"Law & Order: Criminal Intent" Revolution (TV Episode 2009) Poster

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7/10
A few must suffer to save the many
Mrpalli778 October 2017
Warning: Spoilers
A bank CEO was shot dead together with his bodyguard, in what it seemed to be a kidnapping went bad. The shooter (Jas Anderson), a black drug dealer nicknamed "Mighty Mouse" talked too much and the ring leader strangled him the day after to prevent him exposing the gang. As a matter of fact, the gang is really a duo made up by father and daughter, both of German origin (Nichols figured it out right away because they used present perfect and simple past in the same way). A revolution in communist style with one-way plane ticket to Cuba if something went wrong. Anyway they had no chance to succeed. FBI joined the squad to chase the perps.

At the end Nichols show empathy to the victim, having seen her as a scapegoat of a bigger plan and he does his best to save her life.
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9/10
Standing up
TheLittleSongbird4 August 2021
Season 8 of 'Law and Order: Criminal Intent' was on the most part very impressive, with a vast majority of episodes ranging between good and great, not quite as good as that for the original 'Law and Order' (which had a higher number of great and more episodes) but better than the up and down one for 'Special Victims Unit'. "Rock Star", "In Treatment" and "All In" disappointed, but "Identity Crisis", "Family Values" and "Major Case" were particularly brilliant.

The Season 8 finale "Revolution" is a great finale and of the three Season 8 finales of 'Law and Order', 'Special Victims Unit' and 'Criminal Intent', this is second best after 'Special Victims Unit's' "Screwed". Also think it is one of the season's, which is not one of the show's best overall seasons but much more consistent than Seasons 5-7 and one of the better seasons of the period where the show became more variable, best. In the top 5 perhaps.

Let down only by the final target not making much sense.

"Revolution" is truly excellent in all other areas. The production values are fine, have always liked the photography's intimacy and grit and the look of the show has come on a good deal over-time (and it was good to begin with). The music doesn't intrude and has a haunting quality, have not always remembered to say that the theme tune is easy to remember and holds up. The direction is impeccable.

When it comes to the story, "Revolution" is beautifully balanced and never lets up on the entertainment value and tension. While also being darkly suspenseful and not being deprived (far from it) of twists. Ones that are very plausible, well paced and surprising and ones that kept me guessing from start to finish. The script is taut and thoughtful. The regular chemistry is spot on.

As are the regulars' performances. Steven Lang is chillingly cold blooded in one of Season 8's best guest turns.

Concluding, truly excellent. 9/10.
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6/10
You Say You Want a Revolution
bkoganbing5 July 2016
The banking crisis of the last decade is the background for this particular CI episode. At that time and even up to today bankers were not held in high esteem. But few are ready to go as far as Stephen Lang is.

Lang is a former member of the old Baader-Meinhoff gang of revolutionaries who plagued what was then West Germany from the 60s to the 80s. Kidnappings and bombings of "capitalist" targets were their specialty with an occasional sideline into robbing those capitalist institutions to finance the "revolution". I'm sure then as now these folks were kind of fuzzy as to exactly what replaces capitalism and how it works.

A little cross teaming is involved in this episode as Jeff Goldblum is working with Kathryn Erbe. Lang is traveling to with a young female protégé of sorts whom he's schooled in the propaganda language and the techniques of bomb making. She's played by Tania Raymonde and she's in for a few surprises herself.

Lang is something to see though. He's one coldblooded piece of work and one of the most dangerous foes that CI ever dealt with. But he does have his weaknesses as we find out.

This one is to watch for Lang and for Raymonde and the secrets shared and kept.
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Next stop: Cuba
lor_6 July 2023
Stephen Lang stars memorably as the evil criminal of the week in this edition of "Criminal Intent" and he's definitely worth watching. A few months later he would hit the big screen in the role that he will be most remembered for (thanks to the vast audience who saw it) in "Avatar". His work as a former German terrorist is absolutely terrific.

Fans of the show were also being treated to extra appearances of Kathryn Erbe as Goldblum's sidekick, having filled in while Julianne Nicholson was on maternity leave -the talented actress departing network tv to resume her lauded career in independent movies.
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Season 8: Goldblum livens it up a bit but it is nothing to really be excited by
bob the moo22 November 2009
If you're not already doing so, you should probably take my opinion with the big caveat that this show and its ilk are not really my cup of tea. I watched a few episodes of Criminal Intent when it first came to the UK and I remember quite enjoying it in the non-committal, far-from-hooked way in which I have always watched this series and those of other similar franchises such as CSI. However my girlfriend quite likes this sort of thing because, she will freely admit, they don't represent a massive demand on your brain, while the 42-minute story arches mean you can dip in and out without worrying about missing anything too important (unlike shows such as Sopranos, The Wire, 24 etc). Anyway, the reason she decided to watch season 8 of this show was because of the addition of Jeff Goldblum to the cast – an actor who is perhaps not that varied but is quite enjoyable with what he does.

Starting the season informed us that this would be a tag-team approach between the two male/female set of detectives, with Goren and Eames doing one episode, Nichols and Wheeler doing the next and so on. With no real overall narrative flow the show does come down to the individual episodes to work, which I guess means that the writers deserve credit for coming up with as many solid crime stories as they do. None of them ever set the screen on fire but they are not "bad" by any means and if you are looking for a simple story that will be resolved by the end of the episode then it delivers on that. Personally I find it rather dull and lacking any sort of hook but each to their own. The problem for me being bored is that I start picking holes and wondering whether some of the lies that the detectives used must surely be easily used by the defendants' lawyers to get the case thrown out when it comes down to the trial, but this sort of stuff comes with the genre I guess.

The main thing that stops me really enjoying the show is the overly serious and sombre tone it has throughout. It never seems to deserve this or be able to justify being this way and it feels like it has been papered on. The music is the worst example of this and it really bugged me at times, with this constant brooding score playing over the vast majority of the scenes making me feel like an idiot who needs to have this heavy presence to make me realise that "this is a proper crime drama". The performances seem to be pitched the same way. I remember quite liking D'Onofrio when I dipped in and out of CI some years ago but here he is just morose and lacking much in the way of character. On top of that his greying hair and increasing bulk makes him seem like CSI's Grissam but with any flair or life sucked out. Erbe plays it very straight perhaps to a fault. As a result of this, after a few goes we ended up just watching the episodes led by Goldblum and Nicholson. Goldblum does add a bit of life to his episodes. Like I said, his routine is almost at point of self-parody but he does at least have a bit of spark to him. Perhaps the writers push this too far though, since they cannot help but have him play piano at every given chance and maybe overdo his tricky, smirky turn at times. Nicholson plays off him well – letting him hog the scene but not just being dull. Bogosian delivers a solid performance although the well-worn rut of his character is a bit of an open goal. The various special guests that come and go do pretty good work with the only downside being that mostly you can guess the killer (or someone who is key in the solution) simply based on the fact that you know their face from somewhere – example being Herc from The Wire playing a minor character who apparently has no connection to the crime being investigated, I called it within a second of seeing his face and generally this sort of logic does work every time.

I know that this is one of the big network shows that gets a lot of viewers but, on the evidence of season 8, even with the fresh addition of Goldblum, I struggle to see why. It carries itself with an unjustified heavy and sombre air and generally lacks spark or a hook across the board. It is all too expensive and professionally made to be "bad" but I found almost nothing in it to be excited or enthusiastic about.
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