Furia asesina (1990) Poster

(1990)

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4/10
Furia asesina
BandSAboutMovies11 June 2024
Warning: Spoilers
Furia Aesina (1990) Posted on June 10, 2024 by bandsaboutmovies June 10: Junesploitation's topic of the day - as suggested by F This Movie- is Sharksploitation! We're excited to tackle a different genre every day, so check back and see what's next.

Of all the movies that came in the wake of Jaws, I may be most fascinated by Tintorera...Tiger Shark. Based on the book by oceanographer Ramón Bravo (who discovered the sleeping sharks of Isla Mujeres and is also the underwater zombie in Lucio Fulci's Zombi), it's as much a shark film as its a softcore movie concerning the three-way relationship between its heroes. It's also the only shark movie I've seen with full frontal male nudity.

Made 13 years after he made Tintorera, this is directed by René Cardona Jr. Mostly, it's about ecological-minded scientists devoted to solving the riddle of AIDS by studying sharks and taking their antibodies. As you can imagine, this makes the sharks more murderous, if that's possible. The film follows one of them and it beeps repeatedly, every time the camera gets close to it, as the Jaws theme plays. I don't even think Joe D'Amato or Bruno Mattei had balls big enough - cojones maybe - to do that.

There's also a BDSM serial killer on the loose, taking one of the scientists and tying her up. All with a Casio demo track synth soundtrack, filled with spandex and butt shots, shot on video and a release straight to home video. Also, Gerardo Zepeda, who plays Pariente in this, had quite the career, appearing in everything from El Topo to Sorceress, Dr. Tarr's Horror Dungeon, Caveman, as the monster in Night of the Bloody Apes and as the Cyclops in Santo and Blue Demon vs. The Monsters.

It's not as good as the original, but the fact that it exists and that I found means so much to me.
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7/10
Tintorera (1977) for the new era but not as effective.
MonsterVision9921 July 2024
Or perhaps deeper than Tintotera (1977)?

Right at the beginning of the "shot on video" era of Mexploitation cinema (Videohome films) Cardona picks up the "shark as psychosexual symbol" once more this time with crude visuals that resemble pornographic material produced at the time with similar equipment and format, along with a nasty corporeal degradation as well (BDSM and sexual transgressions). But Cardona is far more impressionistic in this one, both in it´s narrative and montage. Unusually dreamy and otherworldly, raw textures and familiar locations in its primitive visuals help make the settings identifiable for audiences (probably one of the first videohome movies to use the medium for this purpose). Characters lost in the vast voidness of the ocean (the setting as an extension of the character´s mind, better explored in Tintorera). Dilatation of cinematic time and spatial discolocations via stock footage and anti-continuity. Disruptions that take the movie into the field of the abstract and aethereal but that might lose normal viewers, even more so than Tintotera.
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