storyline
Plot Summary |
In post-war London, Viv Pearce is dating Reggie and runs a dating bureau with Helen Giniver, who lives with her older lover, authoress Julia Standing. Viv's younger brother Duncan, a gay man made to feel ashamed of his orientation, has been in prison and is sought out by his ex-cell-mate, Robert Fraser, who served time as a conscientious objector and is now concerned for the young man's welfare. Viv encounters Kay Langrish, a wealthy, reclusive, butch lesbian and for both women this evokes memories of the period three years earlier (1944) when Kay was an heroic ambulance driver in a happy, loving relationship with Helen -- before Kay introduced her to her ex-lover Julia. At that time, Viv and Reggie are forced to procure the services of a dentist moonlighting as an abortionist. About to die from blood loss, and having been abandoned by Reggie, Kay saves her from prosecution by claiming she was a married woman who had miscarried. Three years before that (1941) Kay and Julia are still an item and Viv meets unhappily married soldier Reggie on a train. Kay pulls Helen from the wreckage of a bombed house, finding the innocent young woman she has always wanted to love and care for. We also learn the gruesome details of why Duncan was in prison, which follows a suicide pact with the boy he loved, in response to the war and the draft. As the scene returns to 1947 there are happier endings for some and optimist outlooks for others as they move forward. Written by don @ minifie-1; kumarihpx |
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Parents Guide | View content advisory » |
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Box Office
Budget | GBP1,400,000 (estimated) |
Did You Know?
Movie Connections | Featured in Episode dated 12 July 2011 (2011). See more » |
Soundtracks | A Nightingale Sang in Berkeley Square See more » |
Quotes |
[last lines]
Kay Langrish: [voiceover] Someone once said a happy ending depends on where you decide to stop your story. Then again, it could be when you realise your story is not yet over; that you are only at the end of the beginning. See more » |