
All the Moons (2020)
Ilargi Guztiak (original title)Reference View | Change View
- 1h 42min
- Drama, Fantasy
- 10 Feb 2022 (USA)
- Movie
- 3 wins & 1 nomination.
- See more »
Photos and Videos
Cast
![]() |
Elena Uriz | ... |
Madre Superiora
|
![]() |
Miriam del Prado | ... |
Monja
|
![]() |
Justi Larrinaga | ... |
Monja
|
![]() |
Maite Sáez de Vicuña | ... |
Monja
|
![]() |
Ane Biain | ... |
Monja
|
![]() |
Haizea Carneros | ... |
Amaia
|
![]() |
Udane Elosegi | ... |
Niña huérfana
|
![]() |
Andere Garabieta | ... |
Niña huérfana
|
![]() |
Iraia Serrano | ... |
Niña huérfana
|
![]() |
June Larrañaga | ... |
Niña huérfana
|
![]() |
Siena Erenchun | ... |
Niña huérfana
|
Itziar Ituño | ... |
Madre
|
|
![]() |
Jean-Michel Sereau | ... |
Hombre delgado
|
![]() |
Erik Probanza | ... |
Aldeano
|
![]() |
Daniel Peña Gomara | ... |
Aldeano
(as Daniel Gomara)
|
![]() |
David Maldonado Leal | ... |
Soldado
|
Josean Bengoetxea | ... |
Candido
|
|
![]() |
Olatz Beobide | ... |
Vecino del pueblo
|
![]() |
Maite Bastos | ... |
Vecina del pueblo
|
![]() |
Zorion Eguileor | ... |
Don Sebastián
|
Itziar Lember | ... |
Vecina del pueblo
(as Itziar Sánchez)
|
|
![]() |
Lier Quesada | ... |
Miguel niño
|
![]() |
Alaitz Eguren | ... |
Vecina del pueblo
|
![]() |
Gotzon Huitzi | ... |
Vecino del pueblo
|
![]() |
Javier Barandiaran | ... |
Vecino del pueblo
|
![]() |
Xan Errotabehere | ... |
Vecino del pueblo
|
![]() |
Vincent Etchegaray | ... |
Vecino del pueblo
|
![]() |
José María Muñoz López | ... |
Pastor
|
![]() |
Iñigo de la Iglesia | ... |
Miguel adulto
|
Directed by
Igor Legarreta |
Written by
Igor Legarreta | ... | () |
Jon Sagalá | ... | () |
Produced by
Guadalupe Balaguer Trelles | ... | line producer |
Ibon Cormenzana | ... | producer |
Ignasi Estapé | ... | producer |
María Gómez | ... | 1st assistant producer |
Andrea Martínez Muñoz | ... | delegate producer |
David Naranjo | ... | producer |
Sandra Tapia | ... | executive producer |
Jérôme Vidal | ... | co-producer |
Koldo Zuazua | ... | producer |
Music by
Pascal Gaigne |
Cinematography by
Imanol Nabea |
Editing by
Laurent Dufreche |
Editorial Department
Chema Alba | ... | colorist / head of digital intermediate |
Demetrio Elorz | ... | assistant editor |
Juan Ugarriza | ... | on-line editor |
Casting By
Txabe Atxa | ||
Florencia Inés González |
Art Direction by
Mikel Serrano |
Costume Design by
Leire Orella |
Makeup Department
Ana Arruza | ... | assistant hair stylist |
Nacho Díaz | ... | special makeup effects supervisor |
Jesús García | ... | special makeup effects artist |
Sofi Hernández | ... | special effects producer: ND Studio |
Lola López | ... | makeup department head |
Juan Olmo | ... | special makeup effects artist: ND Studio |
Rubén Serra | ... | special makeup effects artist |
Production Management
Maite Miqueo | ... | post-production supervisor |
Eduardo Rodríguez Cotayna | ... | assistant production manager (as Eduardo Rodriguez) |
Katixa Silva | ... | production manager |
Second Unit Director or Assistant Director
Borja Grandío | ... | first assistant director |
Silvina Guglielmotti | ... | second assistant director |
Nitya López | ... | third assistant director |
Art Department
Diego Martín | ... | props |
Jesús Ortiz Fernández | ... | carpenter |
Ibai Pérez | ... | assistant set dresser |
Mario Yáñez | ... | art department assistant |
Sound Department
Alazne Ameztoy | ... | sound |
Fernando Novillo | ... | sound editor |
Fabiola Ordoyo | ... | sound designer / supervising sound editor |
Yasmina Praderas | ... | re-recording mixer |
Juan Rubio Morales | ... | adr recordist |
Special Effects by
Carlos Blanco | ... | special effects technician |
Patxi Crespo | ... | special effects technician |
Mariano García | ... | special effects supervisor |
Oier Hernández | ... | special effects technician |
Jon Serrano | ... | special effects supervisor |
Visual Effects by
Sergio Escudero | ... | digital compositor |
Javier Martínez Pacín | ... | CGI supervisor |
Juanma Nogales | ... | visual effects |
Borja A. Ortiz | ... | visual effects artist |
Ana Rubio | ... | visual effects |
Agustín Serna G. Lavín | ... | visual effects editor |
Stunts
Ana Martínez | ... | stunt double: Haizea Carneros |
César Solar | ... | stunt coordinator |
Jose Álvarez-Boze | ... | stunt performer |
Camera and Electrical Department
Paula Arana | ... | video assist |
Nicolás de Assas | ... | still photographer |
Aritz Bilbao | ... | assistant camera: "b" camera |
Rubén Bonet | ... | gaffer |
Jorge Casabán | ... | key grip |
Jon Echeverria | ... | camera trainee |
Sonia Eguren | ... | second assistant camera |
Nacho G. Carreiro | ... | digital imaging technician (as Ignacio G. Carreiro) |
