The Devil's Business (2011) User Reviews

The Dumbwaiter, reimagined by Dennis Wheatley

[venusboys3 · 7/10 · 22 April 2018]

I don't get why so many here are accusing this film of 'ripping off' Kill List. It's obviously and occult version of Harold Pinter's play The Dumbwaiter... given an occult twist. One of the characters is even named 'Pinner' as a nod to its inspiration. In truth, the earlier parts of the movie, that more closely resemble that play, are a lot creepier than the later, bloodier, bits. Still, it's a good show and kept me entertained all the way through. It is very minimal... just a few (good) actors and a couple of filming locations... but what need would it have for more? As it is it makes perfect sense without a bunch of unnecessary bloat to dilute its story.

I'd be quite interested to see what it's creators make next.

Great suspense

[captain-balrog · 6/10 · 21 October 2013]

I can't think of another instance where I've felt the need to comment on a film that wasn't especially good, or especially bad. I think it might be because this film is nearly brilliant.

--- THE SPOILER ---

It's the end that lets it down. I don't mean the homunculus. I do like a homunculus. I mean how it was done. I can't say there was anything wrong with any of the elements, and I think the bit where the dead bloke leads the homunculus away like a child could have and should have worked really well. Maybe just poor execution of a good idea.

--- END SPOILER ---

A lot of the film was really nicely acted and it did a great job of building tension. Billy Clark's monologue about the dancer at the club was excellent. He really stole the show for me. I suppose a bloke from Belfast his age working as a hit man for a mainland gangster is nicely plausible now that the local hooding industry has dried up. Even so I thought he really carried some real menace, and it's just nice to see a fellow Belfastard in a central role once in a while.

It's also nice to see another film about the occult. It was all the rage back in the 80s but it's really fallen out of favour in the last decade or two. The very mighty House of the Devil seems to have revived it a little, and I'm very much in favour. The Devil's Rock, The Devil's Business – Bring back films with 'The Devil' in the title! Overall I think this film deserves a six for a brilliant first fifty minutes.

Dire excuse for a horror movie with some OK acting

[gorguruga · 4/10 · 20 September 2012]

The Devil's Business just came across as an extremely low budget made-for-TV movie. It was heavily dependent on the conversation between just 2 people for the majority of the movie duration. In order to carry that sort of setup off you're going to need some top quality acting and while the acting was occasionally decent in this movie, it was also sometimes below average.

Both Billy Clarke and Jonathan Hansler gave decent performances for the most part but Jack Gordon couldn't really match them for most of his on-screen time, although there was one scene where he demonstrated his true capability and that just about saved his credibility. Perhaps the scripting for his character was part of the problem. All the actors showed promise but they really needed more time and more takes to film the scenes perfectly. I assume either the budget didn't allow them to do this, or the director didn't spot the potential for improvement.

The writing overall was good and could even be considered the stand-out feature, it's just a shame that the budget couldn't be stretched considerably to make this into a real film and bring out the writing with cut-scenes and great cinematography. Instead, nearly all the action takes place in a darkly-lit small house somewhere in England. As a result, the visual imagery is just dull and boring for most of the movie and it gets tiresome rather quickly.

The production value was just a notch above the sort of movie a student might make at college or university, it was just so low that it was almost filmed like an episode of some British television show from the 80's, just sadly not with the same sort of entertainment value.

All the actors had some passion to their work, the writing was decent, the direction, while flawed, showed promise. But as a complete package, a fairly terrible movie that I just can't recommend. Maybe with a bigger budget it could have been a totally different story..

really doesn't live up to the hype. really.

[laurakelley0 · 3/10 · 18 February 2013]

I had read several very positive reviews of this movie so I was excited to watch it...I was very disappointed. The ending was incredibly cheesy and silly, the sound effects were way overdone (there is a part with a baby where they play a crying baby sound as if you couldn't tell it was a baby...come on) and the music was this ever-present "typical horror movie" soundtrack. I was a bit put off at first because the plot summary sounded so much like the (far superior) Kill List, and it really is pretty similar...if you took the great cinematography, the unflinching brutality and the budget away from Kill List and then put the music from an 80s episode of Unsolved Mysteries over the entire thing, you might get something resembling this movie. It's only 69 minutes but it felt way too long and was very predictable and obvious. The lead actor did a really good job and the actor playing Kist was effectively creepy and without them this would be firmly in Syfy Channel B-movie territory. I still wouldn't recommend it; this is one that is not worth the hype. Just go watch Kill List again and save yourself the trouble.

