Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
A contemporary psychological thriller in which a young British couple travelling through the Australian outback become involved with a mysterious and charismatic American whose motive for ... See full summary »
After the installation of an alarm system by the twenty-three year old low-class Adam in her fancy upper class apartment, the sophisticated owner Alice invites him to go with her in her boss' "opening house" boring party in the countryside. Adam dates Alice and has a dream night in the fashionable party inclusive having sex with her. While driving back home in a lonely road in the middle of the night, Alice hits a deer and the couple parks the car to remove the wounded animal from the road. However, a van stops and a gang brutally assaults Adam and rapes Alice. One month later, Adam is impotent with Alice, has awful scars in his face and a blind eye and the traumatized Alice returns to her work. However, she is informed that her father has passed away and she travels back to the countryside to visit her father's home. While driving back home, she meets one of her rapist by chance and she discovers where he lives. Alice meets Adam and convinces him to come with her to take revenge ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Is featured in Times Online as one of "The 100 best films of 2007" See more »
When the main characters are driving through the woods after the sex scene, they hit a deer which completely smashes the windscreen. Immediately afterward, there is an attack scene, where she is dragged from the car after the windscreen is entirely smashed through. In a shot of the car, the number plate is hanging off, blood is on the windows and the windscreen is shattered. In the next scene, Danny Dyer is seen turning the alarm in the car off with the number plate attached, no blood or dents on the car and a completely intact windscreen which is almost shinier than before. See more »
This film is dedicated to the memory of TOM GRAFTON 1973-2001 See more »
When Alice (Gillian Anderson), a middle-class businesswoman, meets Adam (Danny Dyer) a working-class surveillance expert, she invites him to a party. Thus begins a night that neither will ever forget. After encountering a group of locals on a country road, a shocking incident takes place that sees Adam lose an eye whilst Alice is brutally raped. Several weeks later, Alice crosses paths with one of their attackers...
I had heard a lot about this movie, although most of what I'd heard revolved around a scene near the end of the film involving Anderson's use of a gun barrel. For the most part, the violence in this movie was implied rather than shown. The rape itself is disturbing although we are treated to not just one showing of it but two (the second time, it is shown through the eyes of Anderson's attacker). This seemed slightly gratuitous to me.
Both of the main leads turn in great performances with special praise going out to Gillian Anderson. In all of the years watching "The X-Files" I never quite imagined that I'd see her in as powerful a role as this. It seems a shame then that they don't have any chemistry together. They just weren't convincing as two people who fell in lust with one another in the space of a few hours.
After the horror of the first act, the movie doesn't seem to know what to do with itself. We see the two victims planning their revenge (initiated by an extraordinary coincidence) and trying to come to terms with what has happened to them. However, there isn't really any substance to these scenes. Their planning of revenge simply consists of creeping around spying on their attackers, and the scenes in which they try to deal with their anguish don't work either as both characters aren't given enough depth for us to care about them.
The final scenes seem to come out of nowhere and are carried out in such a way that they're not satisfying to the audience. One of the bad guys suddenly gives a sympathetic story about why he did what he did - are we now meant to agree he had no other choice? One of the victims suddenly feels regret about what is happening to the attackers. Are we supposed to now feel the same? If there is an intended message, it isn't at all clear.
Ultimately this movie is a hollow experience. It doesn't engage the audience as it should and doesn't appear to know what exactly it's trying to say.
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