Goya in Bordeaux (1999)
Goya en Burdeos (original title)Reference View | Change View
- R
- 1h 40min
- Biography, Drama
- 12 Nov 1999 (Spain)
- Movie
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter...
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Director:
Writers:
Awards:
- 12 wins & 11 nominations.
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Photos and Videos
Complete, Cast awaiting verification
| Francisco Rabal | ... |
Goya
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| Jose Coronado | ... |
Goya Joven
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| Dafne Fernández | ... |
Rosario
(as Dafne Fernádez)
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| Eulàlia Ramon | ... |
Leocadia
(as Eulalia Ramón)
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| Maribel Verdú | ... |
Duquesa de Alba
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| Joaquín Climent | ... |
Moratín
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Cristina Espinosa | ... |
Pepita Tudó
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| Josep Maria Pou | ... |
Godoy
(as Jose María Pou)
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| Saturnino García | ... |
Cura y San Antonio
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| Concha Leza | ... |
Mujer en Andalucía
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Franco di Francescantonio | ... |
Doctor en Andalucía
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| Carlos Hipólito | ... |
Juan Valdés
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| Manuel de Blas | ... |
Salcedo
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Pedro Azorín | ... |
Braulio Poe
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| Emilio Gutiérrez Caba | ... |
José de la Cruz
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| Joan Vallès | ... |
Novales
(as Joan Valles)
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Paco Catalá | ... |
Asensio
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Mario De Candia | ... |
Bayeu
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Jaime Losada | ... |
Gaulon
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Ainhoa Suárez | ... |
Rosarito 6 años
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José Reche | ... |
Cadáver Asesinado
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José Sáinz | ... |
Enterrador Culpable
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Demetrio Julián | ... |
Padre de San Antonio
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Stephane Salom | ... |
Hombre Joven Francés
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Roberto Arcilla | ... |
Hombre Rollizo Francés
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Lorena Pellarini | ... |
Mujer Francesa
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Azucena de la Fuente | ... |
Josefina Bayeu
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Bartolomé Moreno | ... |
Alguien 1
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Francisco Jesús Santillana | ... |
Alguien 2
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José Luis Chavarría | ... |
Alguien 3
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Luis Llamas | ... |
Alguien 4
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| Natalie Pinot | ... |
Profesora de Piano
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Olivier D'Belloch | ... |
Ayudante de Gaulon
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| Borja Elgea | ... |
Amigo de Goya
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José Antonio | ... |
Bailarín Duques de Osuna
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| Rest of cast listed alphabetically: | |||
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Eva Trancón |
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Rafael Téllez |
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| Mauricio Bautista | ... |
(uncredited)
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David García Palencia | ... |
(uncredited)
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Javier Losán | ... |
(uncredited)
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| David Luque | ... |
Pablito (uncredited)
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Directed by
| Carlos Saura | ||
Written by
| Carlos Saura | ... | (writer) |
| Luigi Scattini | ... | (dialogue: Italian version) |
Produced by
| Andrés Vicente Gómez | ... | producer |
| Fulvio Lucisano | ... | co-producer |
Music by
| Roque Baños | ||
Cinematography by
| Vittorio Storaro | ||
Editing by
| Julia Juaniz | ||
Editorial Department
| Luis Castañón | ... | second assistant editor |
| Laurent Dufreche | ... | assistant editor |
| Carlo La Bella | ... | color supervisor (as Carlo Labella) |
Production Design by
| Pierre-Louis Thévenet | ... | (as Pierre Louis Thevenet) |
Set Decoration by
| Luis Ramírez | ... | (as Luis Ramirez) |
Costume Design by
| Pedro Moreno | ||
Makeup Department
| María Amaro | ... | second assistant makeup artist |
| Mercedes Guillot | ... | hair stylist (as Merche Guillot) |
| Milagros Martínez | ... | additional makeup and hair artist |
| Paquita Núñez | ... | additional makeup and hair artist |
| Aida Paradela | ... | assistant makeup artist |
| Mar Paradela | ... | additional makeup and hair artist |
| Merche Paradela | ... | additional makeup and hair artist |
| José Quetglás | ... | makeup supervisor (as José Quetglas) |
| Blanca Sánchez | ... | hair stylist (as Blanca Sanchez) |
| Susana Sánchez | ... | makeup and hair designer (as Susana Sanchez) |
Production Management
| Maruca Carmona | ... | first assistant production manager |
| Carmen Martínez Rebé | ... | production manager |
Second Unit Director or Assistant Director
| Mercè Coll | ... | third assistant director (as Mercedes Coll) |
| Susana González | ... | second assistant director (as Susana Gonzalez) |
| Carlos Saura Medrano | ... | first assistant director |
