
Il ritorno di Cagliostro (2003)
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- 1h 40min
- Comedy, Drama
- 05 Sep 2003 (Italy)
- Movie
- 2 wins & 11 nominations.
- See more »
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Cast
Directed by
Daniele Ciprì | ||
Franco Maresco |
Written by
Daniele Ciprì | ... | (story) & |
Franco Maresco | ... | (story) & |
Lillo Iacolino | ... | (story) |
Daniele Ciprì | ... | (screenplay) & |
Franco Maresco | ... | (screenplay) |
Produced by
Pippo Bisso | ... | producer |
Silvana Carrara | ... | associate producer |
Serge Ioan Celebidachi | ... | Distributor |
Loris Curci | ... | associate producer |
Mario Mazzarotto | ... | associate producer |
Andrea Petrozzi | ... | associate producer |
Music by
Salvatore Bonafede |
Cinematography by
Daniele Ciprì |
Editing by
Fabio Nunziata |
Editorial Department
Francesco Biscuso | ... | avid operator |
Simone Broglio | ... | digital conforming |
Giacobbe Gamberini | ... | conforming supervisor |
Gian Luigi Gianni | ... | digital intermediate coordinator |
Aldo Meconi | ... | color correction |
Edward Nadalin | ... | conforming editor |
Danilo Scavuzzo | ... | digital conforming |
Fabio Tufi | ... | digital intermediate supervisor |
Ernesto Volpi | ... | film lab technician |
Casting By
Claudia Uzzo |
Production Design by
Cesare Inzerillo | ||
Nicola Sferruzza |
Costume Design by
Patrizia Quaranta |
Makeup Department
Andrea Giustino | ... | hair stylist |
Barbara Giustino | ... | makeup artist |
Mariangela Giustino | ... | assistant hair stylist |
Production Management
Mario Bellone | ... | unit manager |
Barbara Spina | ... | production manager |
Second Unit Director or Assistant Director
Antonio Bellia | ... | second assistant director |
Gianluca Genovese | ... | third assistant director |
Vincenzo Mineo | ... | second third assistant director |
Filippo Orobello | ... | first assistant director |
Claudia Uzzo | ... | assistant director |
Art Department
Manfredi Bernardini | ... | second assistant production designer / set designer |
Sandro Bettin | ... | propman |
José Botella | ... | sculptures |
Francesco Caronia | ... | sculptures |
Giuseppe Colletti | ... | assistant production designer |
Francesco Guttuso | ... | second assistant production designer |
Marilena Manzella | ... | posters |
Ciro Natalino Padua | ... | assistant propman |
Daniele Rattoballi | ... | sculptures |
Hemmanuel Semilia | ... | sculptures |
Vincenzo Troia | ... | assistant production designer |
Giovanni Vallone | ... | sculptures |
Lucia Virzì | ... | newspaper designs |
Guido Zanca | ... | newspaper designs |
Vincenzo Zanca | ... | newspaper designs |
Sound Department
Luca Bertolin | ... | sound |
Franco Coratella | ... | assistant sound mixer |
Marco di Vittorio | ... | re-recording mixer |
Saverio Lancia | ... | sound effects editor |
Daniele Maraniello | ... | additional sound |
Silvia Moraes | ... | sound editor |
Paolo Pucci | ... | sound effects editor |
Massimo Rocchi | ... | foley artist |
Ivan Sibio | ... | sound effects |
Michele Tarantola | ... | sound |
Stunts
Loris Curci | ... | stunt performer |
Camera and Electrical Department
Francesco Apuzzo | ... | key grip |
Alessandro Caiuli | ... | electrician |
Daniele Caiuli | ... | electrician |
Mauro Calanca | ... | second assistant camera |
Davide Ceccato | ... | second second assistant camera |
Daniele Ciprì | ... | camera operator |
Giovanni Gebbia | ... | steadycam operator |
Dominik Huber | ... | still photographer |
Aurelio Langella | ... | grip |
Alessandro Leone | ... | still photographer |
Tommaso Lusena | ... | second second assistant camera (as Tommaso Lusena de Sarme) |
Massimo Moreschini | ... | gaffer |
Marco Pasquini | ... | assistant camera |
Gaspare Pellegrino | ... | assistant electrician |
Massimo Virzì | ... | assistant grip |
Costume and Wardrobe Department
Maria Concetta Capalvo | ... | sewer |
Music Department
Salvatore Bonafede | ... | conductor |
Script and Continuity Department
Alessandro Abate | ... | continuity |
Giacobbe Gamberini | ... | continuity |
Additional Crew
Nino D'Agata | ... | voice dubbing: Franco Vito Gaiezza |
Pasquale Di Giovanni | ... | assistant unit manager |
Veronica Di Marcantonio | ... | assistant production secretary |
Paola Evangelista | ... | assistant dubbing director |
Margherita Gigliotta | ... | press agent: set |
Caterina Magliozzo | ... | production secretary |
Ilaria Malagutti | ... | production secretary |
Franco Marineo | ... | collaboration: treatment |
Eleonora Martelli | ... | press agent: production |
Rean Mazzone | ... | clip producer |
Marzia Milanesi | ... | press agent: distribution |
Rosolino Pizzuto | ... | production secretary |
Mary Ellen Tassone | ... | translation |
Maria Antonietta Trapassi | ... | voice over: Margareth Woodhouse |
Domenico Vullo | ... | crowd marshall |
Thanks
Beppe Agnello | ... | thanks |
Stefano Lo Presti | ... | thanks |
Salvatore Rizzuti | ... | thanks |
Production Companies
- Cinico Cinema
- Istituto Luce
- Rai Cinema
- Tele+ (with the participation of)
Distributors
- Istituto Luce (2003) (Italy) (theatrical)
- Surreal Films (2004) (France) (theatrical)
Special Effects
Other Companies
- Accademia di Belle Arti di Palermo (thanks)
- Annamode (costumes)
- Arditi Calzature Cine Teatrali (costumes)
- Cinesicurtà (insurance)
- Europcar (vehicles)
- Fono Roma (sound post-production)
- Fotocinema (post-production facilities)
- Fotocinema (scanning)
- International Recordings (transcriptions)
- Lasers Film (subtitles)
- Marchegiani (camera equipment provided by)
- Mete Aurora Assicurazioni (insurance)
- Pipi Costumi (costumes)
- RAC e T (grip and lighting equipment)
- REC (camera equipment provided by)
- Sale e Pepe (catering)
- Sound On Line S.r.a. (sound effects)
- Stand Italiana (grip and lighting equipment)
- Tea Nova (segment production)
- Voltumna Film (dubbing)
- World Video (avid)
Storyline
Plot Summary |
In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro". Written by satanetto |
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Box Office
Opening Weekend Italy | EUR43,402, 07 Sep 2003 |
Did You Know?
Movie Connections | Spoofs Cinema Paradiso (1988). See more » |