A man awakens from a coma, only to discover that someone has taken on his identity and that no one, (not even his wife), believes him. With the help of a young woman, he sets out to prove who he is.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages demanding $150 million into an off-shore account, or someone will die every 20 minutes.
Accused of a ruthless murder he never committed or witnessed, Bryan Mills goes on the run and brings out his particular set of skills to find the true killer and clear his name.
A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris.
After their plane crashes in Alaska, six oil workers are led by a skilled huntsman to survival, but a pack of merciless wolves haunts their every step.
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
While on a tour of the White House with his young daughter, a Capitol policeman springs into action to save his child and protect the president from a heavily armed group of paramilitary invaders.
A group of Iraq War veterans look to clear their name with the U.S. Military, who suspect the four men of committing a crime for which they were framed.
When his peaceful life is threatened by a high-tech assassin, former black-ops Agent Frank Moses (Bruce Willis) reassembles his old team in a last ditch effort to survive and uncover his assailants.
Disgraced Secret Service agent Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack and works with national security to rescue the President from his kidnappers.
Director:
Antoine Fuqua
Stars:
Gerard Butler,
Aaron Eckhart,
Morgan Freeman
A biochemist and his dishy wife arrive in Berlin for a conference at which a scientist and his controversial Arab funder will announce breakthrough research. While his wife checks into the hotel, he grabs a cab to return to the airport for his briefcase, left at the curb. En route, an auto accident puts him in a coma, from which he awakes four days later without identification and with gaps in his memory. He goes to the hotel: his wife refuses to recognize him and another man has claimed his identity. With help from a nurse, the cab driver, a retired Stasi agent, and an academic friend, he tries to unravel what's going on. Is the answer in the briefcase?Written by
<jhailey@hotmail.com>
With the reference of Prince Shada as a Saudi prince with progressive and humanitarian ambitions, this film steps in line with current Saudi ruler Prince Mohammad bin Salman's so-called Hollywood "Charm Offensive" strategy. This has included various well-publicised meetings with Hollywood executives, producers and actors, such as Disney's Bob Iger, Warner Bros. chairman Kevin Tsujihara, Dwayne 'The Rock' Johnson and Oprah Winfrey. See more »
Goofs
The registration number of the taxi Neeson and Kruger use in the chase scene is identical to the one of the taxi previously crashed into the river. See more »
Quotes
[first lines]
Pilot's Voice:
Ladies and gentlemen, we're beginning our descent into Berlin Tegel, where local time is 8:30 AM, and the temperature is a cool minus four degrees.
Dr. Martin Harris:
Morning.
Elizabeth Harris:
Did you sleep?
Dr. Martin Harris:
No. I'll sleep at the hotel.
See more »
Crazy Credits
The opening credits are shown as clouds being viewed from an airplane blow past... not so crazy, except that it actually makes one of the credits unreadable. See more »
Multiple people have compared this to Neeson's 2008 release of "Taken." Both have a similar concept; Liam goes on a fast-paced journey to retrieve something special that has been taken from him. This time it is not his daughter; it is his mind. Unlike "Taken," "Unknown" is more of a suspense mystery than an action flick. There are some chases and fight scenes, but that is not the main focus. The movie's plot is focus and it is unique for it is unpredictable. We are confused like Neeson's character and there are times we don't know if he will succeed. There are multiple twists and unlike most mystery thrillers, it took me more than half through the film to figure it all out.
In short, "Unknown" is a fairly decent mystery thriller. Good performances. Good story for a mystery. Good music. Good cinematography—I particularly like the whole gray, dreary atmosphere that reflects the film's location's bleak weather. Good twists. Good suspense— the sound mixers must've had a kick in adding emphasis on sound effects to startle the audience. The one thing I will note is that Liam Neeson is really showing his age. This is not necessarily a bad thing; on the contrary, it helps his character out. It gets tiresome that Hollywood always uses the generic 30-something year old actor with smashing abs who is tossed into a terrible situation. It is nice to see an aging actor play an upper middle-aged man who has perhaps lost his mind while running away from people trying to kill him.
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Multiple people have compared this to Neeson's 2008 release of "Taken." Both have a similar concept; Liam goes on a fast-paced journey to retrieve something special that has been taken from him. This time it is not his daughter; it is his mind. Unlike "Taken," "Unknown" is more of a suspense mystery than an action flick. There are some chases and fight scenes, but that is not the main focus. The movie's plot is focus and it is unique for it is unpredictable. We are confused like Neeson's character and there are times we don't know if he will succeed. There are multiple twists and unlike most mystery thrillers, it took me more than half through the film to figure it all out.
In short, "Unknown" is a fairly decent mystery thriller. Good performances. Good story for a mystery. Good music. Good cinematography—I particularly like the whole gray, dreary atmosphere that reflects the film's location's bleak weather. Good twists. Good suspense— the sound mixers must've had a kick in adding emphasis on sound effects to startle the audience. The one thing I will note is that Liam Neeson is really showing his age. This is not necessarily a bad thing; on the contrary, it helps his character out. It gets tiresome that Hollywood always uses the generic 30-something year old actor with smashing abs who is tossed into a terrible situation. It is nice to see an aging actor play an upper middle-aged man who has perhaps lost his mind while running away from people trying to kill him.