Closure (2007)
Straightheads (original title)Reference View | Change View
- R
- 1h 20min
- Crime, Drama
- 27 Apr 2007 (UK)
- Movie
After surviving a gang rape and mugging, a businesswoman and her younger boyfriend plot to murder their attackers, but find themselves conflicted about carrying out their plans.
Director:
Writer:
Stars:
Photos and Videos
Complete, Cast awaiting verification
| Danny Dyer | ... |
Adam
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| Gillian Anderson | ... |
Alice
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| Adam Rayner | ... |
Jago
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Antony Byrne | ... |
Misha
(as Anthony Byrne)
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| Anthony Calf | ... |
Heffer
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| Ralph Brown | ... |
Jamie
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| Steven Robertson | ... |
Bill
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| Gugu Mbatha-Raw | ... |
Young PA
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Neil Finnighan | ... |
Man on Horse
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| Francesca Fowler | ... |
Sophie
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| Rest of cast listed alphabetically: | |||
| Kate Bunten | ... |
Young Alice (uncredited)
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Allan Gentleman | ... |
Accountant (uncredited)
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Chris Hipkiss | ... |
Wealthy Partygoer (uncredited)
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| Michelle Jeffers | ... |
Cocktail Party Guest (uncredited)
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| Ewan Stewart | ... |
(uncredited)
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Directed by
| Dan Reed | ||
Written by
| Dan Reed | ... | () |
Produced by
| Peter Carlton | ... | executive producer |
| Damian Jones | ... | producer |
| Kevin Loader | ... | producer |
| Alexander O'Neal | ... | co-producer |
| Lee Thomas | ... | executive producer |
| Paul Trijbits | ... | executive producer |
Music by
| Ilan Eshkeri | ||
Cinematography by
| Chris Seager | ||
Editing by
| Ewa J. Lind | ||
Editorial Department
| Simon Allmark | ... | digital intermediate conform editor: Men From Mars |
| Katie Bullock-Webster | ... | post-production coordinator |
| Kate Higham | ... | assistant editor |
| Alex Panton | ... | digital intermediate producer |
Casting By
| Kahleen Crawford | ||
| Des Hamilton | ||
Production Design by
| Simon Bowles | ||
Art Direction by
| Kem White | ||
Costume Design by
| Justine Luxton | ||
Makeup Department
| Jennifer Harty | ... | makeup artist |
| Paul Hyett | ... | animal effects designer / special makeup effects designer |
| Tanya Lodge | ... | makeup designer |
| Robin Pritchard | ... | puppeteer |
Production Management
| James Biddle | ... | production manager |
Second Unit Director or Assistant Director
| Simon Bowles | ... | second unit director |
| Mark Hopkins | ... | third assistant director |
| Jack Ravenscroft | ... | first assistant director |
| Harriet Worth | ... | second assistant director: additional scenes shoot |
Art Department
| Jen Geary | ... | production buyer |
| Robert Judd | ... | daily props |
| Julian Searle | ... | property master |
| Nick Slater | ... | standby carpenter |
| James Wakefield | ... | art department assistant / assistant art director |
| Kem White | ... | stand-by art director |
Sound Department
| Howard Bargroff | ... | re-recording mixer |
| Paul Brookes | ... | sound trainee |
| Jeremy Lishman | ... | boom operator |
| Gareth Llewellyn | ... | adr recordist / assistant sound re-recording mixer |
| Garth Marshall | ... | sound mixer |
| Ben Meechan | ... | supervising sound editor |
| Barnaby Smyth | ... | foley supervisor |
| Jack Stew | ... | foley artist |
| David Turner | ... | sound technical coordinator |
| Michele Woods | ... | supervising dialogue editor |
Special Effects by
| Clive R. Kay | ... | special effects contact lenses |
| Jared Manley | ... | animatronics supervisor/puppeteer |
| John Rafique | ... | special effects supervisor |
| Nick Rideout | ... | special effects coordinator |
| Nick Smith | ... | special effects technician |
| Mark Vanstone | ... | special effects technician |
Visual Effects by
| Kris Anderson | ... | digital effects artist |
| Paul Beard | ... | visual effects producer |
| Adam Christopher | ... | digital colourist |
| Simon Frame | ... | visual effects supervisor |
| Tom Hocking | ... | digital effects artist |
| Matthew Jacques | ... | digital artist |
| Rhodri James | ... | system engineer |
| Sherin Mahboob | ... | junior digital artist |
| Tom Pegg | ... | digital effects artist |
Stunts
