- 5 wins & 7 nominations.
- See more »
Photos and Videos
Cast verified as complete
Sean Pertwee | ... |
Wells
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Kevin McKidd | ... |
Cooper
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Emma Cleasby | ... |
Megan
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Liam Cunningham | ... |
Ryan
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Thomas Lockyer | ... |
Bruce
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Darren Morfitt | ... |
Spoon
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Chris Robson | ... |
Joe
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Leslie Simpson | ... |
Terry
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Tina Landini | ... |
Camper
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Craig Conway | ... |
Camper
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Villrikke's Acer | ... |
Sam the Dog
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Bryn Walters | ... |
Werewolf
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Ben Wright | ... |
Werewolf
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Brian Claxton Payne | ... |
Werewolf
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Directed by
Neil Marshall |
Written by
Neil Marshall | ... | (written by) |
Produced by
David E. Allen | ... | producer |
Vic Bateman | ... | executive producer |
Keith Bell | ... | co-producer |
Christopher Figg | ... | producer |
Harmon Kaslow | ... | executive producer |
Brian Patrick O'Toole | ... | co-producer (as Brian O'Toole) |
Tom Reeve | ... | producer |
Romain Schroeder | ... | executive producer |
Caroline Waldron | ... | associate producer |
Music by
Mark Thomas |
Cinematography by
Sam McCurdy |
Editing by
Neil Marshall |
Casting By
Andrea Clark | ... | (as Andrea Clarke) |
Jeremy Zimmermann | ... | (as Jeremy Zimmerman) |
Production Design by
Simon Bowles |
Art Direction by
Christina Schaffer |
Set Decoration by
Sonja Klaus |
Costume Design by
Uli Simon |
Makeup Department
Dave Bonneywell | ... | special makeup effects supervisor |
Lisa Crawley | ... | special makeup effects artist |
Peter Hawkins | ... | special makeup effects artist |
René Jordan | ... | hair designer / makeup artist |
Bob Keen | ... | special makeup director |
Chris Lyons | ... | special effects teeth |
Matthew O'Toole | ... | special makeup effects artist (as Matt O'Toole) |
Anthony Parker | ... | work shop crew |
Justin Pitkethly | ... | special makeup effects artist |
Katja Reinert-Alexis | ... | makeup designer (as Katja Reinert) / hair stylist (uncredited) |
Production Management
Laurent Dumas | ... | production manager |
Second Unit Director or Assistant Director
Enrico Accetto | ... | third assistant director |
Hélène Coker | ... | third assistant director |
Ralph Eisenmann | ... | second assistant director (as Ralf Eisenmann) |
Sam Harris | ... | first assistant director |
Art Department
Boris Bartholomäus | ... | carpenter |
Paul Biwer | ... | master model maker |
Claudio Campana | ... | assistant art director / draughtsman |
Fabien Domange | ... | ripper |
Geraldine Flammang | ... | model maker |
Guy Hebeler | ... | model maker |
Svet Hrouchoff | ... | props runner |
Christian 'Fuuss' Louis | ... | model maker (as Christian Louis) / model maker |
François Mast | ... | carpenter |
Pascale Michalski | ... | model maker |
Olivier Printz | ... | picture car coordinator |
Stephanie Rass | ... | assistant art director / model maker (as Stéphanie Rass) |
Tiffany Rodenfels | ... | props |
Gerold Schmidt | ... | stand-by props |
Zoe Smith | ... | assistant props buyer |
Petra Weber | ... | props buyer / set dresser |
Bruno Zenatello | ... | construction manager |
Sound Department
Jimmy Boyle | ... | sound editor (as James Boyle) |
Peter Burgis | ... | foley artist |
Paul Carr | ... | post-production sound mixer |
Paul Conway | ... | supervising sound editor |
Andie Derrick | ... | foley artist |
