This show can be hit or miss but this episode was a lot more Miss than it was hit! :-P
Just the idea that a mad scientist is trying to capture nothing so he can breed more dinosaurs out of them or something but at the same time he's already built in 1990, multiple fully functional 300 ft long dinosaur robots, the likes of which humans won't be able to create til 2040, or later.
The technology levels are just all over the place in this show.
If this guy can already spend two billion dollars building dinosaur robot submarines, you think he would have spent more than a couple hundred dollars on base security.
Premise aside the dialogue is really clunky on this one people keep saying phrases that are really awkward and weird I guess it looked good on the page...? There were so many cliches, that even never having watched this episode before I could anticipate what the characters were going to say next.
They really should just have Michael Reaves write everything. :-D or have him be the story editor, like he was on Batman, and part time on Dungeons and Dragons.
He really somehow elevates dialogue far above some of the other writers.
Just the idea that a mad scientist is trying to capture nothing so he can breed more dinosaurs out of them or something but at the same time he's already built in 1990, multiple fully functional 300 ft long dinosaur robots, the likes of which humans won't be able to create til 2040, or later.
The technology levels are just all over the place in this show.
If this guy can already spend two billion dollars building dinosaur robot submarines, you think he would have spent more than a couple hundred dollars on base security.
Premise aside the dialogue is really clunky on this one people keep saying phrases that are really awkward and weird I guess it looked good on the page...? There were so many cliches, that even never having watched this episode before I could anticipate what the characters were going to say next.
They really should just have Michael Reaves write everything. :-D or have him be the story editor, like he was on Batman, and part time on Dungeons and Dragons.
He really somehow elevates dialogue far above some of the other writers.