"Lost" The Life and Death of Jeremy Bentham (TV Episode 2009) Poster

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10/10
Terry O'Quinn: Award Winning Performance
darking-switch27 February 2009
From the beginning of the fifth season, and due to the many strands of the story, the viewers didn't get a chance to watch a one-character-show focusing, which used to be in the previous seasons. In this episode the viewers will get the chance, and Terry O'Quinn will get the chance to shine...

Terry O'Quinn was relaxed, confident, and he didn't try to rush his scenes with a plain performance with no feelings like others in the series do. He got a chance to have a whole episode for only John Locke, and he didn't waste it. The acting came powerful, natural and touching...

The episode's script has many memorable lines, and its development was smooth and smart...
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9/10
"I remember dying"
gridoon202426 February 2009
It's amazing how this series keeps topping itself. I thought that the previous episode, "316", was the best of Season 5 so far, but "The Life And Death Of Jeremy Bentham" is arguably on an even higher league (we're talking "The Man From Tallahassee" league here). The mythology of LOST is getting thicker and thicker, and the lines between good & evil, life & death, past, present & future, are getting blurrier and blurrier. And yet the basic format of TLADOJB is rather simple: a series of one-on-one conversations between John Locke and a number of other characters, both new and old. Terry O'Quinn has always been one of the very best actors on the show, and here EVERYONE opposite him rises to his level. This episode is unusual, shocking and brilliant. ***1/2 out of 4.
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9/10
Terry O'Quinn steals the show
ruudpel19 July 2009
Warning: Spoilers
Wow. Just wow. You don't even have to know (or like, for that matter) Lost to appreciate this episode. Terry O'Quinn deserves an Emmy for his role as John Locke. Locke has always been one of the most intriguing characters on Lost, but in this episode he literally steals the show and shows what an amazing actor O'Quinn is. He acting is extremely emotional, but without overdoing it. I literally choked up watching him being killed. There is only one downside to this; if O'Quinn keeps this up, he will soon make everybody forget about anyone else on the show. And while I'm at it, the same applies for Michael Emerson, who is almost as good as O'Quinn. Maybe they can share the Emmy! Oh and the ending..one of the best endings EVER on TV: 'I remember dying.'

O'Quinn, Emerson and director Bender, you guys are simply amazing. Period.
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9/10
An extremely satisfying episode showing Locke's journey - but not flawless.
MrLinusWorkman27 February 2009
Warning: Spoilers
TLADOJB had it's fair amount of weaknesses, which i'll mention, but what's not to love about this episode? Seeing some new survivors already being shady, Locke coming back to life, meeting Widmore and finally getting to know more about his motives, Ben killing Locke...

This episode was fantastic. Very similar to the previous episode as far as the format goes. Strictly character driven, and it's all about just one character: Locke.

I have to say that there definitely were some missed opportunities, especially regarding his meeting with Walt, but it was a very enjoyable journey with a tragic and brutal end - Locke ending up being killed by Ben.

The flaws of the episode are mostly small writing errors(Locke not telling his fake identity only to one person, not mentioning "Very bad things happened" to Jack, minor details like that).

If this was any other show, I wouldn't care, but... this is Lost. The details make it what it is. While lots of this could still be fixed in a future flashback or even just a simple island-dialog, the fact that they were missing from THIS episode, will never be forgiven.

Overall, extremely great, slightly flawed episode of Lost, season 5 is terrific so far.
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A great episode, even if much of it was showing us what we already knew
ametaphysicalshark25 February 2009
This is a tough one to wrap my head around. On one hand I found that the episode was disappointing in that it seemed rushed and a few of the scenes (notably Locke's meetings with Sayid and Walt, especially the latter) could have been handled far better. These scenes weren't necessarily particularly bad in any way, they just could have been executed with more aplomb. I wouldn't worry about this scene being the 'closure' for Walt, I've read something which suggests otherwise but if it really is then it would be somewhat disappointing. Good thing it's probably not.

I think that with the massive hype for this episode within the online "Lost" community some level of disappointment was guaranteed. Still, none of it was actually poor at all. The story was satisfying, the writing for the characters exceptionally strong (I actually don't think Kate's ever been written better than during her scene with Locke), and all in all I think the fact that this episode was not the best of the season as many expected (in my humble estimation last week's episode "316" and especially episode 5 "This Place is Death" have this easily beat) is down to not every scene being as good as it could have potentially been, as well as the fact that we already knew 90% of what would happen. The Ben/Locke scene was not entirely unpredictable, and I honestly guessed the outcome as soon as Ben knocked on the door.

