A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
A contemporary psychological thriller in which a young British couple travelling through the Australian outback become involved with a mysterious and charismatic American whose motive for ... See full summary »
After the installation of an alarm system by the twenty-three year old low-class Adam in her fancy upper class apartment, the sophisticated owner Alice invites him to go with her in her boss' "opening house" boring party in the countryside. Adam dates Alice and has a dream night in the fashionable party inclusive having sex with her. While driving back home in a lonely road in the middle of the night, Alice hits a deer and the couple parks the car to remove the wounded animal from the road. However, a van stops and a gang brutally assaults Adam and rapes Alice. One month later, Adam is impotent with Alice, has awful scars in his face and a blind eye and the traumatized Alice returns to her work. However, she is informed that her father has passed away and she travels back to the countryside to visit her father's home. While driving back home, she meets one of her rapist by chance and she discovers where he lives. Alice meets Adam and convinces him to come with her to take revenge ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
'Straightheads' was funded partly with £500,000 lottery money, provided by the UK Film Council. See more »
When the main characters are driving through the woods after the sex scene, they hit a deer which completely smashes the windscreen. Immediately afterward, there is an attack scene, where she is dragged from the car after the windscreen is entirely smashed through. In a shot of the car, the number plate is hanging off, blood is on the windows and the windscreen is shattered. In the next scene, Danny Dyer is seen turning the alarm in the car off with the number plate attached, no blood or dents on the car and a completely intact windscreen which is almost shinier than before. See more »
This film is dedicated to the memory of TOM GRAFTON 1973-2001 See more »
Quite a short feature film, although you do not actually notice this when watching. Great to see Gillian Anderson on screen again, and to be honest i would not have predicted this role for her however she was well cast.
Personally i quite enjoyed the slightly comedic satire that ran through some of the scenes, and i think Danny Dyer helped with this. It is hard to tell if the film would have maybe been stronger with a different leading male, but then Dyer plays the 'male struggling with his emasculation.
Definitely lacking depth, i left wishing i had known exactly what happens with Anderson's character and her father, along with simply wishing i knew Dyer's character better.
Some uncomfortable scenes which i felt were not always necessary, although they do help to give the film an edginess that i liked. Basically it was brutally real and honest, very un-Hollywood. I would maybe say rent instead of watching at the cinema.
78 of 96 people found this review helpful.
Was this review helpful to you?