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The Interrupters (2011)

Unrated  |   |  Documentary, Crime  |  12 August 2011 (UK)
7.5
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Ratings: 7.5/10 from 2,933 users   Metascore: 86/100
Reviews: 14 user | 77 critic | 24 from Metacritic.com

A year in the life of a city grappling with urban violence.

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(New York Times magazine article)
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Director: Steve James
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Cast

Cast overview, first billed only:
Tio Hardiman ...
Himself
Ameena Matthews ...
Herself
Toya Batey ...
Herself
Cobe Williams ...
Himself
Gary Slutkin ...
Himself
Earl Sawyer ...
Himself
Bud Oliver ...
Himself
Kenneth Oliver ...
Himself
Caprysha Anderson ...
Heraelf
Sheikh Rasheed ...
Himself
Alfreda Williams ...
Herself
Mildred Jones ...
Herself
Mildred Williams ...
Herself
Lillian 'Madea' Smith ...
Herself
Rashida ...
Herself
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Storyline

The Interrupters tells the moving and surprising stories of three Violence Interrupters who try to protect their Chicago communities from the violence they once employed. From acclaimed director Steve James and bestselling author Alex Kotlowitz, this film is an unusually intimate journey into the stubborn, persistence of violence in our cities. Shot over the course of a year out of Kartemquin Films, The Interrupters captures a period in Chicago when it became a national symbol for the violence in our cities. During that period, the city was besieged by high-profile incidents, most notably the brutal beating of Derrion Albert, a Chicago High School student, whose death was caught on videotape. The film's main subjects work for an innovative organization, CeaseFire, which believes that the spread of violence mimics the spread of infectious diseases, and so the treatment should be similar: go after the most infected, and stop the infection at its source. The singular mission of the "... Written by Kartemquin Films

Plot Summary | Add Synopsis

Taglines:

Every City Needs Its Heroes

Genres:

Documentary | Crime

Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

12 August 2011 (UK)  »

Also Known As:

Untitled Steve James Project  »

Filming Locations:

 »

Box Office

Opening Weekend:

$3,557 (USA) (5 August 2011)

Gross:

$282,448 (USA) (17 February 2012)
 »

Company Credits

Production Co:

,  »
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Did You Know?

Trivia

The film is Steve James' sixth feature length collaboration with his long-time filmmaking home, the non-profit Chicago production studio Kartemquin Films, and is also his fifth feature to screen at the Sundance Film Festival. See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #2.12 (2011) See more »

Soundtracks

We Came To Party
Written by Brendon Dallas a.k.a. Money Flip
Performed by Money Flip featuring Punch G and Ace Da God
Courtesy of HollaScreem Records
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User Reviews

 
The Interrupters know firsthand the consequences of violence & they are pushing for change
19 September 2011 | by (Rockville, MD) – See all my reviews

The Interrupters is frustrating. The three 'violence interrupters' which this film follows must have an endless supply of optimism and an iron will to go out there every day and try and convince people, who mostly are not looking to be convinced, that there are better choices than resorting to violence and revenge. A normal person would give up, probably on the first day, but not the CeaseFire interrupters.

Most of CeaseFire's violence interrupters are ex-cons. This is actually a plus on their job application for a position like this. They know firsthand the consequences and utter futility which comes with choosing the violent option in an argument on the street. Their goal is to intervene in an argument's 'front end' before pistols are drawn from waistbands.

Chicago has drawn national attention for the number of murders which happen on its streets every year, especially involving adolescents. The Interrupters follows a year in the life not just of the CeaseFire organization, but specifically three of their most committed mediators. The most engaging and interesting person by far is Ameena Matthews. She is the daughter of Jeff Fort, one of Chicago's most notorious gangsters, who made mistakes in her youth but is now out in force and ready to get in your face to show you just how wrong a choice violence is. With no fear, Ameena will walk in the middle of a large group of young gangbangers and give them a lecture on just where they are headed. Amazingly, these lectures usually work. You do not want to disappoint Ameena Matthews; she is one of the most persuasive and enigmatic people ever to show up in a documentary.

Her fellow mediators are not as engaging as she is though. Cobe Williams is usually an interesting guy to follow, especially when he is trying to calm down a man known as 'Flamo'. Flamo has a particularly bad day when he first meet him and appears to be 100% ready to charge down the block and start a shooting spree. Cobe listens, nods his head, and then offers to take Flamo out to dinner thereby putting some distance and time between him and his problems. We check in with Flamo every now and then and he provides some segments of comic relief and even some hope.

The third mediator is Eddie Bocanegra. He comes in a distant third on this list of three. Most of the time, he is with the family of a deceased young man who made some poor choices and ended up in a coffin. Eddie strikes up a relationship with the boy's sister and encourages her to draw to deal with her grief. The rest of the time, Eddie leads an art class in a local elementary school to teach the kids who are just a few years away from their prime ages of vulnerability to think through their choices to their logical conclusions. Eddie is never shown actually talking down violent situations like Ameena and Cobe are. He acts as more of a peripheral mediator rather than a down in the mud violence buffer, at least that is how the editing process shows him.

The filmmaker, Steve James (Hoop Dreams), checks in with various at risk youth throughout the year. Some start off in very shaky and turbulent places but steadily pull themselves up and out of the gutter. Others, however, leave you shaking your head at the end acknowledging that there will most likely be many more failures for the mediators than successes. Happy endings really do seem few and far between in the streets of Chicago, even when there are extremely persuasive interrupters who guarantee that if you pull the trigger, you will not win in the end.


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