Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption.
Director:
Writers:
Awards:
- Won 3 Oscars. Another 63 wins & 112 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Karina Arroyave | ... |
Elizabeth
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 |
Dato Bakhtadze | ... |
Lucien
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| Sandra Bullock | ... |
Jean
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| Don Cheadle | ... |
Graham
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| Art Chudabala | ... |
Ken Ho
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| Sean Cory | ... |
Motorcycle Cop
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| Tony Danza | ... |
Fred
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| Keith David | ... |
Lt. Dixon
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| Loretta Devine | ... |
Shaniqua
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| Matt Dillon | ... |
Officer Ryan
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| Jennifer Esposito | ... |
Ria
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| Ime Etuk | ... |
Georgie
(as Ime N. Etuk)
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| Eddie J. Fernandez | ... |
Officer Gomez
(as Eddie Fernandez)
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| William Fichtner | ... |
Flanagan
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Howard Fong | ... |
Store Owner
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| Brendan Fraser | ... |
Rick
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| Billy Gallo | ... |
Officer Hill
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| Ken Garito | ... |
Bruce
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| Nona Gaye | ... |
Karen
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| Octavio Gómez Berríos | ... |
Hispanic Passenger
(as Octavio Gómez)
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James Haggis | ... |
Lara's Friend
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| Terrence Howard | ... |
Cameron
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| Sylva Kelegian | ... |
Nurse Hodges
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| Daniel Dae Kim | ... |
Park
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| Bruce Kirby | ... |
Pop Ryan
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| Ludacris | ... |
Anthony
(as Chris 'Ludacris' Bridges)
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| Jayden Lund | ... |
Security Guard
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| Jack McGee | ... |
Gun Store Owner
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Amanda Moresco | ... |
First Assistant Director
|
| Thandiwe Newton | ... |
Christine
(as Thandie Newton)
|
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Martin Norseman | ... |
Conklin
|
| Joe Ordaz | ... |
Hispanic Driver
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Greg Joung Paik | ... |
Choi
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| Michael Peña | ... |
Daniel
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Yomi Perry | ... |
Maria
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| Ryan Phillippe | ... |
Officer Hanson
(as Ryan Phillipe)
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| Alexis Rhee | ... |
Kim Lee
|
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| Ashlyn Sanchez | ... |
Lara
|
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| Molly Schaffer | ... |
Woman at Locksmith's
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Paul E. Short | ... |
Officer Stone
|
| Marina Sirtis | ... |
Shereen
|
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| Bahar Soomekh | ... |
Dorri
|
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| Allan Steele | ... |
Paramedic
|
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Kate Super | ... |
Receptionist
|
| Larenz Tate | ... |
Peter
|
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| Glenn Taranto | ... |
Country DJ (voice)
|
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| Beverly Todd | ... |
Graham's Mother
