Deux de la Vague (2010)
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- Not Rated
- 1h 31min
- Documentary
- 19 May 2010 (USA)
- Movie
Jean-Luc Godard and François Truffaut, their careers, their friendship and their impact on the French New Wave of the 1960s.
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Cast
| Isild Le Besco |
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| Anouk Aimée | ... |
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| Jean-Pierre Aumont | ... |
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| Charles Aznavour | ... |
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Antoine de Baecque | ... |
Narrator (voice)
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| Jean-Paul Belmondo | ... |
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| Jacqueline Bisset | ... |
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| Jean-Claude Brialy | ... |
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| Claude Chabrol | ... |
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| Jean Cocteau | ... |
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| Raoul Coutard | ... |
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| Jean Desailly | ... |
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| Marie Dubois | ... |
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| Jean-Luc Godard | ... |
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| Chantal Goya | ... |
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| Claude Jade | ... |
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| Anna Karina | ... |
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Pierre Kast | ... |
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| Bernadette Lafont | ... |
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| Fritz Lang | ... |
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| Henri Langlois | ... |
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| Jean-Pierre Léaud | ... |
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| Giorgia Moll | ... |
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| Yves Montand | ... |
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| Jeanne Moreau | ... |
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| Macha Méril | ... |
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| Jack Palance | ... |
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| Michel Piccoli | ... |
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| Nicholas Ray | ... |
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| Jacques Rivette | ... |
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| Éric Rohmer | ... |
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| Barbet Schroeder | ... |
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| Jean Seberg | ... |
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| Henri Serre | ... |
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| Delphine Seyrig | ... |
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| Simone Signoret | ... |
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Anna Stark | ... |
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(as Anna Carina)
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| László Szabó | ... |
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| François Truffaut | ... |
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| Marina Vlady | ... |
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| Oskar Werner | ... |
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| Anne Wiazemsky | ... |
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Directed by
| Emmanuel Laurent | ||
Written by
| Antoine de Baecque | ... | (written by) |
Produced by
| Emmanuel Laurent | ... | producer |
Cinematography by
| Étienne Carton de Grammont | ... | (as Etienne de Grammont) |
| Nicholas de Pencier | ... | (as Nick de Pencier) |
Editing by
| Marie-France Cuénot | ||
Editorial Department
| Odile Bonis | ... | editing collaborator |
| Isabel Castro | ... | assistant editor |
| Jonas Frossard | ... | assistant editor |
| Eric Salleron | ... | color timer |
| Sandra Velichi | ... | assistant editor |
Production Management
| Martin de la Fouchardière | ... | production manager |
Sound Department
| Jean-Christophe Barras | ... | sound mixer |
| Jean Dubreuil | ... | sound editor |
| Philippe Grivel | ... | sound mixer |
| Henri Maïkoff | ... | sound |
Additional Crew
| Béatrice Barbat | ... | production administrator |
| Lucie De Chevigny | ... | production assistant |
| Anne-Sophie Le Péron | ... | production assistant |
| Francis Ouellette | ... | distribution: Canada |
| Martin Suard | ... | production assistant |
Production Companies
- Films à Trois
- Société des Producteurs de Cinéma et de Télévision (Procirep) (support)
- Angoa-Agicoa (support)
- Centre national du cinéma et de l'image animée (CNC) (support)
Distributors
- Cetera International (2011) (Japan) (theatrical)
- IFM / Filmways (2010) (Australia) (theatrical) (as 'Two in the Wave')
- Les Films du Paradoxe (2011) (France) (theatrical)
- Mouna (2010) (Germany) (theatrical)
- Arthaus (2013) (Germany) (DVD) (Jean-Luc Godard Edition 3)
- Imovision (2010) (Brazil)
- Lorber Films (2010) (United States) (subtitled)
- Midas Filmes (2011) (Portugal)
- New Wave Films (2011) (United Kingdom)
Special Effects
Other Companies
Storyline
| Plot Summary |
Two in the Wave is the story of a friendship. Jean-Luc Godard was born in 1930; Francois Truffaut two years later. Love of movies brings them together. They write in the same magazines, Cahiers du Cinema and Arts. When the younger of the two becomes a filmmaker with "The 400 Blows", which triumphs in Cannes in 1959, he helps his older friend shift to directing, offering him a screenplay which already has a title, A bout de souffle, or Breathless. Through the 1960s the two loyally support each other. History and politics separate them in 1968, when Godard plunges into radical politics but Truffaut continues his career as before. Between the two of them, the actor Jean-Pierre Leaud is torn like a child caught between two separated and warring parents. Their friendship and their break-up embody the story of French cinema. Written by Wide Management |
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| Parents Guide | View content advisory » |
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Did You Know?
| Movie Connections | Features Summer with Monika (1953). See more » |
| Quotes |
François Truffaut:
I had never thought that I was revolutionizing cinema or was unlike earlier film-makers. I always thought cinema was great, but lacked sincerity and we ought to do it better. Malraux said "A masterpiece is not a bad film improved," but I thought good films were bad films improved. See more » |