Manny, Sid, and Diego discover that the ice age is coming to an end, and join everybody for a journey to higher ground. On the trip, they discover that Manny, in fact, is not the last of the woolly mammoths.
The Dragon Warrior has to clash against the savage Tai Lung as China's fate hangs in the balance. However, the Dragon Warrior mantle is supposedly mistaken to be bestowed upon an obese panda who is a novice in martial arts.
The Madagascar animals fly back to New York City, but crash-land on an African nature reserve, where they meet others of their own kind, and Alex especially discovers his royal heritage as prince of a lion pride.
Back when the Earth was being overrun by glaciers, and animals were scurrying to save themselves from the upcoming Ice Age, a sloth named Sid, a woolly mammoth named Manny, and a saber-toothed tiger named Diego are forced to become unlikely heroes. The three reluctantly come together when they have to return a human child to its father while braving the deadly elements of the impending Ice Age.Written by
Chris Wedge, director, is the voice of Scrat, but has no intelligible dialogue; the plan to have Scrat talk was quickly dropped, as he worked better as a silent character for comedic effect. The name 'Scrat' is a combination of the words 'squirrel' and 'rat', as Scrat has characteristics of both species; Wedge has also called him "saber-toothed squirrel." Scrat's opening adventure was inserted because, without it, the first real snow and ice sequence wouldn't take place until about 37 minutes into the film. This was the only role intended for Scrat, but he proved to be such a popular character with test audiences that he was given more scenes, and has appeared in other movies. See more »
In the first shot of the human camp, the camp is on the left side of the river that leads to the waterfall. During the tiger attack, the camp switches places to the right (note where the baby's mom jumps). See more »
Other than the film's name, there are no opening credits. See more »
An alternate scene of Sid in the hottub with the ladies shows him saying to them "Let's jump in the gene pool and see what happens." One of the female sloths then kicks him in the groin. This was cut because it was not suitable for children and may have gotten the film a PG-13. Other innuendos with Sid were also cut from the film. See more »
`Ice Age' emerges as one of the better animated films of recent years, cleverly designed and even more cleverly written. Scenarists Michael Berg, Michael J. Wilson and Peter Ackerman have devised a story set 20,000 years ago about an unlikely trio of companions who find themselves making a long trek through a harsh environment in an effort, ostensibly, to return a baby human to the tribe from which he has become separated. The triumvirate is made up of a deadpan, cynical mammoth, a wisecracking, over-the-top sloth (whose mile-a-minute mouth more than makes up for his legendary slowness) and a malevolent saber-tooth tiger, who learns a thing or two about friendship and teamwork before the adventure is over.
`Ice Age' is at its most amusing in those scenes in which the characters make prescient jokes about their own place in the evolutionary scheme of things. One particularly clever scene involves the three travelers discovering what looks like an underground museum of natural history encased in ice, replete with ancient creatures caught in naturally occurring, chain-of-life exhibits. Like most animated films set in the past, `Ice Age' derives much of its humor through the use of anachronism. We chuckle to hear these creatures applying modern, scientific knowledge to the pre-scientific era in which they are living.
The animators and designers have done a beautiful job in achieving just the right look for this tale. The backgrounds have a colorful, clean, streamlined look to them, and the animals themselves, in their appearance and design, provide a witty commentary on evolutionary history. Ray Romano, John Leguizamo and Denis Leary do superb voiceover work, each achieving just the right tone for the character he has been assigned to play. One could wish, perhaps, for a bit less sentimentality at the end, but that is a minor quibble in a film that works so well for both children and adults. The kids will revel in the cuteness of the animals and the clever action sequences, while adults will savor the sly knowingness of the evolutionary and historical in-jokes. Not bad in an era when most films can't find a way to please even ONE audience demographic.
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