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8/10
"That's basically how it was done." Neat little & informative Doctor Who DVD documentary.
poolandrews28 September 2007
Warning: Spoilers
Synthesizing Starfields is a 9 minute 14 second documentary about the creation of the new Doctor Who titles & theme music that premiered during season 18 & were first seen on The Leisure Hive (1980) so it seems more than relevant that this documentary is found on that stories British DVD release.

The opening titles & music to Doctor Who are surely some of the most instantly recognisable & iconic TV show openings ever & this is a great little documentary interviewing Sid Sutton who designed the titles & the new Doctor Who logo & Peter Howell who composed the theme music. There is archive footage featuring Howell from 'The Music Arcade' a BBC schools programme from 1982 in which he demonstrates how he made the theme, the equipment he used & the individual tracks of music are played in isolation which when put together make the full theme. On a personal note I think Howell's theme music is the best in the show's history & although Sutton's starfield is a little bland they go together to make up one hell of a cracking opening sequence.

Synthesizing Starfields has everything you would want I suppose, nice clear explanations of how the music & title sequence were made using black cardboard with holes in it, cardboard tubes fitted to cameras & ancient looking keyboard synthesizers amongst other things & their personal thoughts on their work which they seem proud of & willing to talk about.
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2/10
Utter Rubbish
rnnbleasdale686 July 2008
This documentary was basically two people sat in front of a white screen telling you how a complex title sequence was made. There is no way this could be effectively done, you look at the sister feature with Bernard Lodge on the Robot DVD and you see these two are miles apart. First up the only thing that carried this quite dull documentary was the music item and what did they use? An old BBC Programme THAT DID A DEMO of the music!! What it needed here was Balance and we needed to see Sutton actually showing us how it was done a bit like the afore mentioned Lodge. All in all poor editing, poor backdrops, quite dull interviewees and another Example of producer Ed Stradling's inexperience as a documentary maker. Sorry but not very good at all.
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