José Manuel Herrero | ... | underwater camera operator |
Denis Leitza | ... | aditional grip |
Jon Sangroniz | ... | director of photography: second unit |
Amaia Sanroma | ... | additional second assistant camera |
Usue Sanz | ... | first assistant camera |
Rubén Zamorano | ... | electrician |
Costume and Wardrobe Department
Aines Belloso | ... | costume assistant |
Keltze Urkiza | ... | costume trainee |
Location Management
Idoia Artxanko | ... | location scout |
Haritz Elizegi | ... | location manager |
Itziar Otxoa Garmendia | ... | locations (as Itziar Otxoa) |
Music Department
Mikel F. Krutzaga | ... | score mixer |
Paula Olaz | ... | composer's assistant |
Martin Roller | ... | score recording engineer |
Script and Continuity Department
Ane Muñoz | ... | script supervisor |
Additional Crew
María Cano Belamendia | ... | production assistant |
Javier Carneros | ... | Head of Marketing |
Manuel Eslava Fajardo | ... | marketing and creative services |
María Gómez | ... | production assistant |
Selene Ibarra | ... | production assistant |
Oskar Luko | ... | acting coach |
Dorleta Martínez de Aramaiona | ... | production assistant |
Rafa Martínez | ... | marketing and creative services / trailer supervisor: advertising and promotions |
Naiara Olite | ... | production assistant |
Laia Ricart | ... | acting coach |
Ander Sagardoy | ... | production assistant |
Eneko Sagardoy | ... | acting coach |
R. Elena Ventura | ... | Production Assistant trainee: Arcadia Motion Pictures |
Thanks
Pablo Barinaga | ... | thanks |
Unai Guerra | ... | thanks |
Asier Guerricaechebarría | ... | thanks |
Production Companies
- Arcadia Motion Pictures
- Kowalski Films
- Noodles Production (co-production)
- Pris and Batty Films
Distributors
- Filmax (2021) (Spain) (theatrical)
- Ten Letters (2022) (Russia) (theatrical)
- Shudder (2022) (United States) (video) (VOD)
Special Effects
Other Companies
- Why On Set (DIT Equipment Provided By)
Storyline
Plot Summary |
Spain, 1876. The last days of the Third Carlist War that started in 1872 to get the throne of the country. In an undetermined valley of the Basque Country (north to the country), a church used by the nuns as orphanage for ladies (little girls abandoned by their parents) is destroyed during a bombing, killing the nuns and the girls but one, who is approached by a stranger woman claiming to have the power for healing her if she promises to stand at her side forever. She accepts to be saved, turning in a vampire by the woman who takes the girl as her own daughter, with the girl naming her Mother. Meeting to the rest of the vampire coven, Mother teaches the girl to move in the night, to feed of the dead soldiers' blood and avoid the day and sunlight. However, a group of villagers of a close town looking to kill the vampires find the nest where they hide, and in the runaway the girl falls by a cliffhanger. Alone in the forest, the girl not only learns to survive by herself hunting animals but exposes slowly her skin, burning it to acquire immunity to the sun. Ten years later, when the girl walks by a town at night looking for blood of animals, she gets trapped by the stocks of Cándido, who moves the girl to his house to heal her leg hurt, naming her Amaia. Still suffering by the death of his wife and his little daughter, Cándido adopts Amaia despite the suspicion of Don Sebastián, priest of the town, who despises Cándido after he rejected God when his wife and daughter died. While some times Amaia dreams to meet Mother again, she tries to live as human, befriending with Miguel, a boy of the town, and trying to be a good daughter for Cándido, but her vampire instincts cause troubles in the town, making that Don Sebastián think that Amaia is possessed by The Devil and that he must to exorcise her. Saving her from the priest, Cándido and Amaia escape together to live in another town. 50 years later, an aged Cándido finally dies, leaving Amaia alone again, desperate by her immortality. It's 1936. The Spanish Civil War starts, and walking by the night looking for dead soldiers Amaia not only meets a mature Miguel, but the only one person that she thought impossible to meet again: Mother. Written by Chockys |
Plot Keywords | |
Taglines | Not all fairy tales are for children. See more » |
Genres | |
Parents Guide | Add content advisory for parents » |
Certification |
|
Additional Details
Also Known As |
|
Runtime |
|
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Box Office
Budget | EUR3,500,000 (estimated) |
Did You Know?
Trivia | The most part of the characters have no name. See more » |
Quotes |
Candido:
Stop using my pain. Candido: It is only mine. See more » |