Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
Tells the story of Evey Hammond and her unlikely but instrumental part in bringing down the fascist government that has taken control of a futuristic Great Britain. Saved from a life-and-death situation by a man in a Guy Fawkes mask who calls himself V, she learns a general summary of V's past and, after a time, decides to help him bring down those who committed the atrocities that led to Britain being in the shape that it is in.Written by
Hilary Henkin wrote an early adaptation of the graphic novel, which was singled out as one of Hollywood's best unproduced scripts in a 1993 Los Angeles Times article. Her script was described as a "wild, over-the-top saga", and a cross between Les Misérables and A Clockwork Orange (1971). It bears little, if any, relation to the finished product, with the inclusion of overtly satirical and surrealistic elements not present in the graphic novel, as well as the removal of much of the novel's ambiguity, especially in regard to V's identity. See more »
In the bar scene during V's takeover of the television station, the cigarette of the long-haired man is almost burned to the filter. In the next shot of the bar, the cigarette is longer. In a third shot, it is back to the original length. See more »
Remember, remember, the Fifth of November, the Gunpowder Treason and Plot. I know of no reason why the Gunpowder Treason should ever be forgot... But what of the man? I know his name was Guy Fawkes and I know, in 1605, he attempted to blow up the Houses of Parliament. But who was he really? What was he like? We are told to remember the idea, not the man, because a man can fail. He can be caught, he can be killed and forgotten, but 400 years later, an idea can still ...
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Dedicated in memory of Adrian Biddle (1951-2005). See more »
There are some that will, upon seeing this film, say that it was akin to Andrew Lloyd Weber attempting to make a political statement: overly dramatic. These people would be well served to remember that the symbol of drama is a mask, which certainly begs one important question- Why, if you are so put off by an overtly dramatic motion picture, would you choose to see a movie that stars as the (anti)hero a man in a mask? I just saw this film at an advanced screening and I must say it is nothing short of uniquely brilliant. Entertaining from the start, V manages to combine a strong socio-political message in a compact and highly intense experience. Infused with issues and concepts that pervade in the global political climate of our times, this movie is endowed with a tremendous timely relevance that belies its trappings as a mere action adventure.
The acting, the cinematography, the effects, and the general vision of this film all lead me to believe that it will likely receive a cult following. It is only my hope that the message of this film will come to summarize the history of our future ascendancy to true liberty.
Ask not what your country can do for you, but what you can do for your country. In the meantime, go see this movie.
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