Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when a pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny.Written by
No. 1 opening debut in China grossing $38 million. See more »
When Diana is racing away from the gala on a horse back to the village, the blue dress she was wearing flies off, leaving her in her Wonder Woman costume. However, if she had been wearing her costume under the dress at the gala, it would've easily been seen peeking out the top of the dress, since the dress is much lower cut across her chest than her costume is. See more »
I used to want to save the world. This beautiful place. But I knew so little then. It is a land of beauty and wonder, worth cherishing in every way. But the closer you get, the more you see the great darkness simmering within. And mankind? Mankind is another story altogether.
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The closing logo combo varies:
In the original theatrical release, the Atlas Entertainment, Cruel & Unusual Films and Warner Bros. Pictures logos is shown with the closing theme ending over it.
In the Chinese theatrical release and worldwide home media prints, with a slight change in the "in association with" credit, the logos for Tencent Pictures and Wanda Pictures is added in-between the C&UF and WBP logos, making the WBP logo silent.
I can't help but wonder if I watched the same film that impressed so many people. As with most DC Comics films, this one was a great disappointment. While Marvel Comics films tend to be satirical and even self-effacing, DC films are pretentious and tedious. Sadly, Wonder Woman was no exception to this rule.
The scripting was totally unimaginative, with dialogue that bordered on infantile. Visually, the landscapes all seemed plastic, with B-movie grade CGI throughout. Even the music was awkward, fighting the dialogue during the more intimate moments and drowning each scene in instrumentals. I found myself doubting whether the director and editor are aware that there doesn't have to be a bombastic or flowery incidental score under everything — it displayed a lack of confidence in the dialogue and acting carrying the scene.
Regarding the acting, both Gadot and Pine gave it their best, struggling with the stilted dialogue and boring, telegraphed story line — but even they couldn't transcend this quagmire. If not for its pretentiousness, this film would have played far better as a comedy, lampooning itself. Instead, it drowns itself in incessant platitudes of women good/men bad, framed within a plebian one-dimensional plot.
Again, I'm at a loss to explain its high marks, other than to ascribe it to the currently trendy political correctness that elevates all patronizing misandry to high art and entertainment.
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