"The Life and Death of Jeremy Bentham" had some surprises in store. They ranged from major (Widmore's appearance) to minor (learning Helen's fate), but for the most part the episode was just filling in the blanks. It was literally the bare minimum that the Jeremy Bentham story could've been. He got off the island, spoke to the Oceanic 6, wrote his suicide note, and got killed. The episode wasn't as excellent as "316" as far as the writing goes, even if it did have a better overall story. I found this episode disappointing when compared to many previous Locke episodes, where it should have been a towering, crowning achievement.

Yet my criticism isn't really criticism, and I feel silly for saying what I'm saying. Had this been any other episode, had I not known anything about it before sitting down to watch it, I would have liked it the same (a hell of a lot) but wouldn't have been disappointed. That's the danger of expectations and hype, I suppose. The episode was very well-written by Carlton Cuse and Damon Lindelof. However, there was one thing about the episode which simply did not disappoint: the scene with Ben and Locke. This episode's success hinged on that scene. The success of Locke's story hinged on that scene. Personally, I thought they absolutely 100% nailed it. The scene could not have been better, and I think it rivals the ending of "Walkabout" in terms of just how emotional and heartbreaking it was. Genuinely tough to watch, but what a brilliant scene in every regard.

Ultimately I think that despite some disappointing story points and writing, "The Life and Death of Jeremy Bentham" was yet another great episode. The main reason it succeeded is because the writers stayed true to the characters throughout. There was not a second of this which they didn't sell me on, in spite of how preposterous much of it was. In particular I think Jack, Ben, and (obviously) Locke were written superbly in this episode.
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10/10
The Tragedy of John Locke
tomasmmc-771987 May 2023
Warning: Spoilers
A man's life can be defined by his legacy, how he lived, what he leaves behind the moment he dies. And how is he going to be remembered. When I think about John Locke, this phenomenal character created by Lost, I feel sorrow. Pity. A sad existence. Life and Death of Jeremy Bentham shows the most tragic ending possible. The story was great despite the inconsistencies, and the acting, superb, especially from Terry O'Quinn.

The beginning is slow, showing the Man in Black impersonating Locke (though back then it was supposed to deceive), and the moment he sees Ben again. Here should be noticeable the difference between the fake and the real Locke. John had fear, he wasn't so assertive, or confident. The Man in Black is simply fearless, audacious.

The rest of the episode (except the end) shows the last days of life for John. Widmore rescues him from the desert, and provides him with all the necessary equipment to reach the Oceanic Six. According to Widmore (who was already visited by Jacob off screen), there's going to be a war, and the losties have to get back. Abbadon (who suggested Locke to make a walkabout trip in Cabin Fever flashbacks), acts as the driver. First, John visits Sayid at Santo Domingo. It's been almost three years since There's No Place Like Home. Sayid spent nine months with Nadia, two years working for Ben, and the last few months doing charity work. Though John tries to convince him, Sayid refuses, thinking someone is manipulating Locke. It's certain he knows about Widmore, and doesn't trust this. I understand that the conversation was brief, and Sayid didn't ask about the rest of the survivors, but if he guessed that Widmore was behind John's return, then it would make sense. He chooses to stay out. Rejection one.

Next, Locke pays a visit to Walt in New York. This is surely the most beautiful scene of the whole episode. All the memories of season 1, with John acting as a mentor for the younger Walt, in quarrels with Michael. Plus, the score by Giacchino. It's extremely touching. John refuses to tell Walt that Michael died, ignores the strange dreams (late season 3) and lets him be on his new life at school. There's no doubt that of all the people in the world, all the characters, the one who had the most genuine concern for Locke, is Walt. James would come second, though he's in the island.

Then, John goes to Santa Monica psychiatric hospital, and meets Hurley. At first, things go well, and John convinces him he's not dead. Still Hurley thinks that no one would want to return and informs him about Sun, Jack, and Kate. And then, the whole talk goes to waste the moment Hurley spots Abbadon in the car. Considering what happened before, he leaves abruptly, and John is left baffled, aware of Abbadon's interference. Rejection two.

Later, Locke goes to Kate's, who simply refuses to leave. She doesn't explain her reasons, obviously Aaron, and instead counters bringing love subject on the table. Apparently, she doesn't really care about the ones who stayed in the island, not anymore, and wishes to know why John would want to be there so badly. He tells her about Helen. "It just didn't work out..." "I was angry... I was... obsessed..." "And look how far you've come" This shakes John, who leaves the house, distressed. This certainly says how he feels. Alone. Misunderstood. Unhappy. Like his life has been worthless. And it's sad, because no one really wanted to help him. Kate simply minded her own business. Rejection three.

Then, Abbadon finally takes him to visit Helen, who died in 2006 from brain aneurysm. A saddened Locke stares at her grave, wishing he had done things different. She loved him, and they could have been together. Abbadon states that she would have died anyway, but John is hesitant. Asked about Richard's words, John says he doesn't want to die, but if he has no choice... Is it inevitable? Only the writers know the answer. I liked very much this scene. It explains what happened to Helen, who surely learned of John's supposed demise at the accident in 2004. If she was born in 1957, in 2006, she had 49. How likely is a brain aneurysm at that age? John hoped she would be alive if he stayed with her, if he had chosen her instead of his father. These are regrets, the regrets a man has sensing the end of his life. John had been pondering death for a time now, and he can't help but to think about his past.