|
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| Shaun Toub | ... |
Farhad
|
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| Kathleen York | ... |
Officer Johnson
|
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| Rest of cast listed alphabetically: | |||
| Curt Clendenin | ... |
Carjack Witness (uncredited)
|
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Taber Cross | ... |
Clerk (uncredited)
|
| Alastair Douglas | ... |
Young Peter (uncredited)
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Nikki Rapp | ... |
Woman (uncredited)
|
| Nicholas George Stark | ... |
Jamal (uncredited)
|
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Directed by
| Paul Haggis | ||
Written by
| Paul Haggis | ... | (story) |
| Paul Haggis | ... | (screenplay) & |
| Bobby Moresco | ... | (screenplay) |
Produced by
| Don Cheadle | ... | producer |
| Betsy Danbury | ... | co-producer |
| Sarah Finn | ... | co-producer (as Sarah Halley Finn) |
| Marina Grasic | ... | executive producer |
| Paul Haggis | ... | producer |
| Mark R. Harris | ... | producer |
| Randi Hiller | ... | co-producer |
| Jan Korbelin | ... | executive producer |
| Dana Maksimovich | ... | associate producer |
| Bobby Moresco | ... | producer |
| Tom Nunan | ... | executive producer |
| Andrew Reimer | ... | executive producer |
| Cathy Schulman | ... | producer |
| Bob Yari | ... | producer |
Music by
| Mark Isham | ||
Cinematography by
| J. Michael Muro | ... | director of photography |
Editing by
| Hughes Winborne | ||
Editorial Department
| Adam Hawkey | ... | digital colorist: iO Film (as Adam S. Hawkey) |
| Sean Hubbert | ... | first assistant film editor |
| Michael John Koetter | ... | assistant digital colorist: iO Film (as Michael Koetter) |
| Joel T. Pashby | ... | post-production coordinator (as Joel Pashby) |
| J.D. McDonald | ... | assistant editor (uncredited) |
| Ed Twiford | ... | colorist: dailies (uncredited) |
| Bob Wenokur | ... | studio post-production representative (uncredited) |
Casting By
| Sarah Finn | ... | (as Sarah Halley Finn) |
| Randi Hiller | ||
Production Design by
| Laurence Bennett | ||
Art Direction by
| Brandee Dell'Aringa | ||
Set Decoration by
| Linda Lee Sutton | ... | (as Linda Sutton-Doll) |
Costume Design by
| Linda M. Bass | ... | (as Linda Bass) |
Makeup Department
| RaMona Fleetwood | ... | hair stylist (as Ramona Fleetwood) |
| Kerry Mendenhall | ... | department head hair stylist |
| Ben Nye III | ... | department head makeup (as Ben Nye Jr.) |
| Bunny Parker | ... | department head hair stylist |
| Theraesa Rivers | ... | key hair stylist |
| Kimberley Spiteri | ... | hair department head |
| Michelle Vittone | ... | key makeup artist (as Michelle Vittone-McNeil) |
Production Management
| Brad Arensman | ... | post-production supervisor |
| Betsy Danbury | ... | unit production manager |
| Mads Hansen | ... | production supervisor |
| Robert Katz | ... | executive in charge of production |
| Mark Amin | ... | executive in charge of production (uncredited) |
| Joel T. Pashby | ... | post-production supervisor (uncredited) |
Second Unit Director or Assistant Director
| Scott Cameron | ... | first assistant director |
| Ime Etuk | ... | second second assistant director (as Ime N. Etuk) |
| Simone Farber | ... | second assistant director |
| Casey Mako | ... | additional second second assistant director |
| Christian Pichler | ... | third assistant director (uncredited) |
Art Department
| Scott Ambrose | ... | property master |
| Brian Barr | ... | art department intern |
| James R. Barrows | ... | set dresser (as James Barrows) |
| Daniel Brodo | ... | leadman |
| Nicki Cohen | ... | buyer |
| Cary Conway | ... | lead paint foreman (as Cary 'NW' Conway) |
| Steve Dennis | ... | painter |
| Stacy Doran | ... | set dresser |
| Marcus Epps | ... | set dresser |
| Joseph W. Grafmuller | ... | leadman (as Joseph Grafmuller) |
| Maya S. Grafmuller | ... | set dresser (as Maya Grafmuller) |
| Jay Jergensen | ... | construction coordinator (as John W. Jergensen) |
| Paul 'Butch' Kitchen Jr. | ... | assistant prop master (as Paul Butch Kitchen) |
