The King's Speech

I rarely rate a movie a "10" but in this case, it is well deserved. Truly, there is no way to improve upon the achievement that this film represents, whether in casting, direction, writing, artistic value, you name it.

The story gives us a fascinating look into the struggles faced by George VI on his way to becoming king of England. The story line is all about his stuttering, but underneath all that are suppressed memories from childhood, growing up in the shadow of an elder brother, perpetual negative reinforcement from a domineering father, etc. It's a psychoanalytical look at a well-known royal family, and while I can't vouch for its absolute veracity, it gives a rare glimpse into the lives of people we wouldn't otherwise observe at this level of intimacy (much like "Queen" did a few years ago).

The contrast between George and Edward VIII is most fruitful. It's the clash between duty and hedonism, fulfilling one's personal quest for happiness vs. overcoming one's worst fears on behalf of your people and country. Edward is typically romanticized and lionized, but here we see him as more of a spoiled, selfish lout.

But the heart of the movie is the relationship between George and Lionel Logue (Geoffrey Rush), who is helping him overcome his speech problems. Both actors are at the absolute top of their form. Firth is brilliant as the aloof, initially reluctant and distrustful monarch, while Rush shows the same wink-of-the-eye humor and irony that he did as Barbossa, relishing the sheer inequality of their positions yet knowing the extent to which George is dependent on him. Ultimately a true friendship develops between the men, and since they are both such endearing characters, it's a joy to watch.

I should add that Helena Bonham-Carter is also spot-on as the haughty yet practical queen consort. Other more minor roles are effectively played (e.g., Winston Churchill, George V). The entire movie is a perfect blend of history, personal and familial drama, with broader themes of perseverance and overcoming adversity which give it a timeless application.

Lastly, in this movie's case, the "R" rating is for "Ridiculous." The only potentially offensive material is some over-the-top language (including the F-word) which plays a part in one scene, and is clearly used for comic purpose and with great effect. I unhesitatingly took my 13 year old daughter and (depending on the child) might be okay for even younger ones. Don't let that stop you from seeing this gem.

I could write for hours about this film. I only just heard about it last night at a New Year's Eve party. Saw it today. To use the vernacular, OMG. Director Tom Hooper has a masterpiece on his hands. Geoffrey Rush, Helena Bonham Carter, Derek Jacobi, and Timothy Spall as Winston Churchill, all turn in excellent performances. Not to forget Guy Pearce as King Edward who abdicated his throne for an American divorcée. David Seidler's script is brilliant. The story is laid out cleverly. The pace and rhythm are PERFECT.

I think this is one of the best films ever made. It will tear at your guts. And that is where Collin Firth comes in. Mr. Firth gives one of the most poignant and affective performances ever by a male movie star. Where, inside himself, an actor goes for a performance like this, is beyond my comprehension.

In the movie, "A Single Man", Colin Firth served notice that he was an actor of depth and subtlety, the surface of which he had only just begun to scratch. Now, he's more than scratched that surface. He's gouged a chasm through it. He plays the tormented, soon to be King of England, George VI, and does so in a way that very early in the movie buries his hooks in you and doesn't let go. I can not ever recall, while watching a film, having to choke back tears for over an hour and a half. The suffering portrayed by Firth as George VI is subtle at times. In your face at others. But painfully present always. When Firth bellows, "I am a King" I nearly lost it in a very quiet, and stunned, theater. If you've already seen this film you know what this refers to.

As an American I find the concept of a monarchy bewildering. Why is one person more privileged than another just because of the womb he or she sprang from? That being said, I do find the stories of those trapped in this anachronistic time warp fascinating at times. This would be one of those times. This film is the intersection of great personal pain, international upheaval, and a family that is ceremoniously dysfunctional to it's core.

Above this chaos, confusion, and unrest, rises a weak shell of a man to greatness. Colin Firth is the vessel for that transformation and if he doesn't win an Oscar for this performance it will tarnish the Academy forever in my humble opinion. This is the kind of performance, and film overall, that you leave thinking to yourself that you've just seen the greatest movie ever. Maybe later you'll see another brilliant film and think that "this one" is the best ever, but for now "The King's Speech" has no equal.

After seeing "Apartment Zero" and being bowled over again by his amazing performance as the Argentinean pretending to be British, I felt the urge to see "The King's Speech" again - So glad I did. It was very moving to see Adrian Leduc being George VI. What an astonishing actor. In Apartment Zero he creates a character without a personality. A repressed, innocent that comes out as a total weirdo but we know better. His undeclared needs reflected in Colin Firth's eyes are a prodigious acting feast. In The King's Speech, his George VI suffers from a different fear but it's also pungently clear in the actor's eyes. I think what they both share is a desperate wish to be invisible. For King George that's an impossibility so, his struggle to move forward, learning to be the man everyone expects him to be is enormously moving. As you may have guessed, Colin Firth has become one of my favorite actors of all time.

I think I must have seen a different film from the previous two reviewers at Leeds on Friday. It is now two days ago and I am still feeling overwhelmed by what I saw. It is a very touching, and quite inspiring story about a man, psychologically scarred, and trapped in a situation from which he could have no escape and facing it with immense courage. It so happens that he was royal, and that was a large part of his problem- but the film isn't so much about royalty as a human story. The film conveyed very powerfully in the opening scene, the enormity of what was required of him. As the film develops, the complexities of the character are revealed. The acting is superb, especially from the three principals, and the development of the troubled and sparky relationship at the heart of the film is a joy to watch. The film is very funny and the characters have warmth and humanity. The film is well paced, and carries you along to the emotional climax, so that, even though I knew the story, it had me holding my breath. If you don't need lots of action or special effects in your film, and enjoy seeing top-notch actors at the very peak of their craft, this will be for you. You might also, as I did, gain a bit more insight into the human drama behind a significant, but relatively unexplored period of British history.

If CF and GR both win Oscars they will be more than worthy winners and if they don't then "best" has no meaning.

One further thought- anyone who thinks that this film is unsuitable for teenage viewers needs to have a long hard look at their priorities. It could prove inspirational to anyone with communication difficulties.

There were a lot of elderly folks in the theatre when I saw The King's Speech. It occurred to me that some of them may have been alive when George VI gave the actual speech to the British Nation which had just declared war with Hitler.

The King's Speech is a feel good movie, but a very adult one, and while it tells a good story, well scripted, absorbing and believable (except for an odd line or two), Tom Hooper's film is far more driven by character than by plot.

You may need to see it to believe it but, Colin Firth has no obvious competition for the best actor awards which are coming his way. He is absorbed in the role of the stammering king who is timid, low in self-confidence, and frustrated but perfectly warm-hearted. The only time he doesn't stammer is oddly enough when he curses. This is something which his new speech therapist suggests he use as a practise tool in the one scene which earned the film an R rating. The King's Speech is arguably a proud moment for Geoffrey Rush as well. This is him at his best, and he and Firth together almost make the movie. Their exchange of dialogue is flawless.

The King's Speech boasts an exceptional cast, which includes Helena Bonham Carter, Michael Gambon, Derek Jacobi and Guy Pearce, all of whom help contribute to the picture with the smallest amount of screen time.

The King's Speech says a mouthful, and it warms the heart without question. There is also no question is arguing that it is among the very best of the year.