A travesty

[Leofwine_draca · 1/10 · 26 April 2015]

A clear rip-off of Ben Wheatley's KILL LIST, THE DEVIL'S BUSINESS is a hopeless travesty of a film. Shot almost entirely in the dark with mainly just two actors on the screen, it sees a couple of hit-man - a seasoned professional and his rookie apprentice - visiting a house to carry out a hit. Once there they find the place deserted so they sit round for about an hour of screen time, waiting for him to show up.

The story is extraordinarily low budget so this needed a fantastic script to make up for it. Sadly there isn't one. The acting is hopeless, particularly on the part of the inexperienced younger guy, but it's the dialogue that crushes the life from this one. There's a ten minute monologue which is one of the dullest ever and has no real connection to the central story, as tenuous as that is. It appears somebody researched the life of Aleister Crowley and decided to do a modern-day version of the tale but the effort is entirely unsuccessful. Indeed THE DEVIL'S BUSINESS is the worst horror film I've seen in a long time, and that comes from somebody frequently exposed to the worst late-night excesses of The Horror Channel.

Slow burning, intense and creepy gem of hit men and horror

[Bloodwank · 8/10 · 18 September 2011]

A sure thing in cinema is rarely just that, especially in horror films. This is the case in The Devil's Business, in which veteran hit-man Mr. Pinner and his greenhorn associate Cully wait in the home of a target due to arrive later after attending an opera, Mr. Kist. It seems easy enough, but after the discovery of a devil worship altar in a shed things start to go pretty pear shaped and pretty soon the night is one of terror. I'm not usually drawn to horror films with criminal protagonists as the nature of their work immediately puts them at a remove from my natural sympathies. However writer/director Sean Hogan conducts things with great skill, drawing inspiration from theatre to make things instantly compelling. Pinter's The Dumb Waiter was apparently a source and the characters of Mr. Pinner and Cully come out and grow from their very first exchange of dialogue, on the one hand we have the old master, wise, cautious and with little time for any consideration other than making things go absolutely smoothly, and on the other the young man, the thug in training who tries to talk the talk but constantly reveals his inexperience. Billy Clarke is great as Mr Pinner, sharp, sarcastic and assured while Jack Gordon is equally good as Cully, clumsy, curious and eager he brings a naive likability to a role which in the wrong hands could grate. They share fine chemistry and so as events get out of control an impressive level of pathos emerges along with the suspense, one genuinely hopes these two will get away OK. Rounding things out Jonathan Hansler is suavely sinister as the classy Mr. Kist, while Harry Miller makes for a solid old school boss. The film makes good use of shadow and darkness, with good use of eerie blue twilight as well as rich red, and calm and controlled camera lets the actors and dialogue shine whilst milking the uneasy setting, a highlight scene involving Mr. Pinner recounting a scary story as the camera moves slowly on his increasingly strained face, much like watching an intense monologue from the front row of a theatre. Some may find the dialogue a bit overwritten but I really appreciated it, I thought it great to see a film where the writing is so integral. Towards the end things do get a little out of control with traditional grue and madness that doesn't sit so well with what has gone before but on the other hand its still pretty unnerving and it does bring a certain needed release, without sacrificing too much power. Basically I thought this was pretty excellent, highly recommended if you can dig horror with a slow burning fuse and lots of talk.

Great effort!

[perkin2000 · 9/10 · 18 September 2012]

Two hit men arrive at a house under instruction to kill the guy who lives there. They sit around talking waiting for him to get home, one of 'em goes for a Pooh just as he gets back. Timing, eh?

The cast, all four of them, are very good, especially Billy Clarke as Pinner, the elder, experienced hit-man. His unblinking 10 minute monologue is flipping ace, a great, weighty centrepoint of the film. The majority of the runtime is the verbal exchange between the two hit men, there is gore and jump scares but they're not over used and the script will hold your attention as it creates a nice creeping tension.

The only weak point is the very end of the film, without giving anything away, it gets, we thought, a little silly. It's a let-down, but a forgivable one as the hour leading up to it was so enjoyable and well made.