| Bruce Purcell | ... | set dresser |
| Cynthia C. Rebman | ... | on-set dresser (as Cynthia Rebman) |
| Oswaldo Rojas | ... | propmaker |
| Philip Ryan | ... | painter |
| David Saenz de Maturana | ... | on-set dresser (as David Saenz De Maturana) |
| Homberto Saenz | ... | laborer (as Humberto Saenz) |
| Bradford W. Shoemaker | ... | construction foreman |
| Jonathan Woods | ... | storyboard artist (as Jonathan B. Woods) |
| Brian DeNike | ... | on-set greensman (uncredited) |
| Michael F. Loomer | ... | props (uncredited) |
| Tek J. Smith | ... | scenic artist: set (uncredited) |
| Jack White | ... | food stylist (uncredited) |
Sound Department
| Rick Ash | ... | re-recording mixer |
| Derek Lee Bell | ... | additional audio |
| Zack Davis | ... | dialog editor (as Zach Davis) |
| Keren Falkenstein | ... | additional audio |
| Tim Farrell | ... | additional audio |
| Carl Fischer | ... | boom operator |
| Marc Fishman | ... | re-recording mixer (as Marc David Fishman) |
| Sandy Gendler | ... | supervising sound editor |
| Chato Hill | ... | digital sound assistant |
| Adam Jenkins | ... | re-recording mixer |
| Eric Lamb | ... | digital sound assistant |
| Carrie Lisonbee | ... | digital sound assistant |
| Darrin Mann | ... | foley mixer |
| Ryan Murphy | ... | sound re-recordist |
| Andy Potvin | ... | consultant: Dolby |
| Rocky Quiroz | ... | utility sound technician |
| Joan Rowe | ... | foley artist |
| Sean Rowe | ... | foley artist |
| Joel Shryack | ... | boom operator |
| Unsun Song | ... | sound re-recordist |
| Greg Steele | ... | adr mixer (as Greg Steel) |
| Richard Van Dyke | ... | sound mixer |
| Karen Vassar Triest | ... | dialog editor (as Karen Vassar) |
| Jason Wade | ... | additional audio |
| Julie Altus | ... | adr recordist (uncredited) |
| Steve Bartkowicz | ... | re-recording engineer (uncredited) |
| Courtney Bishop | ... | adr recordist (uncredited) |
| Michael Miller | ... | adr mixer (uncredited) |
| Magic A. Moreno | ... | Mag and Optical Transfer Engineer (uncredited) |
| Jason Wade | ... | adr assistant (uncredited) |
Special Effects by
| Scott M. Austin | ... | special effects foreman |
| Dan Edwards | ... | special effects technician (as Danny Edwards) |
| Jeffrey Machit | ... | special effects technician (as Jeffrey C. Machit) |
| Doyle Smiley | ... | special effects technician |
| Ron Trost | ... | special effects coordinator |
| Bryan Wohlers | ... | special effects |
Visual Effects by
| Sean Applegate | ... | effects animator: Luma Pictures |
| Artaya Boonsoong | ... | lead technical supervisor: Luma Pictures |
| Dean Chamberlain | ... | producer: iO Film |
| Andy Chang | ... | digital compositor: Luma Pictures (as Andy Chih-Jen Chang) |
| Chad Dombrova | ... | digital effects technician: Luma Pictures |
| Christopher Dusendschon | ... | digital imaging supervisor: iO Film (as Christopher Dusendschön) |
| Evan Edelist | ... | production executive: iO Film |
| Saeed Faridzadeh | ... | digital compositor: Luma Pictures |
| H Haden Hammond | ... | compositor: Luma Pictures / effects animator: Luma Pictures |
| Justin Johnson | ... | lead digital compositor: Luma Pictures |
| Wendy Klein | ... | digital compositor: Luma Pictures |
| Tim Krubsack | ... | production executive: iO Film |
| Julie Landholt | ... | end title graphics: iO Film (as J. Kathryn Landholt) |
| Artin Matousian | ... | digital effects technician: Luma Pictures |
| Glenn Morris | ... | visual effects coordinator: Luma Pictures |
| Kevin Mullican | ... | color science/imaging r&d: iO Film |
| Ian Noe | ... | visual effects producer: Luma Pictures |
| David Schoneveld | ... | effects animator: Luma Pictures |
| Payam Shohadai | ... | visual effects supervisor: Luma Pictures |
| Thanapoom Siripopungul | ... | digital compositor: Luma Pictures |
| Daniel E. Zobrist | ... | lead matchmover: Luma Pictures (as Daniel Zobrist) |
| Unjoo Lee Byars | ... | producer: main title (uncredited) |
| Kyle Cassidy | ... | digital compositor: Luma Pictures (uncredited) |
| Russ Honican | ... | main title design (uncredited) |
Stunts
