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Wonder Woman (2017)

PG-13 | | Action, Adventure, Fantasy | 2 June 2017 (USA)
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When a pilot crashes and tells of conflict in the outside world, Diana, an Amazonian warrior in training, leaves home to fight a war, discovering her full powers and true destiny.

Director:

Patty Jenkins

Writers:

Allan Heinberg (screenplay by), Zack Snyder (story by) | 3 more credits »
Popularity
160 ( 3)

'Wonder Woman' Is Here

Can't get enough of Wonder Woman star Gal Gadot? Check out our Gal Gadot spotlight gallery and learn more about the actress who plays Justice League hero Diana Prince.

20 wins & 64 nominations. See more awards »

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Cast

Cast overview, first billed only:
Gal Gadot ... Diana
Chris Pine ... Steve Trevor
Connie Nielsen ... Hippolyta
Robin Wright ... Antiope
Danny Huston ... Ludendorff
David Thewlis ... Sir Patrick
Saïd Taghmaoui ... Sameer
Ewen Bremner ... Charlie
Eugene Brave Rock ... The Chief
Lucy Davis ... Etta
Elena Anaya ... Dr. Maru
Lilly Aspell ... Young Diana (8)
Lisa Loven Kongsli ... Menalippe
Ann Wolfe ... Artemis (as Ann J. Wolfe)
Ann Ogbomo ... Philippus
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Storyline

Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when a pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny.

Plot Summary | Plot Synopsis

Taglines:

Power. Grace. Wisdom. Wonder. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of violence and action, and some suggestive content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Hong Kong | China | USA

Release Date:

2 June 2017 (USA) See more »

Also Known As:

Wonder Woman See more »

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Box Office

Budget:

$149,000,000 (estimated)

Opening Weekend:

CNY 256,575,698 (China), 4 June 2017

Opening Weekend USA:

$103,251,471, 4 June 2017, Wide Release

Gross USA:

$412,563,408

Cumulative Worldwide Gross:

$821,763,408
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

This is Ewen Bremner's second time appearing in a film with actors who portray a current DC character. He was in Pearl Harbor (2001) with Ben Affleck and Michael Shannon who play Bruce Wayne/Batman and General Zod. See more »

Goofs

When Steve runs after Diana as she flees from the gala, he is not wearing his hat. When he emerges from the building, he is wearing it. See more »

Quotes

[first lines]
Diana: I used to want to save the world. This beautiful place. But I knew so little then. It is a land of beauty and wonder, worth cherishing in every way. But the closer you get, the more you see the great darkness simmering within. And mankind? Mankind is another story altogether.
See more »

Crazy Credits

This film features a new DC Comics logo: the Justice League heroes appear and line up and the camera zooms out to reveal the DC logo. See more »

Connections

References Casablanca (1942) See more »

Soundtracks

To Be Human
Written by Florence Welch and Rick Nowels
Produced by Labrinth
Performed by Sia Feat. Labrinth
Sia appears courtesy of Monkey Puzzle Music
Labrinth appears courtesy of Syco Music
In association with Sony Music Entertainment UK Limited
See more »

Frequently Asked Questions

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User Reviews

 
Major Disappointment
10 October 2017 | by Basil CourtSee all my reviews

I can't help but wonder if I watched the same film that impressed so many people. As with most DC Comics films, this one was a great disappointment. While Marvel Comics films tend to be satirical and even self-effacing, DC films are pretentious and tedious. Sadly, Wonder Woman was no exception to this rule.

The scripting was totally unimaginative, with dialogue that bordered on infantile. Visually, the landscapes all seemed plastic, with B-movie grade CGI throughout. Even the music was awkward, fighting the dialogue during the more intimate moments and drowning each scene in instrumentals. I found myself doubting whether the director and editor are aware that there doesn't have to be a bombastic or flowery incidental score under everything — it displayed a lack of confidence in the dialogue and acting carrying the scene.

Regarding the acting, both Gadot and Pine gave it their best, struggling with the stilted dialogue and boring, telegraphed story line — but even they couldn't transcend this quagmire. If not for its pretentiousness, this film would have played far better as a comedy, lampooning itself. Instead, it drowns itself in incessant platitudes of women good/men bad, framed within a plebian one-dimensional plot.

Again, I'm at a loss to explain its high marks, other than to ascribe it to the currently trendy political correctness that elevates all patronizing misandry to high art and entertainment.


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