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Crash (I) (2004)

 -  Drama  -  6 May 2005 (USA)
7.9
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Ratings: 7.9/10 from 315,109 users   Metascore: 69/100
Reviews: 1,599 user | 283 critic | 36 from Metacritic.com

Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption.

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(story), (screenplay), 1 more credit »
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Title: Crash (2004)

Crash (2004) on IMDb 7.9/10

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Won 3 Oscars. Another 59 wins & 79 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Elizabeth
Dato Bakhtadze ...
Lucien
...
...
...
Ken Ho
...
Motorcycle Cop
...
Fred
...
Lt. Dixon
...
...
...
Ria
Ime Etuk ...
Georgie (as Ime N. Etuk)
...
Officer Gomez (as Eddie Fernandez)
...
Howard Fong ...
Store Owner
Edit

Storyline

Over a thirty-six hour period in Los Angeles, a handful of disparate people's lives intertwine as they deal with the tense race relations that belie life in the city. Among the players are: the Caucasian district attorney, who uses race as a political card; his Caucasian wife, who, having recently been carjacked by two black men, believes that her stereotypical views of non-whites is justified and cannot be considered racism; the two black carjackers who use their race both to their advantage and as an excuse; partnered Caucasian police constables, one who is a racist and uses his authority to harass non-whites, and the other who hates his partner because of those racist views, but who may have the same underlying values in his subconscious; a black film director and his black wife, who believes her husband doesn't support their black background enough, especially in light of an incident with the racist white cop; partnered police detectives and sometimes lovers, one Hispanic female ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

It's not like things are black and white. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language, sexual content and some violence | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | | |

Release Date:

6 May 2005 (USA)  »

Also Known As:

Alto impacto  »

Box Office

Budget:

$6,500,000 (estimated)

Opening Weekend:

$95,541 (Hong Kong) (23 June 2006)

Gross:

$230,508 (Hong Kong) (7 July 2006)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Thandie Newton was Paul Haggis' first choice for her character. See more »

Goofs

The police cars have subtle difference from real LAPD patrol cars. The real cars will have "To Protect and to Serve" on the door, to the right of the City Seal. The cars used this film have "To Serve and Protect" and its writing is to the left of the city seal. See more »

Quotes

[first lines]
Graham: It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
See more »

Crazy Credits

The film's title isn't shown until all of the opening credits are completed. See more »


Soundtracks

Gonna Buy Me a Rope
Words and Music by Paul Haggis (as P. Haggis)
Published by PHI Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Lives in change
25 April 2005 | by (Los Angeles) – See all my reviews

The film does not allow any character to fall into a stereotype despite the initial appearances. Everyone is redeeming, in a greater or lessor degree, in their own world, despite their frailties and prejudices. The writing is crisp and no easy turns are taken. The film has unexpected twists but none of them are contrived. Each character is developed just enough for us to develop our opinions of them and then things change. Those of us familiar with LA will recognize the icons of the city and the mix of cultures. Each character has enough prejudice or hate in his/her repertoire of life to demonstrate we had better not be too quick to judge without exploring what might in us be similar to the characters' flaws. A must see just for the pacing and script. Malcolm


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