| Hank Amos | ... | stunt performer |
| Erik Betts | ... | stunt performer |
| Dartenea Bryant | ... | stunt performer |
| Keith Campbell | ... | stunt performer |
| Chris Carnel | ... | stunt performer (as Christopher Carnel) |
| Jack Carpenter | ... | stunt performer |
| Kofi Elam | ... | stunt performer |
| Randolph LeRoi | ... | stunt performer (as Randolph Leroi) |
| Delma Miranda | ... | stunt performer |
| Robair Sims | ... | stunt performer |
| Monica Staggs | ... | stunt performer |
| Dean Wayton | ... | stunt performer |
| Gary J. Wayton | ... | stunt coordinator (as Gary Wayton) |
| April Weeden | ... | stunt performer (as April Washington) |
| Curt Bonn | ... | stunt performer (uncredited) |
| Richie Parker | ... | stunts (uncredited) |
| Paul E. Short | ... | stunts (uncredited) |
Camera and Electrical Department
| Paul Arnold | ... | electrician |
| Art Bartels | ... | key grip |
| Lee Blasingame | ... | first assistant camera |
| Kirk Bloom | ... | second assistant camera (as Kirk L. Bloom) |
| Bruce Chimerofsky | ... | best boy grip |
| Jason Blaise Cunningham | ... | grip |
| James 'Spud' Danicic | ... | additional second assistant camera |
| Robert Estrella Jr. | ... | additional dolly grip |
| Cole Gibson | ... | camera intern |
| Jeff Goldberg | ... | grip |
| Dana Gonzales | ... | camera operator / director of photography: second unit |
| Dylan Goss | ... | director of photography: aerial unit |
| Robert Heine | ... | additional first assistant camera |
| Sam Kretchmar | ... | camera intern |
| David Fred Masselink | ... | digital imaging technician: iO Film (as D. Fred Masselink) |
| Richie Metcalfe | ... | grip (as Lawton 'Richie' Metcalfe) |
| Dayton Nietert | ... | gaffer |
| Masahiro Onodera | ... | camera assistant: aerial unit |
| Scott Pepin | ... | electrician |
| Raul Riveros | ... | camera loader |
| David Ross | ... | camera intern |
| Jesse Rushton | ... | electrician |
| Jim Saldutti | ... | grip |
| Todd Schlopy | ... | additional first assistant camera (as R. Todd Schlopy) |
| Lorey Sebastian | ... | still photographer |
| Jim Sheldon | ... | still photographer |
| Victor Svimonoff | ... | rigging gaffer |
| Will Whitaker | ... | wireless video link operator |
| James D. Wickman | ... | dolly grip |
| Darryl Wilson | ... | rigging key grip |
| Christopher A. Zwirner | ... | best boy electric |
| Ben Bowling | ... | electrician (uncredited) |
| Shane Buttle | ... | rigging electrician (uncredited) / set lighting technician (uncredited) |
| John S. Campbell | ... | night light operator (uncredited) |
| Matthew A. Del Ruth | ... | assistant camera (uncredited) |
| Andrew Dumas | ... | second assistant camera: additional unit (uncredited) |
| Alan Jacoby | ... | additional film loader (uncredited) |
| Timothy Jipping | ... | grip (uncredited) |
| Alexandra Lucka | ... | additional camera loader (uncredited) |
| J. Michael Muro | ... | steadicam operator (uncredited) |
| Ray Patrick | ... | super technocrane operator (uncredited) |
| Jason Salonen | ... | Rigging Electrician (uncredited) |
| Chris Shadley | ... | video assist operator (uncredited) |
Casting Department
| Amy Greene | ... | casting assistant |
| Jimmy Jue | ... | extras casting |
| Erika Sellin | ... | casting associate |
| Kathryn Lyn Long | ... | extras casting (uncredited) |
Costume and Wardrobe Department
| Mary Cheung | ... | set costumer |
| Bridgitte Ferry | ... | set costumer (as Brigitte Ferry) |
| Leyla Jabbar | ... | wardrobe intern |
| Gail Just | ... | wardrobe supervisor |
| Eve-Gerri Pagliarulo | ... | wardrobe intern |
| Romeo Pompa | ... | set costumer |
| Isabela Braga | ... | costumer (uncredited) |
| Alana Caudillo | ... | costumer (uncredited) |
Location Management
| David Diamond | ... | assistant location manager |
| Jennifer Dunne | ... | location manager (as Jennifer W. Dunne) |
| Janet Harold | ... | assistant location manager |
| Leslie A. Morrow | ... | key assistant location manager |
| Scott Mosher | ... | assistant location manager (as Scott D. Mosher) |
Music Department
| James Burt | ... | music editor (as Jim Burt) |
| Richard Glasser | ... | music supervisor |