Well worth a purchase/rental!

Mr Pinner?......

[FlashCallahan · 8/10 · 28 September 2012]

Even though it's just over an hour long, this movie is very taut and tense for the majority of it's duration.

Two hit men, on a new boy and one a veteran, are waiting for the eponymous Kist, who for some reason needs to be killed. He is at the opera and should be home after midnight.

after a few exchanges, the hit men check the area, and find some very disturbing things in the garage, that could indicate some kind of devil worship is going on.

After they find the body of a child, they realise all is not well.

Kist arrives home and is killed. On their way out of the house, one realises that he has left his watch, on entering the house, Kists body has gone...

Yes, the movie is so much like Kill List, that you know that something will change the whole of narrative and the genre before the final act, but, considering the lack of sets and the tight budget, it's very surreal and atmospheric.

This is partly thanks to some use of wonderful lighting, and a fantastic monologue by Pinner about Eddie, and his cheating wife.

The trouble is that the film gets a little too bonkers for it's own good come the end. I would accept the fact that Kist could be resurrected due to Paganism, but did you really have to go all 'Don't Look Now' at the end.

Fans of kill list should see this, for the most part, it's excellent.

Good suspenseful horror

[MoviesReviews101 · 9/10 · 12 May 2013]

Story: Two hit men the experienced Pinner (Clarke) and rookie Cully (Gordon) are sent by their boss Bruno (Miller) to take care of Kist (Hansler). The night starts routine but soon takes a turn as they find out that Kist is involved in the occult, can the men complete the job?

Verdict

Horror: very well played out suspenseful horror leaving almost everything off camera. (9/10)

Thriller: You know the job and the twist keeps you on the edge of your seat through out. (9/10)

Sound: good off screen sound effects leaving everything in your own mind (8/10)

Settings: Basic creepy house, with large over grown garden works great for the genre (9/10)

Suggestion: I would suggest watching this its short and sweet (9/10)

Best Part: When Pinner is telling Cully a story with a complete emotionless facial expression.

Worst Part: Bit short but that works well as it doesn't take the edge of the seat side of the film away.

Star Performance Billy Clarke

Favourite Character Pinner

Similar Too: Kill List

Overall: A very effect thriller using very little to create an overall great atmosphere, that both leads carry your attention. The sudden jumps in the story keep you wanting to watch to see what the final outcome will be. A short thriller which can keep you at the edge of your seat without having to using a big name actor or over the top special effects.

Rating 84%

Unjustly underrated

[jessicafischerqueen · 8/10 · 31 July 2014]

This film benefits by taking the time to develop an interesting dynamic between the two lead characters. The "old pro" vs the "rookie" is a shopworn premise, but it's carried off with good humour and even pathos here. We definitely care what might happen to both of them. Because the movie takes its time on character development, the surprising finale has all the more impact. I say "surprising" even though the film's title is somewhat of a spoiler, because the screenplay and narrative remains firmly in a realistic mode until the closing segment. The demonic character appears at the end and reveals that he was always in control of the situation, and in a most horrific manner. The actor portraying a man in league with the Devil employs an understated style that only adds to his menace. This film is the opposite of the all too-often comic bookish treatment of this familiar cautionary tale, and it stands out from the pack because of it. The subdued deep blue lighting, both inside and outdoors, lends an air of oppressive claustrophobia and impending doom. This film is a fine example of how a good idea, good screenplay, and good acting can turn a very low budget affair into a gem. Independent horror at its best.

Surprisingly well acted and creepy MILD SPOILER

[spotlightne · 10/10 · 26 October 2012]

Years ago, the BBC in the UK used to screen new adaptations of familiar ghost stories written by leading authors of the past.

These ghost stories were screened every Christmas and usually lasted anything from 30 minutes to an hour.

The Devil's Business reminded me of those old BBC programmes. It was well-acted and scary in parts, with a very creepy ending. And like the BBC's output, the cast was limited to a few players.

Basically the plot revolves around a gangster called Bruno who hires two hit-men, a seasoned veteran and a young man, to kill off another man who apparently lives alone.

But things are not all as they first appear. And who is that little boy lurking in the dark, dark cellar? Black magic and bumps in the night are abound.

Worth a rental or purchase of this DVD. Perfect for Christmas. Don't forget to keep the lights switched on.