| Siobhan Coughlan | ... | stunt performer |
| Nrinder Dhudwar | ... | stunt coordinator |
| Jim Dowdall | ... | stunt coordinator |
| Neil Finnighan | ... | stunt performer |
| Paul Heasman | ... | stunt coordinator |
| Nick Hobbs | ... | stunt performer |
| Rob Hunt | ... | stunt performer |
| Heather Phillips | ... | stunt performer |
| William Willoughby | ... | stunt performer (as Will Willoughby) |
Camera and Electrical Department
| Peter Bateson | ... | focus puller: second unit |
| Chris Clarke | ... | clapper loader: second unit |
| Sandra Coulson | ... | central loader |
| Hamish Doyne-Ditmas | ... | focus puller: additional scenes shoot (as Hamish Doyne Ditmus) |
| Warwick Drucker | ... | grip: second unit |
| Paul Facer | ... | electrician: additional scenes shoot |
| Ian Glenister | ... | best boy |
| Woody Gregson | ... | central loader |
| Jamie Harcourt | ... | camera operator: second unit |
| Bill Kaye | ... | additional still photographer |
| Sally Low | ... | clapper loader: additional scenes shoot (as Sally Lowe) |
| Dan Lowe | ... | gaffer: additional scenes shoot |
| Joseph Mastrangelo | ... | clapper loader: second unit |
| Tom McFarling | ... | clapper loader |
| Jem Morton | ... | grip: additional scenes shoot |
| Phil Penfold | ... | gaffer |
| Iain Struthers | ... | focus puller: "a" camera |
| Russell Tann | ... | electrician |
| Mark Thornton | ... | generator operator |
| Roger Tooley | ... | steadicam operator |
| Ollie Upton | ... | still photographer (as Oliver Upton) |
| Paul Worley | ... | key grip |
| Haris Zambarloukos | ... | director of photography: additional scenes shoot (as Harris Zambarloukos) |
Costume and Wardrobe Department
| Lucy Donowho | ... | costume trainee |
| Ann Tutt | ... | wardrobe supervisor |
Location Management
| Andrew Cooke | ... | location supervisor |
| Michael Grisewood | ... | location manager: West Midlands |
Music Department
| Christoph Bauschinger | ... | music programmer (as Christopher Bauschinger) |
| Chad Hobson | ... | composer: additional music |
| Stephen McLaughlin | ... | music producer |
| Ian Neil | ... | music supervisor |
| Scott Shields | ... | composer: additional music / musician: guitars |
Script and Continuity Department
| Heather Storr | ... | script supervisor |
Transportation Department
| Martin Alderdice | ... | picture car coordinator |
| Orest Andrijiw | ... | unit driver |
| Dave Anforth | ... | transportation captain (as Hollywood Dave Anforth) |
| Nickolay Baglaev | ... | unit driver |
| Andy Baker | ... | unit driver |
| Ian Cowan | ... | unit driver |
| David Groom | ... | runner driver |
| Kevin Hudson | ... | unit driver: Ms Anderson |
| Matty Hudson | ... | unit driver |
| David Lewis | ... | unit driver |
| Derek Linney | ... | unit driver |
| Titch Thomas | ... | unit driver |
| Wayne Thompson | ... | driver: make up truck |
| Mark Williams | ... | unit driver |
Additional Crew
| Monika Agorelius | ... | electronic press kit |
| Shreeti Bold | ... | optometrist |
| Sara Curran | ... | legal services |
| Matt Curtis | ... | title designer |
| Cuong Dang | ... | production assistant |
| Nicky Earnshaw | ... | production coordinator |
| Rachel Kennedy | ... | unit publicist |
| Daniel Lawson | ... | production assistant |
| Lucy O'Driscoll | ... | legal assistant |
| Lynne Page | ... | choreographer |
| Mark Shelley | ... | armorer |
| Shaw Statham | ... | production accountant |
Thanks
| Gillian Beckles | ... | thanks |
| Eamonn Bedford | ... | thanks |
| Lucy Brazier | ... | thanks |
| Kate Buckley | ... | thanks |
| Kate Bunten | ... | thanks |
| Amanda Davies | ... | thanks |
| Bika De Reisner | ... | thanks |
| Bryan Elsley | ... | thanks |
| Natasha Galloway | ... | thanks |
| Samantha Glynne | ... | thanks |
| Robin Gutch | ... | thanks |
| Abi Harris | ... | thanks |
| Maxine Hoffman | ... | thanks |
| Dan MacRae | ... | thanks |
| Richard Moxon | ... | thanks |
| Mark O'Rowe | ... | thanks |
| Roger Shannon | ... | thanks |
| Kate Staddon | ... | thanks |
| Ewan Stewart | ... | thanks |
| Analy Valdes-Tellez | ... | thanks |
Production Companies
- UK Film Council (presents)
- Film4 (presents)
- Screen West Midlands (presents)
- Verve Pictures (in association with)
- Ingenious Film Partners (in association with)
- DJ Films (co-production)
- Free Range Films (co-production)
- European Regional Development Fund (with the support of)
- Advantage West Midlands (with the support of)
- Film Council Development Fund (with the support of)
Distributors
- Brunbro Entertainment Group (2007) (Belgium) (theatrical)
- Verve Pictures (2007) (United Kingdom) (theatrical)
- Future Film (2007) (Finland) (DVD)
- Fórum Home Entertainment (Hungary) (DVD)
- Noble Entertainment (2007) (Sweden) (DVD)
- Odeon (2008) (Greece) (DVD)