| Mark Isham | ... | music arranger / music producer / musician |
| Stephen Krause | ... | music recordist-mixer |
| Jason La Rocca | ... | assistant scoring mixer |
| Cindy O'Connor | ... | additional music arranger / music programmer |
| Seda Ozen | ... | musician |
| Mark Reveley | ... | music assistant |
| Curtis Roush | ... | music editor |
| Jay Faires | ... | music executive (uncredited) |
| Shiro Gutzie | ... | soundtrack producer (uncredited) |
| Joel C. High | ... | music executive (uncredited) |
| Rebecca Rienks | ... | music coordinator (uncredited) |
Script and Continuity Department
| Jay Mason | ... | script supervisor |
| Lina Shanklin | ... | script supervisor (uncredited) |
Transportation Department
| Tony Barattini | ... | driver |
| Tracey V. Black | ... | driver (as Tracy Black) |
| David R. Blakely | ... | driver |
| Daren Bojarski | ... | driver |
| Roger Bojarski | ... | transportation captain (as Roger S. Bojarski) |
| Brad Campbell | ... | driver |
| John Campbell | ... | driver |
| Corey Dail | ... | driver |
| Derew Frutos | ... | driver |
| Jay Galloway | ... | driver |
| Curt Michael Grooms | ... | driver |
| Virgie Haltman | ... | driver (as Virgie Halteman) |
| Kevin Loding | ... | driver (as Kevin P. Loding) |
| Eric Moon | ... | driver |
| Michael Perrotti | ... | transportation coordinator |
| Juan Ramirez | ... | transportation co-captain (as Juan J. Ramirez) |
| Domiciano Rodriquez | ... | driver (as Dom Rodriguez) |
| George A. Sack | ... | driver (as George Sack) |
| Clinton J. Taylor | ... | driver (as Clinton Taylor) |
| Sal Velásquez | ... | driver (as Sal Velasquez) |
| Gina August | ... | driver (uncredited) |
| William P. Lafon | ... | driver (uncredited) |
Additional Crew
| Thomas Becker | ... | business and legal affairs: ApolloProScreen |
| Tony Black | ... | assistant to cast |
| Andrew Blau | ... | production coordinator |
| David Bojarski | ... | assistant to cast |
| Paul Borbon | ... | stand-in |
| Erik Bright | ... | unit publicist |
| Luis Brito | ... | catering chef: Hanna Brothers |
| James Cameron | ... | production assistant |
| Jackie Chiquete | ... | stand-in |
| Hugo Cortez | ... | catering assistant: Hanna Brothers |
| Heather I. Denton | ... | production assistant |
| John Federico | ... | production assistant |
| Thorsten Felscher | ... | financial affairs: ApolloProScreen |
| Jordan Brendan Finnegan | ... | key set production assistant (as Jordan Finnegan) |
| Felicia Flick | ... | assistant: Ms. Schulman |
| Kelli Gillam | ... | post-production accountant |
| Paul Giorgi | ... | payroll accountant |
| Rob Hamer | ... | production assistant |
| Ethan Higbee | ... | assistant to cast |
| Barbara J. Keys | ... | set medic (as Barbara Keys) |
| Howard Keys | ... | set medic (as Howard M. Keys) |
| Richard D. Lewis | ... | finance / production executive |
| Michael J. Linowes | ... | production legal services: Linowes & Burkin (as Michael J. Linowes Esq.) |
| Richard McDonough | ... | assistant to producers |
| Peter McKernan | ... | pilot (as Peter J. McKernan) |
| Dale Ottley | ... | production secretary |
| Richie Parker | ... | stand-in (as Richard Parker) |
| Tanoa Parks | ... | production accountant |
| Daniel Rosenthal | ... | production assistant |
| Jimmy Rudon | ... | production assistant (as Jimmy 'Bling' Rudin) |
| Gian Sardar | ... | assistant: Mr. Haggis |
| Kai Schürmann | ... | production supervisor: ApolloProScreen (as Kai Schuermann) |
| Jack Stern | ... | studio teacher |
| Shelly Strong | ... | production executive |
| Dan Stutz | ... | business and legal affairs executive (as Daniel Stutz) |
| Tiffany Thomas | ... | first assistant accountant |
| Mark Thomason | ... | stand-in |
| Angel Villatoro | ... | catering assistant: Hanna Brothers |
| Ian Watermeier | ... | staff coordinator |
| Jörg Westerkamp | ... | production executive: ApolloProScreen (as Joerg Westerkamp) |
| Dana Wilkey | ... | product placement |
| Nicole Wirtz | ... | stand-in |
| Charlotte Young | ... | assistant legal affairs |
| Josef Brandmaier | ... | corporate finance (uncredited) |
