A moment by moment account of the sinking and rescue of the crew of the submarine USS Squalus which was the first rescue of living crew on a submarine.
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Photos and Videos
Cast
Sam Neill | ... |
Lt. Cmdr. Charles B. 'Swede' Momsen
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Shea Whigham | ... |
Capt. Oliver Naquin
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Emily Procter | ... |
Frances Naquin
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Hugh O'Conor | ... |
Jim McDonald
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Matthew Wait | ... |
Martin 'Ski' Sibitzky
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Martin McDougall |
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Vincent Riotta | ... |
Harold Preble
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Raymond Waring |
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Alex McSweeney | ... |
Seaman Lawrence Gainor
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John Pielmeier | ... |
Lt. Cmdr. Fortis
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Marshall Griffin | ... |
Lloyd Maness
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Jenna Harrison | ... |
Betty Cole
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James Sikking | ... |
Rear Admiral Cyrus Cole
(as James B. Sikking)
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Alex Campagner | ... |
Machinist Mate Al Prien
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Des Coleman | ... |
Cook Will Isaacs
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Saverio Deodato | ... |
Gunnery Officer John Nichols
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Michael DeVorzon | ... |
Mate Carol Pierce
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Tara Hugo | ... |
Mrs. Vance
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Kalen Keach | ... |
Gerald McLees
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Nastia Klyueva | ... |
Anna Naquin
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Justine Mattera | ... |
Mabel Gainor
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Ryan McCluskey | ... |
Seaman Sherman Shirley
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Tony Piazza | ... |
Electrician Mate John Batick
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Michael Rucker | ... |
Radioman
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Alexander Brooks | ... |
Capt. George Sharp
(as Leslie Csuth)
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Jonathan Sultana | ... |
Michael Naquin
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Katherine Wilson | ... |
Marjorie
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Rest of cast listed alphabetically: | |||
Brenda Camilleri | ... |
Officer's Wife
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Directed by
James Keach |
Written by
Peter Maas | ... | (book "The Terrible Hours") |
John Pielmeier | ... | (teleplay) and |
Edward Khmara | ... | (teleplay) |
Produced by
Scott W. Anderson | ... | supervising producer |
Richard J. Anobile | ... | associate producer |
Stanley M. Brooks | ... | executive producer |
Massimo Cristaldi | ... | producer |
John-Michael Maas | ... | co-producer |
Music by
Phil Marshall |
Cinematography by
Roland 'Ozzie' Smith |
Editing by
Michael D. Ornstein | ... | (as Michael Ornstein) |
Editorial Department
Giorgio Conti | ... | second assistant editor |
Alison Learned Wolf | ... | assistant editor (as Alison Learned) |
Casting By
Renée Rousselot | ... | (as Renee Rousselot) |
Jeremy Zimmermann |
Production Design by
Götz Weidner |
Art Direction by
Christine Caspari |
Set Decoration by
Cynthia Sleiter | ... | (as Cinzia Sleiter) |
Costume Design by
Cheri Ingle |
Makeup Department
Elisabetta De Leonardis | ... | key hair stylist (as Elisa De Leonardis) |
Marcelle Genovese | ... | hair stylist |
Jackie Grima | ... | makeup artist: dailies |
Karen Schembri Grima | ... | make up artist: dailies |
Debbie Scicluna | ... | hair stylist |
Maurizio Silvi | ... | key makeup artist |
Noriko Watanabe | ... | personal hair stylist: Mr. Neill (as Noriko Watanabe Neill) / personal makeup artist: Mr. Neill (as Noriko Watanabe Neill) |
Production Management
Gianfranco De Rosa | ... | unit manager |
Filippo Lovatelli | ... | unit manager |
Luigi Riitano | ... | unit production manager: Malta |
Stefano Spadoni | ... | unit production manager |
Danielle Zalaznick | ... | production supervisor: Los Angeles |
Second Unit Director or Assistant Director
Paolo Boni | ... | second assistant director |
Simon Hinkly | ... | first assistant director |
Emanuela Minoli | ... | second assistant director / second second assistant director |
Franco Maria Salamon | ... | second unit director (as Franco Salamon) |
Bojana Sutic | ... | second assistant director |
Gwyn Sannia | ... | assistant director (uncredited) |
Art Department
Livio Alessandrini | ... | property master |
Daniele Bacciu | ... | on-set props (as Daniel Bacciu) |
Chiara Balducci | ... | on-set dresser |
Darrin Fletcher | ... | storyboard artist |
Giulia Chiara Crugnola | ... | set designer (uncredited) |
Sound Department
Alek Bromke | ... | adr assistant |