- Pinema (2007) (Turkey)
- Sony Pictures Home Entertainment (2007) (Canada) (DVD)
- Sony Pictures Home Entertainment (2007) (United States) (DVD)
- Sony Pictures Home Entertainment (2008) (Germany) (DVD)
- Verve Pictures (2007) (Ireland) (DVD)
- Verve Pictures (2007) (United Kingdom) (DVD)
- Verve Pictures (2010) (Ireland) (Blu-ray)
- Verve Pictures (2010) (United Kingdom) (Blu-ray)
- Verve Pictures (2011) (Ireland) (Blu-ray)
- Verve Pictures (2011) (United Kingdom) (Blu-ray)
- Verve Pictures (2011) (United Kingdom) (DVD)
- takt (Poland) (DVD)
Special Effects
- Elements Special Effects (special effects)
- Men From Mars (visual effects)
Other Companies
- AP (titles)
- ARRI Lighting Rental (lighting equipment supplied by)
- ARRI Media (camera equipment provided by)
- Animals Okay (dog handler)
- Apex Car Rental (car and van hire)
- Art4noise (post-production facilities)
- Ascent Media Group (video deliverables)
- Barclays Bank PLC (bank)
- Barn Owl Picture Company (negative checks and script clearances)
- Blow Up (digital stills)
- British Car Rental (car and van hire)
- Carlo Manzi Rentals (costume hire)
- Casting Collective (extras casting)
- Celex Casting & Management (extras casting)
- Citibase (pre-production offices)
- Compuhire (video playback)
- Coppice Creations (thanks)
- Diesel UK (thanks)
- Ealing Studios (pre-production offices)
- Elite Breaks (catering)
- European Regional Development Fund (support)
- Falls and Horses (horse handler)
- Fatts (post-production script services)
- Film Finances (completion guarantor)
- Film4 (funding)
- Foley Self Drive (car and van hire)
- Forestry Commission (thanks)
- Freeway CAM B.V. (world revenues collected and distributed by)
- Fuji Photo Film (motion picture film supplied by)
- Grillo's (catering)
- Jazz Matharu and Associates (thanks)
- Kidderminster Hospital (thanks)
- Kingswood Farm (thanks)
- London Editing Machines Ltd. (editing equipment)
- MAC Cosmetics (make-up)
- Mascot Pictures Limited (thanks)
- Mawley Hall (thanks)
- Media Insurance Brokers (MIB) (insurance)
- Media Safety (health & safety)
- Media Services (stationery supplier)
- Men From Mars (digital intermediate)
- Nationwide Access (cherrypickers)
- Open Eye (post-production office)
- Prada (thanks)
- Richmond Film Services (sound equipment)
- Rowan Medical Services (medical services)
- Sara Curran Solicitors (production legal services)
- Screen Facilities (facilities vehicles)
- Set Wheels (unit cars)
- Shipleys (auditors)
- TLO Film Services (action vehicles)
- The North Pole (music mixed at)
- Triple S (location security)
- Videosonics Cinema Sound (sound post-production)
- Wyre Forest Visitor Centre (thanks)
Storyline
| Plot Summary |
After the installation of an alarm system by the twenty-three year old low-class Adam in her fancy upper class apartment, the sophisticated owner Alice invites him to go with her in her boss' "opening house" boring party in the countryside. Adam dates Alice and has a dream night in the fashionable party inclusive having sex with her. While driving back home in a lonely road in the middle of the night, Alice hits a deer and the couple parks the car to remove the wounded animal from the road. However, a van stops and a gang brutally assaults Adam and rapes Alice. One month later, Adam is impotent with Alice, has awful scars in his face and a blind eye and the traumatized Alice returns to her work. However, she is informed that her father has passed away and she travels back to the countryside to visit her father's home. While driving back home, she meets one of her rapist by chance and she discovers where he lives. Alice meets Adam and convinces him to come with her to take revenge against the violent man. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
| Plot Keywords | |
| Taglines | Let the revenge fit the crime See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | GBP1,800,000 (estimated) |
Did You Know?
| Trivia | The film became notorious for Gillian Anderson's frequently nude scenes. See more » |
| Goofs | When the main characters are driving through the woods after the sex scene, they hit a deer which completely smashes the windscreen. Immediately afterward, there is an attack scene, where she is dragged from the car after the windscreen is entirely smashed through. In a shot of the car, the number plate is hanging off, blood is on the windows and the windscreen is shattered. In the next scene, Danny Dyer is seen turning the alarm in the car off with the number plate attached, no blood or dents on the car and a completely intact windscreen which is almost shinier than before. See more » |
| Soundtracks | Imperial See more » |
| Crazy Credits | This film is dedicated to the memory of TOM GRAFTON 1973-2001 See more » |