| Unjoo Lee Byars | ... | main title producer (uncredited) |
| Nadine Deckensattl | ... | assistant business affairs (uncredited) |
| Ellyn Exley | ... | assistant to Cathy Schulman (uncredited) |
| Thomas Fischer | ... | legal affairs (uncredited) |
| Suraj Gohill | ... | production lender (uncredited) |
| Michael J. Harker | ... | completion bond company representative (uncredited) |
| Jonathan Heine | ... | production financing (uncredited) |
| Maria Elena Heredia | ... | Spanish Dubbing:Sandra Bullock (uncredited) |
| Warner Loughlin | ... | acting coach (uncredited) |
| Michael McIntyre | ... | creative director: main titles (uncredited) |
| Jeanmarie Murphy-Burke | ... | publicity notes (uncredited) |
| Mikki Pallas | ... | unspecified assistant (uncredited) |
| Julie Polkes | ... | publicist (uncredited) |
| Brad Shoemaker | ... | general foreman (uncredited) |
| Algerita Wynn | ... | photo double (uncredited) |
Thanks
| Anita W. Addison | ... | dedicatee: (1952-2004) a great friend (as Anita Addison) |
| Aliya Allyn | ... | the producers gratefully acknowledge the help of |
| Tim Allyn | ... | the producers gratefully acknowledge the help of |
| Laurence Becsey | ... | the producers gratefully acknowledge the help of (as Larry Becsey) |
| Donna Buchanan | ... | the producers gratefully acknowledge the help of |
| Unjoo Lee Byars | ... | the producers gratefully acknowledge the help of |
| Michael Chaiken | ... | the producers gratefully acknowledge the help of (as Dr. Michael Chaiken) |
| Tony Danza | ... | the producers gratefully acknowledge the help of |
| Rick Gold | ... | the producers gratefully acknowledge the help of |
| Meredith Grindlinger | ... | the producers gratefully acknowledge the help of |
| Ted Haggis | ... | the producers gratefully acknowledge the help of |
| Floy Hawkins | ... | the producers gratefully acknowledge the help of |
| Marshall Herskovitz | ... | the producers gratefully acknowledge the help of |
| Jason Isaacs | ... | the producers gratefully acknowledge the help of |
| Carl Lumbly | ... | the producers gratefully acknowledge the help of |
| Rosie McCann | ... | the producers gratefully acknowledge the help of |
| Buckley Norris | ... | the producers gratefully acknowledge the help of |
| Chuck Parker | ... | the producers gratefully acknowledge the help of |
| Pam Perry | ... | the producers gratefully acknowledge the help of |
| Mike Pietrzak | ... | the producers gratefully acknowledge the help of |
| Rebecca Pollack | ... | the producers gratefully acknowledge the help of |
| Deborah Rennard | ... | the producers gratefully acknowledge the help of |
| Salli Richardson-Whitfield | ... | the producers gratefully acknowledge the help of (as Salli Richardson) |
| Robyn Roth | ... | the producers gratefully acknowledge the help of |
| Neil Sacker | ... | the producers gratefully acknowledge the help of |
| Janet Salas | ... | the producers gratefully acknowledge the help of |
| Anthony Santa Croce | ... | the producers gratefully acknowledge the help of |
| John Segota | ... | the producers gratefully acknowledge the help of |
| Todd Sharp | ... | the producers gratefully acknowledge the help of |
| Mary Jo Slater | ... | the producers gratefully acknowledge the help of |
| Ryk St. Vincent | ... | the producers gratefully acknowledge the help of |
| Allan Steele | ... | the producers gratefully acknowledge the help of |
| Ronald Sue | ... | the producers gratefully acknowledge the help of (as Dr. Ronald Sue) |
| Glenn Taranto | ... | the producers gratefully acknowledge the help of |
| Jeff Wachtel | ... | the producers gratefully acknowledge the help of |
| Deborah Wettstein | ... | the producers gratefully acknowledge the help of |
| Randy Wiggins | ... | the producers gratefully acknowledge the help of |
| Chuck Worthen | ... | the producers gratefully acknowledge the help of |
| Catherine Zappa | ... | the producers gratefully acknowledge the help of |
| Randy Zisk | ... | the producers gratefully acknowledge the help of |
Production Companies
- Bob Yari Productions
- DEJ Productions
- Blackfriars Bridge Films
