In post-war London Viv Pearce, seeing married spiv Reggie, runs a dating bureau with Helen Giniver, who lives with her older lover, authoress Julia Standing. Viv's younger brother Duncan, a... See full summary »
In 19th century Victorian England, Mrs. Isabella Beeton produced what became an essential book for housewives of the day. She was married at a relatively young age to Sam Beeton, a ... See full summary »
After a 4 year stay in London, Jen has come home to bury her mother. Her boyfriend of two years, Tom, accompanies her home. Her former flame, Scobie, meanwhile is struggling with what to do... See full summary »
A grieving upper class woman becomes a "Lady Visitor" at Millbank prison, hoping to escape her troubles and be a guiding figure in the lives of the female prisoners. Of all her friendships ... See full summary »
Susan "Sue" Trinder is a fingersmith (British slang for thief) who lives in the slums of London with a baby farmer (person who looks after unwanted babies) Mrs.Sucksby. When a once rich man... See full summary »
In post-war London Viv Pearce, seeing married spiv Reggie, runs a dating bureau with Helen Giniver, who lives with her older lover, authoress Julia Standing. Viv's younger brother Duncan, a tormented homosexual, has been in prison and is sought out by his - straight - ex-cellmate Robert Fraser, who served time as a conscientious objector and is now concerned for the boy's welfare. Viv encounters Kay Langrish, a wealthy, reclusive butch lesbian and for both women this evokes memories of 1944 when Kay was an heroic ambulance driver and Helen was Kay's girlfriend, before Kay introduced her to her ex-lover Julia. Viv had an illegal abortion, funded by Reggie, and, after she needed hospital treatment, Kay saved her from prosecution by claiming she was a married woman who had miscarried. Three years earlier Kay and Julia are still an item and Viv meets unhappily married soldier Reggie on a train. Kay pulls Helen from the wreckage of a bombed house whilst we learn why Duncan was in prison ... Written by
don @ minifie-1
If you go to the cinema, midway through a film, you watch the second half first, don't you? So you see how the characters end up, in the story. What happened to turn them into the people they became? It's like a riddle you have to solve.
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A beautifully crafted adaptation of the Sarah Waters novel of the same name. An interesting narrative structure taken from the book, the story is experienced backwards in three periods in the characters lives, running from the post war section back in time to wartime experiences of love in the Blitz. All of the performances are terrific, understated and subtle they convey the complex emotional landscape of their intertwining lives and a point in history when the social landscape was shifting with women finding themselves empowered by the demands and experiences of wartime Britain, releasing them from their more traditional roles and allowing them to rise to address new challenges and experiences, both actually and emotionally. The casting, acting and beautiful camera work make this a real treat, with a lovely sense of place.
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