Two estranged sisters, Ester and Anna, and Anna's 10-year-old son travel to the Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka.
Harry Lund is a nineteen-year-old man who meets Monika, a romantic, reckless and rebellious seventeen-year-old, and they fall in love. They leave their families and jobs in their small town, Harry gets his father's boat and they spend the summer together in an isolated island. Monika gets pregnant, and Harry decides to marry her. He grows up, gets a job and returns to his studies, trying to improve their lives and raise their daughter June, while Monika just wants to have fun.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Ingmar Bergman did not discover Harriet Andersson. The Danish choreographer, ballet master and theater director Sven Aage Larsen did that in 1948. At Calle Flygares theater school in Stockholm where he had come to find talent. Harriet was 16 at the time. See more »
Now we can go wherever we like.
Like you said that time at the cafe: "Let's go away!" Let's forget about all those bastards.
I hate them. Everyone who holds us back, who wants us to grovel.
Let them scurry around like rats - - we won't be there.
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First US release, marketed for the drive in theater circuit, ran only 62 minutes, was dubbed, and featured a different score by jazz musician Les Baxter. See more »
Ingmar Bergman's Monika (Summer with Monika) (1953) is the story of two Stockholm teenagers, stock boy Harry (Lars Ekborg) and voluptuous, impulsive Monika (Harriet Andersson), who meet and fall in love and run away for a summer on a motorboat on the Stockholm archipelago escaping from work and all responsibility. Monika becomes pregnant and they return to the city and marry but things turn bad. This first powerful feature by the Swedish master is simple and sweet but nonetheless rich in emotional wrenching events. The film, which depicts teenage unwed sex, was shockingly sensual for its time. In 2006 the intensity of Harriet Andersson's uninhibited performance is still impressive and this story is just as heartbreaking as it was over half a century ago.
Presented as part of the Janus Films sidebar of the 2006 New York Film Festival at Lincoln Center in another gorgeous pristine-looking new print with a rich black and white tonal range that may look better than the original did.
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