Resurrecting the Street Walker (2009) Poster

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5/10
Unusual thriller, it's different if nothing else I suppose.
poolandrews11 October 2010
Warning: Spoilers
Resurrecting the Street Walker is set in London where the young & ambitious James Parker (James Powell) works as an unpaid runner for a small film production company called Portland Productions. While clearing out a basement storage facility James stumbles across some old cans of film containing an uncompleted horror film called 'The Street Walker' about a man who kidnaps, tortures & murders women. After some research James discovers that The Street Walker has no ending & convinces his boss to part fund the filming of a ending & then release it as a complete film, but the previous director committed suicide before finishing the film & James slowly starts to go crazy as the financial & critical success of The Street Walker takes it's toll. Eventually after numerous setbacks James loses it completely & this is the filmed document of his descent into madness as told by his friends, family, work colleagues & those who were there...

This British production was written, co-produced & directed by Ozgur Uyanik & is a very strange film that takes the 'mockumentary' to the extreme, while the likes of Cannibal Holocaust (1980) & The Blair Witch Project (1999) featured documentary footage worked into a larger narrative involving the character's Resurrecting the Street Walker takes things to the next logical step & present the entire film as one long documentary complete with talking head interviews, fly on the wall footage, clips, & narration just as if it was one of those in depth documentaries you find on DVD's/Blu-ray's detailing the making of a film. The concept works quite well to be fair, I was surprisingly into it & the only thing that really doesn't work is the extremely predictable ending, I won't spoil it here but throughout Resurrecting the Street Walker I couldn't stop thinking why two central character's essential to the plot weren't featured in the retrospective interviews & why everyone else was referring to James in the past tense & I couldn't help but notice the obvious similarities between the character in Jame's new ending he was trying to shoot & that other person who is missing from the interviews. It's pretty obvious to be honest & I think most people will figure it out. Being a documentary certain things are skipped over like who locked the door from the outside, was anyone really killed during the filming of The Street Walker & just how did James manage to convince his boss he could film an ending without the original actor's & little in the way of a time frame but the concept is intriguing enough & different, we only ever see small isolated clips from The Street Walker film (again, like small representative clips of films in making of documentaries) which doesn't look very good anyway & quite why James thinks it will propel him to stardom, fame & fortune is anyone's guess. At only 80 odd minutes it's fairly short, there's a nice little intro featuring a brief history of the Video Nasty era in the UK complete with some classic & iconic video sleeves & while I wouldn't want to see it again I did actually quite like it for it's originality, quirkiness & short run time.

Resurrecting the Street Walker is put together just like a proper documentary, people are seen in interviews talking about past events & their feelings complete with their names in text introducing them. The fragments of The Street Walker film that are shown aren't that impressive, it's black and white (maybe to distinguish it from the main feature), it's obviously not shot on film & since only little clips are shown it's hard to care about it. There's no real gore here, there's a bit of blood splatter & there's a dead pigeon but otherwise this is pretty bloodless. The way documentaries are structured means that there's no real scares & things get a little predictable.

Obviously shot in London on video Resurrecting the Street Walker has a cheap look & feel which suits it's documentary style anyway. The acting is alright, everyone seems OK but no-one is amazing.

Resurrecting the Street Walker is an offbeat & odd little film that really does look & feel like a documentary, the problem documentaries are made to tell facts not silly horror stories & the structure of a documentary means the twist ending is far too predictable which left me with a slightly unsatisfied feeling inside. Not brilliant but quite clever at times & the makers really nailed the documentary feel, if your looking for something a bit different than you could do a lot worse.
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6/10
Certainly worth a look
RogerB-P3RV328 February 2020
Warning: Spoilers
Shot in mockumentary manner, the story concerns aspiring filmmaker James Parker (James Powell)'s slow descent into a living hell. James's best mate Marcus (Tom Shaw) aims to showcase his friend's progress in the biz from his struggles as runner for a film production company to attempting to become a director himself after discovering unfinished horror from the 1980's "The Streetwalker" which was abandoned midway.

Completing the movie turns into an obsession with James, to show his disapproving parents and friends he has the chops to make it as an avant-garde moviemaker. But unsettling scenes in the original flick, which revolves around serial killer, grows into a major distraction for James. Coupled with behind-the-scenes troubles, it transforms an enthusiastic young man into a bitter person on a path to mental breakdown.

