
The Interrupters (2011)
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- Unrated
- 2h 5min
- Documentary, Crime
- 12 Aug 2011 (UK)
- Movie
- 10 wins & 17 nominations.
- See more »
Photos and Videos
Cast
Directed by
Steve James |
Written by
Alex Kotlowitz | ... | (New York Times magazine article) |
Produced by
Raney Aronson | ... | series senior producer: Frontline (as Raney Aronson-Rath) |
David Fanning | ... | executive producer: Frontline |
Sally Jo Fifer | ... | executive producer: ITVS |
Steve James | ... | producer |
Alex Kotlowitz | ... | producer |
Teddy Leifer | ... | executive producer |
Justine Nagan | ... | executive producer |
Zak Piper | ... | co-producer |
Gordon Quinn | ... | executive producer |
Michael Sullivan | ... | executive producer: Frontline, special projects (as Mike Sullivan) |
Paul W. Taylor | ... | executive producer (as Paul Taylor) |
Music by
Joshua Abrams |
Cinematography by
Steve James |
Editing by
Steve James | ||
Aaron Wickenden |
Editorial Department
Joe Flanagan | ... | producer: Nolo Digital Film |
Nora Gully | ... | assistant editor |
Michael Matusek | ... | colorist |
Elliot Rudmann | ... | assistant: Nolo Digital Film / on-line editor |
Boris Seagraves | ... | engineer: Nolo Digital Film / on-line editor |
Production Management
Aaron Wickenden | ... | post-production supervisor |
Second Unit Director or Assistant Director
Richard O'Connell | ... | director of production: ITVS |
Art Department
Damon Locks | ... | poster designer |
Sheila Sachs | ... | typesetting: poster |
Dan Sharkey | ... | graphic designer |
Matt Sharkey | ... | graphic designer |
Sound Department
Steven Aguilar | ... | audio post assistant |
Alex Kotlowitz | ... | additional sound recordist |
John Mathie | ... | additional sound recordist |
Zak Piper | ... | sound recordist |
Rich Pooler | ... | additional sound recordist |
Risé Sanders-Weir | ... | audio producer (as Risé Sanders) |
Martin Stebbing | ... | audio post assistant |
Patrick Tillmann | ... | additional sound recordist (as Pat Tillman) |
Drew Weir | ... | re-recording mixer |
Camera and Electrical Department
Damon Hennessey | ... | additional camera |
Jackson James | ... | additional camera |
Dana Kupper | ... | additional camera |
Zak Piper | ... | additional camera |
Mirko Popadic | ... | additional camera assistant: "a" camera |
Adam Singer | ... | additional camera |
Keith Walker | ... | additional camera |
Aaron Wickenden | ... | still photographer |
Music Department
Joshua Abrams | ... | music recordist / musician: acoustic bass, electric bass, percussion, drums, MPC, piano, Wurltzer, MS20 |
Jason Adasiewicz | ... | musician: marimba, vibes |
David Boykin | ... | musician: bass clarinet |
Linda Cohen | ... | music supervisor |
Nicole Mitchell | ... | musician: flute, alto flute, bass flute |
Jeff Parker | ... | musician: guitar |
Tomeka Reid | ... | musician: cello |
Neil Strauch | ... | music mixer / music recordist |
Additional Crew
Yvonne Afable | ... | bookkeeper: Kartemquin |
Claire Aguilar | ... | vice president of programming: ITVS |
Jacinta Banks | ... | production staff: Kartemquin Films |
Ethan Barnowsky | ... | intern: Kartemquin |
Jennifer Bjornberg | ... | legal council: Kartemquin Films |
Jim Bracciale | ... | series manager: Frontline |
Jessica Bradish | ... | intern: Kartemquin |
Mia Capodilupo | ... | bookkeeper: Kartemquin |
Ranjani Chakraborty | ... | intern: Kartemquin |
Sonya Childress | ... | outreach and civic engagement |
Kate Donalek | ... | intern: Kartemquin |
Latoya Flowers | ... | intern: Kartemquin / production assistant |
Michael Foley | ... | intern: Kartemquin |
Nick Fraccaro | ... | intern: Kartemquin |
Kevin Fullam | ... | intern: Kartemquin |
Brett Hanover | ... | intern: Kartemquin |
Tristan Hanson | ... | intern: Kartemquin (as Tristan Steinfeld) |
Emily Hart | ... | researcher |
Tim Horsburgh | ... | communications manager: Kartemquin |
Shelly Hubman | ... | translator |
Dylan James | ... | transcriber |
Peter Jaszi | ... | fair use consultant |
Liz Kaar | ... | technical consultant |
Ian Robertson Kibbe | ... | translator (as Ian Kibbe) |
John Kostka | ... | intern: Kartemquin |
Robert Labate | ... | legal council: Kartemquin Films |
Lauren Makholm | ... | translator |
Aaron McGrath | ... | transcriber |
Jim Morrissette | ... | technical supervisor |
Elizabeth Neufeld | ... | production staff: Kartemquin Films |
Aubyn Niemi | ... | intern: Kartemquin |
Lesley Onstott | ... | transcriber |
Manu Pandey | ... | production assistant: RISE Films |
Allison Pichert | ... | intern: Kartemquin |
Brittany Piper | ... | transcriber |
Joe Riina-Ferrie | ... | transcriber |
Hannah Rothman | ... | intern: Kartemquin |
Cate Ryan | ... | bookkeeper: Kartemquin |
Dinesh Sabu | ... | production staff: Kartemquin Films |
L. Anton Seals Jr. | ... | outreach and civic engagement |
Robby Sexton | ... | transcriber |
Ayesha Siddiqi | ... | intern: Kartemquin |
Philister Sidigu | ... | intern: Kartemquin |
