Summer with Monika (1953)

A pair of teenagers meet one summer day, start a reckless affair and abandon their families to be with one another.

Director:

Ingmar Bergman

Writer:

Per Anders Fogelström (screenplay)

Stars:

Harriet Andersson, Lars Ekborg, Dagmar Ebbesen

Cast

Cast overview, first billed only:
Harriet Andersson	...	Monika Eriksson
Lars Ekborg	...	Harry Lund
Dagmar Ebbesen	...	Fru Lindström, Harry's faster
Åke Fridell	...	Ludwig Eriksson, Monikas far
Naemi Briese	...	Monikas mor
Åke Grönberg	...	Verkmästaren, Harrys arbetskamrat
Sigge Fürst	...	Johan, lagerbasen på Forsbergs
John Harryson	...	Lelle, Harrys rival
Georg Skarstedt	...	Harrys far
Gösta Ericsson	...	Forsberg, direktör för glas
Gösta Gustafson	...	Forsbergs kamrer
Gösta Prüzelius	...	Försäljare hos Forsbergs
Göthe Grefbo	...	Lagerarbetare hos Fersbergs
Arthur Fischer	...	Chef för grönsakslagret
Torsten Lilliecrona	...	Chaufför på grönsakslagret

Storyline

Harry Lund is a nineteen-year-old man who meets Monika, a romantic, reckless and rebellious seventeen-year-old, and they fall in love. They leave their families and jobs in their small town, Harry gets his father's boat and they spend the summer together in an isolated island. Monika gets pregnant, and Harry decides to marry her. He grows up, gets a job and returns to his studies, trying to improve their lives and raise their daughter June, while Monika just wants to have fun.

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Plot Keywords:

summer | island | 1950s | teenage boy | teenage girl | 

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Taglines:

So Daring We Recommend a Babysitter!

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Genres:

Drama | Romance

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Certificate:

R

Details

Country:

Sweden

Language:

Swedish

Release Date:

9 February 1953 (Sweden)

Also Known As:

Monika

Filming Locations:

Ornö, Stockholms län, Sweden

Box Office

Budget:

SEK484,000 (estimated)

Cumulative Worldwide Gross:

$14,316

Company Credits

Production Co:

Svensk Filmindustri (SF)

Technical Specs

Runtime:

96 min 62 min (re-edited)

Sound Mix:

Mono (AGA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Exterior scenes in the archipelago was recorded without sound of a small working crew accommodated at the parish clerk, teacher and musician Philip Olsson (1904-1977) at Ornö.

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Quotes

Monika Eriksson: Hey. You'll have to hold me or I'll freeze. You may kiss me now, Harry.
[kiss]
Monika Eriksson: I guess we like each other a lot, huh?
Harry Lund: Monika...
Monika Eriksson: I'm crazy about you.
Harry Lund: There's no one but you. Only you.

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Alternate Versions

First US release, marketed for the drive in theater circuit, ran only 62 minutes, was dubbed, and featured a different score by jazz musician Les Baxter.

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Connections

Edited into Histoire(s) du cinéma: Une vague nouvelle (1999)

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Soundtracks

AN DER SCHOENEN BLAUEN DONAU
Music by Johann Strauss

User Reviews

Considered by many Bergman's first truly important film

The first half recalls Bergman's earlier 'Summer Interlude'. But the second half goes further and explores the 'what if' of the summer romance between teens; moving into parenthood, marriage, and disillusionment.

The acting is excellent, and unlike 'Summer Interlude' these actors look close to the naive age they're playing.

The film's point of view sometimes felt a bit one sided to me with 'bad girl' Monika, from a crude, poor family, less willing to extend herself than her upper-class boyfriend Harry. Of course, along with being selfish she is also the more complex and fascinating character, especially as played by the young Harriett Andersson.

Some critics make the argument – with merit – that the film doesn't judge Monika,the audience does. Indeed, it could be argued that the film is meant to make us question our own judgment of a poor girl who is brought up with dreams of marriage as a glamorous escape, and not just a humdrum existence. It's not for nothing the heroine is obsessed with Hollywood love stories.

Andersson's performance may be the first of the many hyper-real and extremely complex characters in Bergman's body of work, transcending 'type' and moral judgment.

The film was beloved by the French New wave filmmakers, who saw in it's complex attitude (and very brief nudity) a throwing off of the shackles of conventional characters and storytelling.