Alain Goniva | ... | boom operator |
James Harrison | ... | sound editor |
Jacques Leroide | ... | foley editor |
James Seddon | ... | dolby consultant |
Nick Thermes | ... | production sound mixer |
Iain Eyre | ... | sound effects editor (uncredited) |
Colin Lang | ... | sound designer (uncredited) |
Andy Ludbrook | ... | sound editor (uncredited) |
Randolph Saucedo | ... | sound recordist (uncredited) |
Special Effects by
Richard Darwin | ... | animatronic model designer |
Roland Goddijn | ... | special effects |
Michel Jancso | ... | special effects technician |
Tacy Kneale | ... | workshop |
Martin Lader | ... | special effects |
Andy Lee | ... | foamer |
Edward Wiessenhaan | ... | special effects |
Harry Wiessenhaan | ... | physical effects supervisor |
Rick Wiessenhaan | ... | special effects |
Keith Wilson | ... | special effects makeup |
Robert Zepers | ... | special effects |
Visual Effects by
Neil Culley | ... | compositor |
Bob Keen | ... | visual effects supervisor |
Stunts
Samir Bezzah | ... | stunts |
Roland Goddijn | ... | stunts |
Martin Lader | ... | stunts |
Edward Wiessenhaan | ... | stunts |
Harry Wiessenhaan | ... | stunt coordinator |
Rick Wiessenhaan | ... | stunts |
Ben Wright | ... | stunt double: werewolf |
Robert Zepers | ... | stunts |
Camera and Electrical Department
Alex Aach | ... | clapper loader: second camera |
Paul Alexander | ... | steadicam operator |
Sergio Bernuzzi | ... | key grip |
Riccardo Besantini | ... | focus puller: second camera |
Mathilde Bouts | ... | clapper loader |
Etienne Braun | ... | still photographer |
Gilbert Degrand | ... | best boy |
Mick Durlacher | ... | gaffer |
Graham Johnston | ... | clapper loader: second camera |
Clayton Ramsey | ... | assistant grip |
Catherine Richard | ... | video assist operator |
Carlo Thiel | ... | camera operator: second camera |
Wolfgang Wesemann | ... | focus puller |
Jon Garwes | ... | assistant camera: aerial unit (uncredited) |
Phil Humphries | ... | assistant camera: aerial unit (uncredited) |
Casting Department
Monique van der Waals | ... | extras casting (as Monique Durlacher) |
Costume and Wardrobe Department
Silke Reinards | ... | wardrobe assistant |
Uli Zegers | ... | wardrobe assistant |
Location Management
Marguerite Auberger | ... | location assistant |
Pascal Charlier | ... | location manager |
Philip James Morgan | ... | location scout (uncredited) |
Stephane Wasila | ... | assistant location manager (uncredited) |
Music Department
John Boughtwood | ... | music supervisor |
James Collins | ... | music scoring mixer |
Diane Hayes | ... | music coordinator |
Mark Thomas | ... | conductor / orchestrator |
Script and Continuity Department
Sheila McNaught | ... | script supervisor |
Simon Ricketts | ... | script editor |
Transportation Department
Gus Gouldsbrough | ... | cast driver (as Gus Gouldsborough) |
Kevan Willis | ... | transportation captain |
Additional Crew
Paul de Bourcy | ... | studio manager |
Kirsten Ferwerda | ... | production assistant |
Richard Glass | ... | contact lenses |
Gus Gouldsbrough | ... | facilities coordinator (as Gus Gouldsborough) |
Craig Handley | ... | production assistant |
Kristjan Hardarson | ... | assistant accountant (as Kristjan Hardarsson) |
Harmon Kaslow | ... | financial structuring and legal |
Christopher P. Kibbey | ... | vice president of production: Carousel Picture Company (as Chris Kibbey) |
Luc Schroeder | ... | production accountant |
Katja Wolf | ... | assistant to executive producer |
Jon Baker | ... | armourer (uncredited) |
Michael J. Harker | ... | completion bond representative (uncredited) |
Matthew O'Toole | ... | post-production accountant (uncredited) |
Thanks
Mark Holdom | ... | special thanks |
Production Companies
- Centurion
- Kismet Entertainment Group
- The Noel Gay Motion Picture Company
- The Carousel Picture Company
- The Victor Film Company (in association with)
- Luxembourg Film Fund (with the support of)
