The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug. Bilbo Baggins is in possession of a mysterious and magical ring.
Bilbo and company are forced to engage in a war against an array of combatants and keep the Lonely Mountain from falling into the hands of a rising darkness.
Director:
Peter Jackson
Stars:
Ian McKellen,
Martin Freeman,
Richard Armitage
While Frodo and Sam edge closer to Mordor with the help of the shifty Gollum, the divided fellowship makes a stand against Sauron's new ally, Saruman, and his hordes of Isengard.
A meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.
Jack Sparrow races to recover the heart of Davy Jones to avoid enslaving his soul to Jones' service, as other friends and foes seek the heart for their own agenda as well.
Director:
Gore Verbinski
Stars:
Johnny Depp,
Orlando Bloom,
Keira Knightley
Captain Barbossa, Will Turner and Elizabeth Swann must sail off the edge of the map, navigate treachery and betrayal, find Jack Sparrow, and make their final alliances for one last decisive battle.
Director:
Gore Verbinski
Stars:
Johnny Depp,
Orlando Bloom,
Keira Knightley
Blacksmith Will Turner teams up with eccentric pirate "Captain" Jack Sparrow to save his love, the governor's daughter, from Jack's former pirate allies, who are now undead.
The X-Men band together to find a mutant assassin who has made an attempt on the President's life, while the Mutant Academy is attacked by military forces.
After successfully crossing over (and under) the Misty Mountains, Thorin and Company must seek aid from a powerful stranger before taking on the dangers of Mirkwood Forest--without their Wizard. If they reach the human settlement of Lake-town it will be time for the hobbit Bilbo Baggins to fulfill his contract with the dwarves. The party must complete the journey to Lonely Mountain and burglar Baggins must seek out the Secret Door that will give them access to the hoard of the dragon Smaug. And, where has Gandalf got off to? And what is his secret business to the south?Written by
Otaku-sempai
When Bard arrives home, Tilda greets him, but her mouth doesn't move. See more »
Quotes
Bilbo Baggins:
You do know we're one short; where's Bofur?
Thorin Oakenshield:
If he's not here, we leave him behind.
Balin:
We have to, if we're to find the door before nightfall. We can risk no more delays.
See more »
We all remember how George Lucas created an amazing trilogy called "Star Wars," then went back later to do a prequel trilogy and tried to destroy the franchise by focusing on ridiculous visual effects and neglecting the story entirely; so too has Peter Jackson fallen.
The five points I have given are purely for the visual aspect of the movie. It is amazing. But we all expected that.
0/5 for story. Tolkien wrote an amazing little (LITTLE) book called the Hobbit. Jackson could have fit the important and relevant parts of "An Unexpected Journey" into about an hour. It is the same here. There is a ridiculous amount of filler, needless side-plots, and a stupid (for lack of a better word) love triangle that makes a Ryan Reynolds romantic comedy seem deep. And I mean OK, I expect filler if you're going to turn a tiny book into three three hour movies, but at least keep what happens in the book if you're going to make stuff up. A few times scenes that were actually written by Tolkien feel rushed and cut short, while filler scenes seem to drag endlessly.
Smaug had the potential to be great, and started out that way, but the gross on screen overuse of his character makes you think of a brainless rat running through a maze searching for cheese rather than the majestic dragon we all grew up reading about.
I could keep on listing things I did not like (like bringing Legolas into the film to draw fans, and then overusing every cool thing he ever did in LOTR until you're sitting in your seat begging him to stop {ex, he surfs on EVERTYTHING}) but I am going to stop.
Go see the movie on principle, but don't go looking for the nostalgia of LOTR like I did. Because even though it should be there, any chance these films had of greatness was lost in the desperate attempt to turn what should have been one great film into a three year money making machine.
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We all remember how George Lucas created an amazing trilogy called "Star Wars," then went back later to do a prequel trilogy and tried to destroy the franchise by focusing on ridiculous visual effects and neglecting the story entirely; so too has Peter Jackson fallen.
The five points I have given are purely for the visual aspect of the movie. It is amazing. But we all expected that.
0/5 for story. Tolkien wrote an amazing little (LITTLE) book called the Hobbit. Jackson could have fit the important and relevant parts of "An Unexpected Journey" into about an hour. It is the same here. There is a ridiculous amount of filler, needless side-plots, and a stupid (for lack of a better word) love triangle that makes a Ryan Reynolds romantic comedy seem deep. And I mean OK, I expect filler if you're going to turn a tiny book into three three hour movies, but at least keep what happens in the book if you're going to make stuff up. A few times scenes that were actually written by Tolkien feel rushed and cut short, while filler scenes seem to drag endlessly.
Smaug had the potential to be great, and started out that way, but the gross on screen overuse of his character makes you think of a brainless rat running through a maze searching for cheese rather than the majestic dragon we all grew up reading about.
I could keep on listing things I did not like (like bringing Legolas into the film to draw fans, and then overusing every cool thing he ever did in LOTR until you're sitting in your seat begging him to stop {ex, he surfs on EVERTYTHING}) but I am going to stop.
Go see the movie on principle, but don't go looking for the nostalgia of LOTR like I did. Because even though it should be there, any chance these films had of greatness was lost in the desperate attempt to turn what should have been one great film into a three year money making machine.