Sadly, when they are about to leave the cemetery, Abbadon is shot and killed, so John drives the car to get away. He has an accident, and is carried to the hospital, only to wake up in a room, with Jack watching over him. At this point, Jack already has a light beard, and is obviously apart from Kate, surely for a month at least. In another short conversation, Jack refuses to listen, and prefers to stay away. He says John was never special, just a lonely old man who crashed on an island. Jack only doubts when Locke tells him about Christian, but leaves anyway, angry. Rejection four. It was harsh, but necessary. This was the perfect build up for the first flashforward scene of Through the Looking Glass. Jack will regret doing this forever. So much, that he'll want to reunite with Locke, just to tell him he was right. Broken. Alone. Depressed. Jack and John had these things in common, and almost never could understand each other. And both wished to end their lives the same way.

In the end, John feels like a failure, and even tosses away the cellphone to call Widmore. He couldn't do anything to convince the others. There's no one else for him. No family, no friends, no destiny. All he can do, is end his life, hoping it'll work of something. And this is the tragedy. Feeling that you have to die to achieve something. John didn't really want to die. He wanted to be happy with Helen. He wanted a family who loved him. And then, he wanted to be at the island, and fulfill a destiny. Have a purpose. It's tearful.

Ben's intervention served for John to open up, and tell his reasons. A failure. "I am!" He sobs, and reveals how weak he has been. How broken, how useless he feels. And Ben ends up killing him mercilessly after getting Jin's ring and the information of Eloise Hawking. It's cruel. Unfair. Tragic. I hated John in Fire plus Water for instance, but then, overall, he was a great character. He deserved surely a different ending. I guess the lesson is that life is just the way it is. Sometimes people who suffers cannot have a happy ending, not on this life.

I want to make one last comment, about Jack. According to Ben, he bought a plane ticket, surely the day after John was released from the hospital. And he'd keep flying, every day and every night, until his beard grows to the extent of Through the Looking Glass. Until Jeremy Bentham's obituary appears on the newspaper.
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9/10
Life after death
TheLittleSongbird21 July 2018
When 'Lost' was in its prime, it was must-watch television. Remember first watching it, found it remarkably easy to get into, was hooked from the start and was on Season 3 by the end of one week. The general consensus is that the final season is a disappointment and cannot disagree.

Season 4 was a solid season, with high points such as "The Beginning of the End", the three part finale and particularly "The Constant" and the only disappointments (though they were still decent) being "The Other Woman" and "Eggtown". "Because You Left" couldn't be a better way to start Season 5, definitely among the stronger 'Lost' season openers and one of the most confident and most settled. The episodes between that and this were also good to great, with the weakest "Jughead" still having a lot of great values.

"The Life and Death of Jeremy Bentham" is a great episode, albeit not one of the show's best. It's taut and thought-provoking, providing new mysteries and questions if not exactly resolutions or answers here, but what could have been a problem in this regard was not annoying at all because everything else was so exceptional. The on-island events are tense, emotional and above all gripping.

On top of all that, it advances characters, shows plot progression rather than repeating itself or being filler. There are surprising moments and also illuminating ones. The edge-of-your-seat and unsettling climax is a Season 5 highlight, there is great development for Locke and the writing for Kate is some of her best.

Also found "The Life and Death of Jeremy Bentham" to be an episode full of entertainment value, edge of your seat tension and emotional moments. The more dialogue-driven parts is a case of it being thought-probing, relevant and adding a lot rather than slowing things down and rambling.

Can't fault the performances, particularly from Michael Emerson and Terry O'Quinn, the latter giving some of his best acting of the show.

Nor the stylishness and atmosphere of the visuals, nor the effectively understated and chilling use of music, taut writing and the tightly controlled direction (one of the best of the season and perhaps of the show).

It is agreed though that the episode is a bit rushed and the writing for Walt especially is not as interesting or as focused. Other episodes do better in not reiterating what is already known too.

Otherwise, as already indicated, a great episode. 9/10 Bethany Cox
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4/10
One of the most disappointing episodes of Lost
radagast_ocastanho9 April 2009
Warning: Spoilers
The more I think about it, the more I realize how weak this episode was. I wish someone would tell me exactly what they found so incredibly great about it. It seems to me it was poor in every scene (except for the climax with Ben and Locke and possibly the conversation between Locke and Hurley). It was an absolute disaster in regard to the motivations of the Oceanic 6 about going back to the island, and elevated the lack of shared information between the characters to the paroxysm.

