
The Day I Became a Woman (2000)
Roozi ke zan shodam (original title)Reference View | Change View
- 1h 18min
- Comedy, Drama
- 08 Mar 2001 (France)
- Movie
- 10 wins & 5 nominations.
- See more »
Photos and Videos
Cast
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Fatemeh Cherag Akhar | ... |
Hava
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Hassan Nebhan | ... |
Hassan
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Shahr Banou Sisizadeh | ... |
Mother
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Ameneh Passand | ... |
Grandmother
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Tolouei Shabnam | ... |
Ahoo
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Sirous Kahvarinegad | ... |
Husband
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Moharram Zaynalzadeh | ... |
Osmann
(as Mahram Zeinal Zadeh)
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Norieh Mahigiran | ... |
Rival Cyclist
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Azizeh Sedighi | ... |
Hoora
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Badr Iravani | ... |
Young Boy
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Directed by
Marzieh Makhmalbaf | ... | (as Marziyeh Meshkini) |
Written by
Marzieh Makhmalbaf | ... | (dialogue) (as Marzieh Meshkini) |
Mohsen Makhmalbaf | ... | () |
Produced by
Mohsen Makhmalbaf | ... | producer |
Music by
Mohammad Reza Darvishi |
Cinematography by
Mohammad Ahmadi | ... | (as Mohamad Ahmadi) |
Ebrahim Ghafori |
Editing by
Maysam Makhmalbaf | ||
Shahrzad Pouya |
Editorial Department
Nasser Ansari | ... | negative cutting |
Hasan Ghahramani | ... | negative processing / processing |
Akbar Karami | ... | negative cutting |
Mahmoud Karimi | ... | printing |
Jafar Soltani | ... | negative processing / processing |
Art Direction by
Akbar Meshkini |
Production Management
Mohammad Ahmadi | ... | production manager (as Mohamad Ahmadi) |
Rouhollah Baradari | ... | production manager |
Second Unit Director or Assistant Director
Akbar Meshkini | ... | assistant director |
Mojtaba Mirtahmasb | ... | assistant director |
Pouyan Tayefeh | ... | assistant director |
Sound Department
Abbas Rastegarpour | ... | sound |
Behrooz Shahamat | ... | sound |
Camera and Electrical Department
Maysam Makhmalbaf | ... | still photographer |
Additional Crew
Behzad Khorshidi | ... | poster desighner |
Hussein Mahdavi | ... | post-production sound engineer |
Production Companies
Distributors
- Filmmuseum Distributie (2002) (Netherlands) (theatrical)
- Gaga Asia Group (2002) (Japan) (theatrical)
- Kairos-Film (2004) (Germany) (theatrical)
- Makhmalbaf Film House (2000) (World-wide) (theatrical)
- Artificial Eye (2001) (United Kingdom) (subtitled)
- Cinemax (2005) (Hungary) (tv)
- Filmmuseum Distributie (Netherlands) (video)
- Kairos Filmverleih (Germany)
- Makhmalbaf Film House (2000) (World-wide)
- Mars Distribution (France)
- Olive Films (2004) (United States)
- Shooting Gallery (2001) (United States) (subtitled)
Special Effects
Other Companies
Storyline
Plot Summary |
A film comprised of three interconnected vignettes that depict women at three stages of life in Iran. The first part centers on a young girl on her ninth birthday who is told that she can no longer play with the boys she had been playing with only the day before because she is now a woman. Told from the perspective of a 9-year-old girl who does not feel like or know what the word "woman" refers to, we see how devastatingly this affects both the girl and the boy with whom she had been friends. The second part is about a young woman who decides to enter a bicycle race against her husband's wishes. As first, the husband and then increasing numbers of men from her village ride beside her on horseback to convince her to return home. The race begins to symbolize a freedom that she desperately wants from the limitations that have been placed on her. Finally, the third part shows us an old woman who has come into some money and is now free to do what she wants. The way she chooses to use this freedom, however, makes one wonder just how free she is.
Written by Jonathan Beebe |
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Parents Guide | Add content advisory for parents » |
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Box Office
Budget | $180,000 (estimated) |
Did You Know?
Trivia | Marzieh Makhmalbaf's directorial film debut. See more » |
Goofs | In the first sequence, the lollipop that Hava and Hassan pass between them grows and shrinks in size without regard to the passage of time. See more » |
Movie Connections | Featured in Women Make Film: A New Road Movie Through Cinema (2018). See more » |
Quotes |
Grandmother:
Will you promise to be back by noon? Hava: I promise! Grandmother: God won't forgive you if you lie. Don't be late. See more » |