Take the premise on paper—insidious, intelligent, parasitic creatures masquerading as rocks with a plan to take over the human species by infiltrating their bodies as host organisms—and it might be laughed right out of a room. But with the brilliant B&W noirish photography setting the ominous mood quite nicely (thanks to the master Conrad Hall), some eerie make-up effects on the humans "possessed" (Barry Atwater's make-up once the creature takes over his body is eerily similar to the ghouls in Herk Harvey's masterpiece, "Carnival of Souls"), and the unsettling nature for how the rocks turn into these ectoplasmic blob parasites that attach to hands before aiming for the faces of their victims, "Corpus Earthling" really transcends the potential silliness of the plot. Because the series "The Outer Limits" was so damned good and so well made, story lines that might seem ludicrous on their face are instead intellectually sound, strongly acted (in this episode's case, Outer Limits regular Robert Culp knocks it out of the ballpark as the tormented hero, a surgeon with a metal plate in his head who has the ability to hear the voices of those rock parasites and their sinister plans to rule the earth), and could really become quite intense, extremely suspenseful, and often quite thought-provoking due to the skilled cast and crew involved. I simply don't believe, anymore, that this show is overshadowed by "The Twilight Zone"
I think both shows stand equal to each other. Time, I think, has only helped this series become a more recognized sci-fi show, its storytelling and presentation of the material top-notch, mainly because, I think, those involved took strides to tell a disturbing story well, with a complete dedicated seriousness needed to get their point across by asking "What if
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The plot might seem like another rip from the "Body Snatchers" formula, I can't explain away such similarities because the bodies of those close to Culp are invaded and the hero, like Kevin McCarthy, seems to be on his own because who would believe his story? But it is all in the way this film is shot and acted that sets it apart from simply imitating the classic Invasion of the Body Snatchers. Salome Jens deserves mention for a fine, subtle performance as Lab Assistant to Atwater's geologist, Laurie, Culp's loyal, loving wife, who carefully acknowledges that worry of her husband's possible fractured psyche, but faithful enough to follow him as he decides to go on the lam. Her fate offers a looming melancholy that perhaps Culp's life will never recover from what he has witnessed and must endure for the sake of all mankind. The ending doesn't offer a definite conclusion that we will remain safe from terror
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