Film's ultra low budget means many of the violent segments are implied. However, the powerful climax is well done and restrained. Ozgur Uyanik's debut feature is certainly worth a look. He extracted down-to-earth performances from cast involved. Lorna Beckett is excellent as Dorothy - obnoxious office worker and James's chief tormentor.
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6/10
Heres an interesting idea....
FlashCallahan8 July 2012
Warning: Spoilers
Film student, a movie geek, finds an unfinished horror movie entitled the streetwalker and delves into its past.

Becoming obsessed with the project and feeling misunderstood, the maker declares that he will attempt to finish the movie himself.

While sifting through the footage, he and another person hear off camera a member of the crew saying 'shes dead' which could explain why the original director committed suicide and the film was unreleased.

Plus he starts a video diary, where he reveals himself to be a little moody, hence the found footage part of the film.

Appearing as a documentary, the main problem with the film is that its clear from the upstart that everyone is acting in this, albeit a little average.

But the idea is fantastic, and its at its peak when we learn from the makers about the eighties and the banning of several video nasties. Its nothing we haven't heard of before, but it's nice to hear it in connotation with the film.

At its lowest, the film delves too much into the psyche of the main guy. who just doesn't cut it as a 'nutter'. But it doesn't really matter, as the atmosphere of the film really makes up for this.

The final scene of the film really has the most impact, as it completes the movie, because I was concerned about where the makers where going with this.

Not a brilliant movie, but very watchable, despite some gruelling performances.
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8/10
A little horror gem
Corpus_Vile28 October 2009
Warning: Spoilers
James parks is an ambitious wannabe filmmaker, who discovers a long lost and unfinished horror film called The Streetwalker. He resolves to complete the film, as the original director committed suicide. However, he's plagued with problems from the start, from funding issues to on set accidents. Worse still, he begins to suspect that the FX in the original film were a bit TOO real. So begins his descent into obsession, all the while filmed by his mate, who is making his own documentary on James' progress...

Resurrecting The Streetwalker is a very well made UK "mockumentary" horror, similar in style at least to The Last Broadcast. What with all the hype surrounding Paranormal Activity, this one will probably be sadly overlooked, which is a shame, as it's a very decent film, with a great performance from James Powell as the increasingly unhinged young filmmaker.

The only drawback is, that it probably won't appeal to anyone outside the horror genre, but fans could do a lot worse than to check this out.

A very solid and original enough UK film, and well worth a look.
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8/10
Engaging and well thought-out
shroyerw-111 November 2010
The description of this movie didn't sound quite that interesting to me, but I thought I'd give it a try anyway. It turned out to be a fairly decent film. For me once the movie was done, it evoked the sensation one gets when holding one mirror up to another and trying to see how many layers into the reflection you can manage to see - a reflection inside a reflection inside a reflection (etc... etc... etc... ad nauseum). Not in a visual sense, but an abstract one - You have the real director of the film making a movie about a director of a film who is inspired to complete the production of a film where the "real" director of that "real" (movie-world) film was making a movie about a director who used movie-making as a pretext for trapping and killing his victims.

It sounds much more complex in writing than it actually carries across on film. All of the actors in this did a very decent job - one of the hardest things for an actor to do afaic is to play the role of a character that is written to be a bad actor. The better the real actor is at it, the more truly "bad" their role would be acted. All of the actors here were fairly well up- to-snuff on their skills and seemed to manage the layered complexity of the plot quite well.

One of my favorite aspects of this is the way in which they set up the ending so early on. It's not something you realize until after you've seen the ending, but once you have, you realize that a mere one or two lines of dialog spoken in the early half of the film pretty much sealed the fate of some of the more tragic characters. I can't give details without spoilering it, but I can say it was set up quite nicely and very subtly - sometimes a director virtually hits you over the head with a brick to get you to notice "foreshadowing", but this one didn't do that.

There were quite a few f-bombs for those who mind, not any real noticeable nudity and the gore factor was really rather low. But it was an engaging story and an easy watch. It's a fairly decent addition to the growing number of pseudo "reality film" mockumentaries, particularly if you like psychological puzzlers.
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