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Crash (2004/I)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
6 May 2005 (USA)
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Tagline:
You think you know who you are. You have no idea. more
Plot:
Several stories interweave during two days in Los Angeles involving a collection of inter-related characters...
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| full synopsis
Awards:
Won 3 Oscars.
Another 41 wins
&
66 nominations
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NewsDesk:
(271 articles)
New Trailer for Armored
(From ShockYa. 18 November 2009, 11:00 PM, PST)
Stage & Screen Star Loretta Devine Debuts Night Devine at Upright Cabaret 12/4-6
(From BroadwayWorld.com. 18 November 2009, 10:45 PM, PST)
(From ShockYa. 18 November 2009, 11:00 PM, PST)
Stage & Screen Star Loretta Devine Debuts Night Devine at Upright Cabaret 12/4-6
(From BroadwayWorld.com. 18 November 2009, 10:45 PM, PST)
User Comments:
Lives in change
more (1482 total)
Cast
(Cast overview, first billed only)| Karina Arroyave | ... | Elizabeth | |
| Dato Bakhtadze | ... | Lucien | |
| Sandra Bullock | ... | Jean Cabot | |
| Don Cheadle | ... | Det. Graham Waters | |
| Art Chudabala | ... | Ken Ho | |
| Sean Cory Cooper | ... | Motorcycle Cop (as Sean Cory) | |
| Tony Danza | ... | Fred | |
| Keith David | ... | Lt. Dixon | |
| Loretta Devine | ... | Shaniqua Johnson | |
| Matt Dillon | ... | Officer John Ryan | |
| Jennifer Esposito | ... | Ria | |
| Ime Etuk | ... | Georgie (as Ime N. Etuk) | |
| Eddie J. Fernandez | ... | Officer Gomez (as Eddie Fernandez) | |
| William Fichtner | ... | Flanagan | |
| Howard Fong | ... | Store Owner |
Additional Details
Also Known As:
L.A. Crash (Germany)
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MPAA:
Rated R for language, sexual content and some violence.
Parents Guide:
Runtime:
112 min | 115 min (director's cut)
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Netherlands:12 |
New Zealand:R16 |
Switzerland:14 (canton of Geneva) |
Switzerland:14 (canton of Vaud) |
USA:R (certificate #40991) |
Sweden:7 |
Taiwan:R-12 |
Argentina:16 |
France:U |
Iceland:16 |
Brazil:14 |
Belgium:KT |
Chile:TE |
India:A |
USA:Unrated (director's cut) |
South Korea:15 |
Ireland:15 (DVD rating) |
Hong Kong:IIB |
Malaysia:(Banned) (theatrical) |
Malaysia:U (DVD) |
Japan:PG-12 |
Australia:MA |
Canada:13+ (Quebec) |
Canada:14A (British Columbia) |
Canada:14A (Ontario) |
UK:15 |
Finland:K-11 |
Ireland:15A |
Singapore:M18 |
Germany:12 |
Portugal:M/12 |
Norway:15 |
Philippines:R-13
Filming Locations:
Company:
Fun Stuff
Trivia:
The Yellow Mini Cooper in the garage of stolen cars is Director Paul Haggis' car.
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Goofs:
Revealing mistakes: Partway through Officer Ryan's rescue of Christine from her overturned SUV, the camera ran out of film, as evidenced by film sprockets appearing in the frame. This is an acknowledged goof from director Paul Haggis.
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Quotes:
[first lines]
Graham: It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
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Graham: It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
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Movie Connections:
Featured in "The Jay Leno Show: (#1.45)" (2009)
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Soundtrack:
Swinging Doors
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FAQ
What's the name of the song...?Is there a name for the style of this movie? What other films are made in this style of cross-connected, interwoven storylines?
How much sex, violence, and profanity are in this movie?
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more (1482 total)
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The film does not allow any character to fall into a stereotype despite the initial appearances. Everyone is redeeming, in a greater or lessor degree, in their own world, despite their frailties and prejudices. The writing is crisp and no easy turns are taken. The film has unexpected twists but none of them are contrived. Each character is developed just enough for us to develop our opinions of them and then things change. Those of us familiar with LA will recognize the icons of the city and the mix of cultures. Each character has enough prejudice or hate in his/her repertoire of life to demonstrate we had better not be too quick to judge without exploring what might in us be similar to the characters' flaws. A must see just for the pacing and script. Malcolm