Directed by
Nathan Hill |
Writing Credits
Nathan Hill | ... | (screenplay) & |
Stuart Van Eysden | ... | (screenplay) & |
Fabian Lapham | ... | (screenplay) |
Cast (in credits order)
Candice Day | ... | Kat | |
Naomi Davis | ... | Naomi | |
Sash Milne | ... | Emily | |
Allie Hall | ... | Imogen | |
Sarah Hill | ... | Crystal | |
Daniel Rankin | ... | Kyle | |
Fabian Lapham | ... | Justin | |
Tim Purdie | ... | Policeman | |
Karen Orford | ... | Policewoman | |
Jenny Lovell | ... | Naomi's Mother | |
Gavin Smith | ... | Policeman on Megaphone (voice) |
Produced by
Oneil Alexander | ... | executive producer |
Prudence Alexis | ... | associate producer |
Warren Croyle | ... | executive producer |
Kristian Hakopian | ... | executive producer |
Nathan Hill | ... | producer |
Music by
Jamie Murgatroyd | ... | (trailer score by) |
Asher Pope |
Cinematography by
Stuart Van Eysden | ... | director of photography |
Editing by
Thomas Anderson | ||
Stuart Van Eysden |
Production Design by
Joel Hayden |
Art Direction by
Winton Michaels |
Costume Design by
John Reese |
Makeup Department
Debra Franklin | ... | make-up and hair |
Tanya Jade Rich | ... | make-up and hair (as Tanya Rich) |
Kelly Richardson | ... | make-up and hair |
Production Management
Jill Lister-Martin | ... | assistant unit manager |
Jenny Orford | ... | unit manager |
Sebastian Reinhart | ... | production manager |
Second Unit Director or Assistant Director
Fabian Lapham | ... | second assistant director |
Tim Purdie | ... | first assistant director |
Art Department
Paul Andrews | ... | scenic artist |
Mistress Belmont | ... | on-set dresser (as Catherine Belmont) |
Jesse Burton | ... | lead carpenter |
Shane Gates | ... | graphic designer |
Bratley Luis | ... | buyer |
Paul Vernon Reed | ... | property master |
Morgan Sullivan | ... | scenic painter |
Sound Department
Luke Banyai | ... | boom operator |
Lilly Dale | ... | sound mixer |
Ron Esther | ... | dialogue editor |
Rick Kingsly | ... | sound designer |
Richard Luke | ... | re-recording mixer |
David Luther | ... | sound effects editor |
Greg MacIntyre | ... | foley |
Andrew Martin | ... | adr |
Simon Whitlow | ... | recordist |
Special Effects by
Frank Jacobs | ... | special effects supervisor |
Andy Malone | ... | prosthetics |
Guy Taylor | ... | special effects makeup |
Visual Effects by
Francesca Carra | ... | digital artist |
Bevin Sly | ... | cgi (as Bevan Sly) |
Stunts
Alan Thornton | ... | stunt coordinator |
Camera and Electrical Department
Samuel Benjamin | ... | first assistant camera |
Chris Burton | ... | electrics |
Michael Calder | ... | gaffer |
Kevin Davis | ... | dolly grip |
Jesse Greythorn | ... | rigging grip |
Michael Hanrahan | ... | still photographer |
Geoff Kelping | ... | best boy |
Nick Levy | ... | still photographer |
Paul Wrexham | ... | second assistant camera |
Simon Zagami | ... | key grip (as S. Ziggy Zagami) |
Editorial Department
Jonathan Carmichael | ... | color grader |
Mark Morris | ... | digital capture |
Bevin Sly | ... | digital compositing (as Bevan Sly) |
Music Department
Rosco Jones | ... | music editor |
Script and Continuity Department
Helena Deluise | ... | continuity |
Alexander Subash | ... | script supervisor |
Additional Crew
Sam Campbell | ... | armorer |
Harley Edwards | ... | assistant: Mr. Hill |
Mark Geremia | ... | legal administrator |
Dan Halcyon | ... | double: Justin |
Andrew Horley | ... | documentary footage |
Scott Lewis | ... | documentary footage |
Jill Lister-Martin | ... | documentary footage |
Jeffrey Luckins | ... | production accountant |
Gordon Reinecker | ... | production assistant |
Tracie Young | ... | assistant accountant |
Thanks
Jonathan Cachia | ... | special thanks |
Cleo Constantinou | ... | special thanks |
Rachael Deller-Pincott | ... | special thanks |
Carter Doyle | ... | special thanks |
Scott Harding | ... | special thanks |
Brendan Hay | ... | special thanks |
Jamie Leckie | ... | special thanks |
Nick Levy | ... | special thanks |
Chris Loveday | ... | special thanks |
Jacob Simkin | ... | special thanks |
Michael Wannenmacher | ... | special thanks (as Michael Wannemacher) |