Let's see: - Locke shows up where Sayid is working. We never see the beginning of the conversation, but it feels like Sayid didn't even ask Locke how the hell did he get off the island, and never seems to worry about how the friends they left behind were. The lame excuse that the writers wanna hold information from us does not even apply here, since we knew the answers to all these questions. But remains the fact that Sayid didn't, and it would be only natural that he wanted to know them. That being said, there's no reason why Sayid wouldn't want to go back to the island. Nadia was dead, and he spent most of those three years killing people for Ben, believing that he was revenging Nadia's death, just to find out, in the end, that those murders were rather pointless, as far as he was concerned. The only possible meaning the guy can still find in his life is to go back to the island and save his friends; when this opportunity presents itself, he declines? It doesn't make any sense to me.

  • Jack's life is a mess. Kate doesn't wanna see him, he's being kept away from his nephew, his ex-wife is with another man, his father is dead and he's seeing visions of him at night, he's drunk. Thus, the "we have to go back" line from the season three finale is completely plausible. As we see in that same scene, he tells Kate that he's been flying "every Friday night", hoping to crash. He implies that this has been going on for some time now. And yet, he and Kate have this conversation one day after Locke's death. And what do we learn in The Life and Death of Jeremy Bentham? That, a few hours before his death, Locke was in the hospital trying to convince Jack that he had to go back to the island (it's safe to assume that it was the same day, or at least the dates were close, since, in his suicide scene, Locke is still showing the bruises from the accident that put him in the hospital). And yet, Jack refuses, without even asking (just like Sayid) how did Locke get off the island, how their friends - including his sister - were, and so on. But, judging by his conversation with Kate in Through The Looking Glass, we have to assume that, at this point, he was already flying back and forth, obsessed with coming back to the island. So what the reason could Jack possibly have for lying to Locke about this? The bald guy was the first concrete chance Jack had to go back to the island! You'd think he'd grasp at the chance fiercely. It doesn't make any sense to me that Jack didn't ask any questions to Locke, and that he didn't agree with coming back.


  • The conversation with Kate was a little easier to buy, in the light of the recent developments shown in Whatever Happened, Happened. She was comfortable in the role of a mother, she didn't have to run anymore, she was in relative peace. It makes sense that she wouldn't want to go back, having to leave Aaron and, worse, confronting Claire. But, still, she could have asked John some questions - the same basic ones already mentioned: "how did you leave the island?", "how is everybody else?", "how the heck did the island disappear?", and so on.


  • Walt, too, failed to ask questions - he did ask about his father (with understandable coldness, since he must have discovered the horrible things Michal had done), but you'd expect the kid to ask about Vincent and everybody else. Besides, both Walt and Locke were acting like this meeting was no big deal, that it was perfectly normal. Of course, one could argue that since Walt and Locke are "special", they understand each other in a deeper level, that they share some kind of connection, and therefore were aware of each other's thoughts. Or something like that. I, personally, find this explanation a bit contrived.


Bearing in mind that these conversations were the spine of the episode, and that they reflected all the psychological reasons for the Oceanic 6 to come back (or not) to the island, reasons that were built up through all the flash-forwards we've seen since the season three finale... The Life and Death of Jeremy Bentham pretty much wrecked this whole building up, making everything that happened since the O6 left the island looking silly and without meaning, and resuming Sayid, Jack and Kate to selfish bastards who don't even bother to ask or care about their friends.

The only reason this episode received these four stars I gave it is the phenomenal acting Terry O'Quinn gave us here, in spite of the poor writing. (Okay, the dialogues in itself weren't bad; there was some pretty good stuff, as far as great lines go. But what the dialogues really meant in the bigger picture... that's what ruined the whole thing). Michael Emerson, too, did, once again, an excellent job, and the climax of the episode was all kinds of wonderful. In itself, that scene was one of the best Lost has ever presented us with; but, as the rest of the episode was so inexcusably bad, it wasn't enough to save it.
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5/10
The Manipulations of Ben Are Enough
claudio_carvalho19 April 2013
In Africa, John Locke appears in the desert with compound fracture in one of his legs; however, he is rescued by Charles Widmore. The millionaire offers the support of Matthew Abaddon to help Locke to find the Oceanic Six and convince them to return to the island. Locke is unsuccessful in his intent and when Matthew and Locke are attacked in the cemetery, Locke flees but has a car accident. He goes to the hospital where Jack is working and he decides to commit suicide. However Ben arrives in his room…

"The Life and Death of Jeremy Bentham" is an episode that shows the fate of John Locke after the Orchid, when he leaves the island. The conclusion is quite irritating and I believe that most of the viewers are sick and tired with the manipulations of Ben with the "naïve" survivors. My vote is five.

Title (Brazil): "The Life and Death of Jeremy Bentham"
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