Richard Calistan | ... | adr editor / adr mixer |
Matthew Hussey | ... | assistant sound editor |
Gilberto Martinelli | ... | sound mixer |
Brian McPherson | ... | sound effects editor |
James Porteous | ... | re-recording mixer |
D. Andrew Roberts | ... | re-recording mixer |
Virginia Storey | ... | foley artist |
Decio Trani | ... | boom operator |
Bill Turchinetz | ... | sound effects editor |
Special Effects by
Danilo Bollettini | ... | special effects |
Mario Cassar | ... | special effects foreman |
Visual Effects by
Louise Barkholt | ... | visual effects producer |
Barb Benoit | ... | digital compositor |
Mike Borrett | ... | visual effects supervisor |
Doug Campbell | ... | digital compositor |
Debora Dunphy | ... | digital compositor |
Aruna Inversin | ... | digital compositor |
May Leung | ... | digital artist |
Kimberley Liptrap | ... | digital artist |
Alec McClymont | ... | 3D artist: GVFX |
Sarah McMurdo | ... | visual effects coordinator |
Betty Shaw | ... | systems administrator: GVFX |
Tom Turnbull | ... | visual effects (as Thomas Turnbull) |
Daniel Osaki | ... | visual effects (uncredited) |
Stunts
David Ambrosi | ... | stunt double |
Paolo Antonini | ... | stunts |
Massimiliano Bianchi | ... | stunt rigger |
Stefano Maria Mioni | ... | assistant stunt coordinator |
Alessandro Novelli | ... | assistant stunt coordinator / safety supervisor |
Franco Maria Salamon | ... | stunt coordinator (as Franco Salamon) |
Camera and Electrical Department
Franco Biciocchi | ... | still photographer |
Vincenzo Carpineta | ... | camera operator |
Aldo Chessari | ... | underwater camera operator |
Bruno Colanzi | ... | key grip |
Simone Ginanneschi | ... | clapper loader |
Maurizio Lorenzetti | ... | assistant camera |
Alessandro Merluzzi | ... | second assistant camera second unit |
Alberico Novelli | ... | gaffer |
Matteo Ortolani | ... | clapper loader |
Luciano Teolis | ... | assistant camera |
Casting Department
Barbara Giordani | ... | casting: Italy (as Barbara Giordano) |
Jennifer Levy | ... | casting associate |
Jeremy Zimmermann | ... | casting: Europe |
Costume and Wardrobe Department
Augusto Grassi | ... | costume supervisor / dresser: men |
Alexandra Selsman Hughes | ... | dresser: women (as Alexandra S. Hughes) |
Claudia Tenaglia | ... | assistant costume designer |
Giovanni Viti | ... | wardrobe supervisor (as Gianni Viti) |
Music Department
William Pearson | ... | score recordist (as Bill Pearson) |
Script and Continuity Department
Roberta Butti | ... | script supervisor |
Transportation Department
Paolo Bernardini | ... | driver |
Kenneth Cassar | ... | transportation captain |
Additional Crew
Todd Carter | ... | dialogue coach |
Rita Galea | ... | production coordinator |
Jason Gilmore | ... | production assistant |
Christian Giuliani | ... | assistant production coordinator |
Ian Madison | ... | executive associate: Sam Neill |
Wylie K. Miller | ... | technical advisor: US Navy submarines |
Michela Occhipinti | ... | production coordinator |
Paolo Piria | ... | production consultant |
Richard Keith Quintero | ... | assistant: Mr. Keach (as Richard Keith) |
William Sy | ... | assistant: Mr. Brooks |
Elisabetta Tomasso | ... | production secretary |
Benedetta Von Normann | ... | production coordinator |
Production Companies
Distributors
- National Broadcasting Company (NBC) (2001) (United States) (tv) (original airing)
- Premiere (2003) (Germany) (tv)
- TV2 (2005) (Hungary) (tv) (original airing)
Special Effects
- Gajdecki Visual Effects (GVFX) (visual effects)
Other Companies
- Cristaldi Pictures (production services: Italy)
- Dolphin Film Productions Ltd. (production services: Malta)
- Dome Audio Video & Effects (D.A.V.E.) (audio post-production)
- Dome Audio Video & Effects (D.A.V.E.) (sound design)
- Five Mile River Films (production services: Italy)
- Luna Blu (production services: Italy)
- Voice Masters (voice casting)
Storyline
Plot Summary |
Based on the best-selling book by Peter Maas, Submerged tells the story of the first submarine rescue in history: that of the crew of the USS Squalus, on 23 May 1939, and of the man who effected the rescue, Lieutenant Commander (LCDR) "Swede" Momsen, USN. Written by Jeff Codella |
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Taglines | 59 men trapped below. A desperate SOS. The depths of human courage. See more » |
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Parents Guide | Add content advisory for parents » |
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Additional Details
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Did You Know?
Trivia | While many movies of this type add complications to the rescue, this one simplifies it. In real life several more ships were involved, and when the diving bell jammed on the fourth trip, several dives were made before it could be freed. The bell was also sent on a fifth trip to confirm that no other compartments contained survivors. See more » |
Goofs | Jeeps are used as Navy transport vehicles throughout the movie, yet they did not go into production until mid to late 1941, nearly 2 years after the events in this movie are depicted. See more » |
Movie Connections | Referenced in Hanging by a Thread (2006). See more » |