Several stories interweave during two days in Los Angeles involving a collection of inter-related characters, a police detective with a drugged out mother and a thieving younger brother, two car thieves who are constantly theorizing on society and race, the white district attorney and his irritated and pampered wife, a racist white veteran cop (caring for a sick father at home) who disgusts his more idealistic younger partner, a successful Hollywood director and his wife who must deal with the racist cop, a Persian-immigrant father who buys a gun to protect his shop, a Hispanic locksmith and his young daughter who is afraid of bullets, and more.
Written by Martin Lewison <dr@martinlewison.com>
First film bought in a film festival (Toronto) to win best picture at the Oscars.
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Goofs
Miscellaneous:
When Cameron pulls over to the street corner to let Anthony out of the car (after their run-in with the police,) you can see Anthony's legs getting out of the car. Then they are back in the car talking and only then does Anthony get out.
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Quotes
[first lines]
Graham:
It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something. See more »
Crazy Credits
The film's title isn't shown until all of the opening credits are
completed.
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"Swinging Doors"
(1966) Written by Merle Haggard Published by Sony / ATV Tree Publishing Courtesy of Sony / ATV Music Publishing LLC / DBA Tree Productions
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