Distributors
- Pathé Distribution (2002) (United Kingdom) (theatrical)
- Ekaterinburg Art (EA) (2003) (Russia) (theatrical)
- Finnkino (2002) (Finland) (theatrical) (limited)
- Indies Film Distribution (2002) (Netherlands) (theatrical)
- SND Films (2002) (France) (theatrical)
- Solar Entertainment (2002) (Philippines) (theatrical) (as Solar Films)
- Xanadeux (2003) (Japan) (theatrical) (Tokyo)
- 20th Century Fox Home Entertainment (2003) (United States) (DVD)
- Artisan Entertainment (2002) (United States) (DVD) (VHS)
- City Heat Productions (2002) (United States) (DVD)
- First Look Home Entertainment (2009) (United States) (DVD)
- First Look Home Entertainment (2010) (United States) (Blu-ray) (DVD)
- Future Film (2003) (Finland) (DVD)
- H.O.M. Vision bv, Spakenburg (2003) (Netherlands) (DVD) (VHS)
- Koch Media (2019) (Germany) (Ultra HD Blu-ray)
- Legend Films International (2003) (Germany) (DVD)
- Paramount Home Entertainment (2003) (Sweden) (DVD)
- Plaion Pictures (2024) (Germany) (Ultra HD Blu-ray)
- PlayArte Home Vídeo (2003) (Brazil) (DVD)
- PlayArte Home Vídeo (2003) (Brazil) (VHS)
- Scream Factory (2014) (United States) (Blu-ray) (DVD) (collector's edition)
- Scream Factory (2022) (United States) (Blu-ray) (Ultra HD Blu-ray) (collector's edition)
- Second Sight Films (2022) (United Kingdom) (Ultra HD Blu-ray) (new 4k restoration)
- THINKFilm (2003) (Canada) (DVD)
- The Sci-Fi Channel (2002) (United States) (tv)
- Universum Film (UFA) (2003) (Germany) (DVD) (release through)
- Velocity Home Entertainment (2002) (Canada) (VHS) (Canada only)
- Wide Sight Entertainment Limited (2003) (Hong Kong) (DVD)
Special Effects
Other Companies
- Bollux (film stock provided by)
- Bollux (grip rental company)
- Goldcrest Post Production London (sound post-production)
- Sapex Scripts (post-production script services)
- The Sound Design Company (post-production sound services)
- Wood Hall Catering (catering)
Storyline
Plot Summary |
A British Squad is sent on a training mission in the Highlands of Scotland against Special Operations squad. Ignoring the childish "campfire" stories heard about the area, they continue with their mission and come across the bloody remains of the Special Ops Squad, and a fierce howling is pitching the night sky... With two mortally wounded men, they make an escape, running into a zoologist by the name of Megan - who knows exactly what hunts them. What began as what they thought was a training mission turns into a battle for their lives against the most unlikely enemies they would have expected - werewolves. Written by Dismal Angel |
Plot Keywords | |
Taglines | A Bitch of a Werewolf Movie See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Sound Mix | |
Filming Locations |
Box Office
Budget | $2,000,000 (estimated) |
Opening Weekend United Kingdom | GBP681,348, 12 May 2002 |
Did You Know?
Trivia | The super-glue scene is referenced in Small Favor (Dresden files) a book by Jim Butcher. A female character is disembowelled and talks about super-glue being invented in the Vietnam war in order to stick wounded soldiers back together but then says she saw it in a movie about werewolves. See more » |
Goofs | Despite what Cooper says, super-glue was not developed for medical use during the Vietnam War. It was first created in the 1940s as a strong glue but the original formula often caused skin irritation. Because of its strength when bonding skin, a spray version with a slightly different formula which didn't cause irritation was developed for medical use in Vietnam. See more » |
Movie Connections | Featured in Magic, Murder and Monsters: The Story of British Horror and Fantasy (2007). See more » |
Soundtracks | Tom Hark See more » |
Crazy Credits | During the closing credits b&w photographs are shown from the camera used during the siege in the cottage. See more » |
Quotes |
[to attacking werewolf]
Spoon: I hope I give you the shits, you fucking wimp. See more » |