- Harris Company
- ApolloProScreen Filmproduktion
- Bull's Eye Entertainment
- Incognito Pictures (additional funding)
Distributors
- Toronto International Film Festival (2004) (Canada) (theatrical)
- Tayrona Entertainment Group (2004) (Colombia) (theatrical) (as Cinemac Films)
- Television (2004) (Romania) (tv)
- Television (2004) (Romania)
- Lionsgate (2005) (United States) (theatrical) (a Lions Gate Entertainment company)
- Alfa Films (2005) (Argentina) (theatrical)
- Bontonfilm (2005) (Czechia) (theatrical)
- Christal Films (2005) (Canada) (theatrical)
- Golden Village Pictures (2005) (Singapore) (theatrical)
- Gussi Films (2005) (Mexico) (theatrical)
- Independent Films (2005) (Netherlands) (theatrical)
- Metropolitan Filmexport (2005) (France) (theatrical)
- Scanbox Entertainment (2005) (Finland) (theatrical)
- DPI Propaganda (2005) (Russia)
- Lions Gate Films Home Entertainment (2005) (United States) (DVD) (full-screen)
- Lions Gate Films Home Entertainment (2005) (United States) (DVD) (widescreen)
- Maple Pictures (2005) (Canada) (DVD)
- Transeuropa Video Entertainment (TVE) (2005) (Argentina) (DVD)
- Transeuropa Video Entertainment (TVE) (2005) (Argentina) (VHS)
- Gateno Films (2006) (Panama) (theatrical)
- Imagem Filmes (2006) (Brazil) (VHS)
- Maple Pictures (2006) (Canada) (DVD) (director's cut)
- Scanbox Entertainment (2006) (Finland) (DVD) (1-disc edition)
- Universal Pictures (2006) (Netherlands) (DVD) (rental)
- Universum Film (UFA) (2005) (Germany) (DVD)
- Universal Pictures (2007) (Netherlands) (DVD) (retail)
- Yleisradio (YLE) (2007) (Finland) (tv)
- Multivision Multimedia India (2006) (India) (theatrical)
- Ava (2017) (Finland) (tv)
- Fox (2012) (Finland) (tv)
- Imagem Filmes (2006) (Brazil) (DVD)
- Imagem Filmes (2008) (Brazil) (Blu-ray)
- Lions Gate Films Home Entertainment (2006) (United States) (DVD) (2 disc special edition director's cut)
- Lions Gate Films Home Entertainment (2006) (United States) (Blu-ray) (DVD) (theatrical cut)
- Lions Gate Films Home Entertainment (2006) (United States) (VHS)
- Lions Gate Films Home Entertainment (2009) (United States) (Blu-ray) (DVD) (director's cut)
- Scanbox Entertainment (2008) (Finland) (DVD) (2-disc edition)
- Scanbox Entertainment (2009) (Finland) (Blu-ray)
- Sub (2016) (Finland) (tv)
- Telepool (2004) (Germany)
Special Effects
- Luma Pictures (visual effects)
Other Companies
- AON/Albert G. Ruben Insurance Services (production insurance)
- Advanced Electronics (walkies)
- Axium (II) (payroll services)
- Baker Winokur Ryder Public Relations (BWR) (corporate publicity)
- BeBee (night lighting)
- Block-Korenbrot Public Relations (Publicist)
- Central Casting (extras casting and payroll)
- Cerruti (the producers gratefully acknowledge the assistance of)
- Chapman/Leonard Studio Equipment (camera cranes and dollies)
- Chopard (the producers gratefully acknowledge the assistance of)
- Cinelease (electric equipment)
- City of Los Angeles (the producers gratefully acknowledge the assistance of)
- Comerica Bank of California (bank financing)
- Consolidated Film Industries (CFI) (acknowledgement)
- County of Los Angeles (the producers gratefully acknowledge the assistance of)
- Creative Artists Agency (CAA) (the producers gratefully acknowledge the assistance of)
- DKNY (the producers gratefully acknowledge the assistance of)
- DKNY Home (the producers gratefully acknowledge the assistance of)
- Direct Tools & Fasteners (expendables)
- Dolby Digital (in selected theatres)
- Eagle Eye Post (Avid provided by)
- Eddie Michaels & Associates (unit publicity)
- Entertainment Industry Development Corporation (EIDC) (the producers gratefully acknowledge the assistance of)
- Ford Motor Company (the producers gratefully acknowledge the assistance of)
- Hanna Brothers Catering (catering)
- Hanna Brothers Catering (catering)
- Harry Stanback Security (the producers gratefully acknowledge the assistance of)
- Hollywood Caterers (catering)
- HypoVereins Bank (film banking)
- Insignia Public Relations (unit publicity)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of: affiliated with A.F.L.-C.I.O.-C.L.C.)
