"Route 66" Blue Murder (TV Episode 1961) Poster

(TV Series)

(1961)

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Good Production Values
dougdoepke17 April 2016
The storyline is pretty contrived, but once again fine production values, a feisty cast, and great location visuals more than compensate. Tod and Buzz transport a killer horse to a Montana ranch, where the critter proceeds to stomp through most of the Bludge family, while the guys try to track him down. Truth is, however, the three brothers pretty much abuse the poor devil. Meanwhile, Pleshette gets to do another of her aggressive personality bits as the wife of Jim Bludge (Evans). Happily she also has a number of half-dressed scenes for us guys. But I am puzzled by headliner Evans' brief appearance. His top-billed status suggests something more. I wonder if something happened to shorten his screen time. Meanwhile, it's really Akins who dominates, his beefy frame and pudgy features perfect for a blacksmith. And catch the grand sweep of the Montana uplands, quite a treat for the eye. Anyway, it's character interest that carries the show along with the visuals, so catch the scenic hour if you can.

(In passing-- note the crowd of ordinary people at the ranch for Blue's arrival. That doesn't add to the plot. But I suspect producers did it as a favor to locals who then got to be on national TV. In fact, the series did a lot of that, which helped lend authenticity to the "on the road" story lines.)
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9/29/61: "Blue Murder"
schappe127 April 2015
The second season of Route 66 may have been the best season any show ever had, with one memorable episode after another. But this one stands out as an unmemorable one. The boys are still in Montana. They've been working on a ranch where a horse called "Blue Murder" has killed a cowboy- who had been whipping him with a chain. The owner has sold it to another ranch, owned by the oldest of three brothers. This fellow is played by Gene Evans of the previous season's "A Skill for Hunting". He's nearly as arrogant here as he was in that episode. A younger brother, (Harry Townes) owns a smaller ranch and a third brother, (Claude Akins), is a blacksmith. Suzanne Pleshette is the sexy but bored wife of Evans, who spends most of her time reclining beside the pool her husband built for her, dreaming of trips to New York to "shop and see all the shows", (she just missed Anne Francis).

When it's all over the horse has killed three more men but Tod suspects it's not all the horse's fault. It then becomes a very predictable who-done-it. ZZZZzzzzÂ….
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Primal emotions
lor_11 February 2024
This story about a horse named "Blue Murder" is pure melodrama, taking "Route 66" and writer Stirling Stilliphant into a whole new genre, that immediately had me thinking of director Russ Meyer, the prime force in creating softcore pornography in movies.

That's because guest star Suzanne Pleshette plays a sexpot right out of a Russ Meyer film, notably his greatest hit "Vixen", which made quite an impression on me back when I saw it at a Cleveland "art house" in 1968. She plays a woman dominated by thoughts of sex, as well as pipe dreams about getting out of the Montana boondocks and living it up in New York City (I managed just that same escape -from Cleveland- myself a decade or so later).

She's married to rancher Gene Evans, but also has a yen (more libido-driven than consciously desired) for his brothers Claude Akins and Harry Townes. Silliphant's script pulls a Hitchcock, copying the innovation a year earlier in "Psycho" of killing off the leading character early in the movie (Janet Leigh). In this case, Gene Evans gets "Special Guest Star" top billing in the opening credits, but is killed (offscreen) by the horse very soon after his entrance -quite a shock effect. The bloodlust to kill the horse (that Milner saved in the first place and carries around guilt for the rest of the show) takes over the entire cast and creates an almost mythic quest. Unfortunately, Silliphant's script tries to tie the story up way too neatly in the final reel, detracting from the overall impact.

This material is hardly the sort of stuff Arthur Hiller was associated with in his career, with such landmarks as "Love Story", "The In-Laws", "The Out-of-Towners", "Silver Streak" and "The Americanization of Emily". Meyer directed a classic in black & white in 1964, "Lorna", which captured the over-the-top emotions inherent in "Blue Murder", and it's a shame that his uncensored, independent approach couldn't have found its way into censored Television way back when, After all, the cable networks were soon to make hay with softcore pornography (and plenty of sex and swearing in their top "serious" hit series) by the 1980s and 1990s, when Russ's career was ebbing.
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