Leslie Simmer | ... | production staff: Kartemquin Films |
John Stack | ... | production assistant: RISE Films |
Anne Stulz | ... | publicist |
Lisa Sullivan | ... | contracts manager: Frontline |
Emily Thomas | ... | intern: Kartemquin |
Stanzi Vaubel | ... | intern: Kartemquin |
Cassie Wierenga | ... | intern: Kartemquin |
Adora Wilson-Eye | ... | intern: Kartemquin |
Shuling Yong | ... | intern: Kartemquin |
David Magdael | ... | publicist (uncredited) |
Thanks
Claire Aguilar | ... | special thanks |
Ines Lagos | ... | special thanks |
Production Companies
Distributors
- The Cinema Guild (2011) (United States) (theatrical)
- Journeyman Pictures (2016) (Non-US)
- Public Broadcasting Service (PBS) (2011) (United States) (tv)
Special Effects
Other Companies
- Dizzy Giant (titles and graphics facility)
- Holland & Knight (legal council: Kartemquin Films)
- Nolo Digital Film (high definition finish)
- Olswang (legal council: RISE Films)
- Sundance Film Festival (festival)
- Vagabond Audio (audio post-production)
Storyline
Plot Summary |
The Interrupters tells the moving and surprising stories of three Violence Interrupters who try to protect their Chicago communities from the violence they once employed. From acclaimed director Steve James and bestselling author Alex Kotlowitz, this film is an unusually intimate journey into the stubborn, persistence of violence in our cities. Shot over the course of a year out of Kartemquin Films, The Interrupters captures a period in Chicago when it became a national symbol for the violence in our cities. During that period, the city was besieged by high-profile incidents, most notably the brutal beating of Derrion Albert, a Chicago High School student, whose death was caught on videotape. The film's main subjects work for an innovative organization, CeaseFire, which believes that the spread of violence mimics the spread of infectious diseases, and so the treatment should be similar: go after the most infected, and stop the infection at its source. The singular mission of the "Violence Interrupters" - who have credibility on the streets because of their own personal histories -- is to intervene in conflicts before they explode into violence. In The Interrupters, Ameena Matthews, whose father is Jeff Fort, one of the city's most notorious gang leaders, was herself a drug ring enforcer. But having children and finding solace in her Muslim faith pulled her off the streets and grounded her. In the wake of Derrion Albert's death, Ameena becomes a close confidante to his mother, and helps her through her grieving. Ameena, who is known among her colleagues for her fearlessness, befriends a feisty teenaged girl who reminds her of herself at that age. The film follows that friendship over the course of many months, as Ameena tries to nudge the troubled girl in the right direction. Cobe Williams, scarred by his father's murder, was in and out of prison, until he had had enough. His family - particularly a young son - helped him find his footing. Cobe disarms others with his humor and his general good nature. His most challenging moment comes when he has to confront a man so bent on revenge that Cobe has to pat him down to make sure he's put away his gun. Like Ameena, he gets deeply involved in the lives of those he encounters, including a teenaged boy just out of prison and a young man from his old neighborhood who's squatting in a foreclosed home. Eddie Bocanegra is haunted by a murder he committed when he was seventeen. His CeaseFire work is a part of his repentance for what he did. Eddie is most deeply disturbed by the aftereffects of the violence on children, and so he spends much of his time working with younger kids in an effort to both keep them off the streets and to get support to those who need it - including a 16-year-old girl whose brother died in her arms. Soulful and empathic, Eddie, who learned to paint in prison, teaches art to children, trying to warn them of the debilitating trauma experienced by those touched by the violence. The Interrupters follows Ameena, Cobe and Eddie as they go about their work, and while doing so reveals their own inspired journeys of hope and redemption. The film attempts to make sense of what CeaseFire's Tio Hardiman calls, simply, "the madness". Written by Kartemquin Films |
Plot Keywords | |
Taglines | Every City Needs Its Heroes See more » |
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Parents Guide | View content advisory » |
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Box Office
Opening Weekend United States | $3,557, 05 Aug 2011 |
Did You Know?
Trivia | The film is Steve James' sixth feature length collaboration with his long-time filmmaking home, the non-profit Chicago production studio Kartemquin Films, and is also his fifth feature to screen at the Sundance Film Festival. See more » |
Movie Connections | Featured in Episode #2.12 (2011). See more » |
Soundtracks | We Came To Party See more » |