- International Film Guarantors (completion bond)
- J.L. Fisher (camera cranes and dollies)
- Kodak (motion picture film)
- L.A. Mad Dogs (voice casting)
- Linowes & Burkin (production legal services)
- Los Angeles Parks and Recreation Film Office (the producers gratefully acknowledge the assistance of)
- Magic Film and Video Works (negative cutting)
- Martin Braun USA (the producers gratefully acknowledge the assistance of)
- Martin Katz Jewelry (the producers gratefully acknowledge the assistance of)
- Murray Weissman and Associates (marketing and promotion)
- Panavision (camera and lenses)
- Pier 3 Entertainment (the producers gratefully acknowledge the assistance of)
- Port of Los Angeles (the producers gratefully acknowledge the assistance of)
- Soundelux (post-production sound supervision and editorial)
- TM Equipment Rentals (grip and lighting equipment)
- TM Motion Picture Rentals (grip equipment)
- The City of Santa Monica (the producers gratefully acknowledge the assistance of)
- Todd-AO Studios (acknowledgement)
- Todd-AO Studios (sound re-recording services)
- Venetti Wheels (the producers gratefully acknowledge the assistance of)
- Visual Icon (exclusive clip and still licensing)
- Volkswagen of America Inc. (the producers gratefully acknowledge the assistance of)
- William Turner Gallery (the producers gratefully acknowledge the assistance of)
- Yema Watches (the producers gratefully acknowledge the assistance of)
- iO Film (digital intermediate)
- iO Films (digital intermediate)
- mOcean (title design)
Storyline
| Plot Summary |
Over a thirty-six hour period in Los Angeles, a handful of disparate people's lives intertwine as they deal with the tense race relations that belie life in the city. Among the players are: the Caucasian district attorney, who uses race as a political card; his Caucasian wife, who, having recently been carjacked by two black men, believes that her stereotypical views of non-whites is justified and cannot be considered racism; the two black carjackers who use their race both to their advantage and as an excuse; partnered Caucasian police constables, one who is a racist and uses his authority to harass non-whites, and the other who hates his partner because of those racist views, but who may have the same underlying values in his subconscious; a black film director and his black wife, who believes her husband doesn't support their black background enough, especially in light of an incident with the racist white cop; partnered police detectives and sometimes lovers, one Hispanic female and the other black male, the latter who is dealing with a drugged out mother that feels he isn't concerned enough about taking care of family; an East Asian man who is run over but who is hiding some valuable cargo in the back of his van; a Persian store owner, who feels he isn't getting satisfaction from American society when his store is robbed time and time again; and a Hispanic locksmith, who just wants to keep his family, especially his young daughter, safe in a seemingly unsafe world. Written by Huggo |
| Plot Keywords | |
| Taglines | It's not like things are black and white. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $6,500,000 (estimated) |
| Opening Weekend United States | $342,709, 12 Mar 2006 |
| Cumulative Worldwide Gross | $98,410,061, 12 Jul 2006 |
Did You Know?
| Trivia | Paul Haggis holds the distinction of being the only person ever to write the screenplay for two consecutive Best Picture winners. He also wrote the previous year's Best Picture winner, Million Dollar Baby (2004). See more » |
| Goofs | Partway through Officer Ryan's rescue of Christine from her overturned SUV, the camera ran out of film, as evidenced by film sprocket holes appearing in the frame. This is an acknowledged goof from director Paul Haggis. See more » |
| Movie Connections | Featured in 'Crash' Featurette (2005). See more » |
| Soundtracks | City of Angel See more » |
| Crazy Credits | Producers gratefully acknowledge the valuable assistance of The Culbert Family; Members of the Actors Gym, Hollywood, California. See more » |
| Quotes |
[first lines]
Graham: It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something. See more » |