| Manuel Saura Pérez | ... | director trainee (as Manuel Saura) |
| Alberto Terrón | ... | director trainee |
| Vicente Vieitez | ... | third assistant director |
Art Department
| Federico del Cerro | ... | props |
| Carlos Ferrer | ... | set builder |
| Papick Lozano | ... | property master |
| Catalina Madurga | ... | trainee decorator |
| Rudy Mercado | ... | scenic artist |
| Marcial Moya | ... | props |
| Leandro Muslera | ... | props |
| Iñigo Navarro | ... | assistant decorator |
| José María Ortega | ... | painter |
| Martín Sánchez Fernández | ... | painter |
| Juan Antonio Torrijos | ... | props |
| Máximo Zamorano | ... | props |
Sound Department
| Jaime Barros | ... | boom operator |
| Óscar Barros | ... | assistant sound editor |
| Luis Castro | ... | sound effects editor |
| Carlos Faruolo | ... | sound |
| Jaime Fernández | ... | sound mixer |
| Alfonso Pino | ... | sound mixer |
| Alfonso Raposo | ... | sound mixer |
| Susan Fairbairn | ... | assistant sound editor (uncredited) |
| Jaume Puig | ... | stereo sound consultant: Dolby (uncredited) |
Special Effects by
| Ángel Alonso | ... | special effects technician (as Angel Alonso) |
| Arturo Balseiro | ... | special effects makeup (uncredited) |
| José M. Meneses | ... | special effects makeup (uncredited) |
Visual Effects by
| Sergio Ochoa | ... | visual effects |
| Fabrizio Storaro | ... | digital effects |
| Stefano Ballirano | ... | senior digital artist (uncredited) |
| Gianluca Risita | ... | digital artist (uncredited) |
| Corrado Rizzo | ... | digital artist (uncredited) |
| Gian Luca Rizzo | ... | digital artist (uncredited) / digital compositor (uncredited) |
Camera and Electrical Department
| Fabrizio Amendola | ... | chief electrician |
| Alberto Arnal | ... | grip |
| Alfredo Betrò | ... | assistant camera (as Alfredo Betro) / third camera operator |
| Fabio Cafolla | ... | dimmer operator |
| Filippo Cafolla | ... | gaffer |
| Luis Miguel Daza | ... | grip |
| Antonio de Benito | ... | electrician |
| Gustavo de la Fuente | ... | video assist |
| Mauro Diamanti | ... | key grip |
| Eva Díaz | ... | second assistant camera |
| Julio Fernández Santa | ... | grip (as Julio Fernández) |
| José Fernández Sánchez | ... | electrician (as José Fernández) |
| José Luis González | ... | dolly grip |
| Julio Madurga | ... | second camera operator |
| Emiliano Merino | ... | chief electrician |
| Javier Merino | ... | electrician |
| Félix Pascual | ... | electrician |
| Ramiro Sabell hijo | ... | second assistant camera (as Ramiro Sabell Jr.) |
| Ramiro Sabell | ... | first assistant camera |
| Arcadio Sequeira | ... | chief electrician |
| Fabio Zamarion | ... | second camera operator |
| Manuel Zambrana | ... | still photographer |
Costume and Wardrobe Department
| Asun Arretxe | ... | costumer |
| Eva Arretxe | ... | assistant costume designer |
| Valdemir Becerra | ... | costumer |
| Soledad Madurga | ... | costumer |
| Salvador Mateu | ... | jewelry |
| Alfonso Salcedo | ... | costumer |
| Macarena Soto | ... | costume assistant |
| Pilar Tavera | ... | set costumer |
Music Department
| Roque Baños | ... | musical advisor / musical director |
| José Vinader | ... | score recording & mixing (as Jose Vinader) |
Script and Continuity Department
| Margarita Fernández | ... | script supervisor |
Transportation Department
| Javier Montero | ... | driver |
Additional Crew
| Francisco Amaro | ... | administrator |
| Francisco Ardura | ... | animals (as Paco Ardura) |
| Javier Aymerich | ... | trainee production assistant |
| María José Barba | ... | secretary |
| Juan Campos | ... | production coordinator |
| Matilde Coral | ... | choreographer: "Pradera de San Isidro" |
| José Fernández | ... | production accountant (as Jose Fernandez) |
| Elena Figaredo | ... | production secretary |
| Vicente Moraleda | ... | double: Goya |
| Manuela Ocón | ... | production assistant |
| Juanlo Prada Garrudo | ... | trainee production assistant (as Juan Lorenzo Prada) |
| Chus San Pascual | ... | production assistant |
| Ander Sistiaga | ... | production assistant |
| Eva Sklar | ... | media |
Thanks
| Roberto Gomez | ... | special thanks |
| Antonio Saura | ... | dedicatee |
Production Companies
- Lolafilms
- Italian International Film
- RAI Radiotelevisione Italiana
- Vía Digital
- Televisión Española (TVE)
Distributors
- Lolafilms Distribución (1999) (Spain) (theatrical)
- Italian International Film (1999) (Italy) (theatrical)
- Art Free (1999) (Greece) (theatrical)
- Vídeo Mercury Films (1999) (Spain)
- Downtown Pictures (2000) (United Kingdom) (theatrical) (subtitled)
- Kommunenes Filmcentral (KF) (2000) (Norway) (theatrical)
- Sony Pictures Classics (2000) (United States) (theatrical) (subtitled)
- Artédis (2001) (France) (theatrical)
- Primer Plano Film Group (2001) (Argentina) (theatrical)
- Triangelfilm (2001) (Sweden) (theatrical)
- Arthaus (2001) (Germany) (DVD)
- Argentina Video Home (Argentina) (video)
Special Effects
Other Companies
- Elamedia Estudios (sound stages & facilities)
- Hijos de Emilio Ardura (tapestries)
- Resonancia Madrid S.L. (digital sound)
- Resonancia Madrid S.L. (post-production)
- Salvador Mateu (jewels)
- Sastreria Cornejo (costumes)
- Technovision (camera equipment provided by)
- Viva Vídeo (avid editing)
- Ángel Megino (transportation)
Storyline
| Plot Summary |
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in flashbacks stirred by conversations with his daughter, by awful headaches, and by the befuddlement of age, he relives key times in his life, particularly his relationship with the Duchess of Alba, his discovery of how he wanted to paint (insight provided by Velázquez's work), and his lifelong celebration of the imagination. Throughout, his reveries become tableaux of his paintings.
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Did You Know?
| Trivia | Strange coincidence: the actor Francisco Rabal not only plays the old Goya but in real life also died in Bordeaux, in 2001, two years after premiering the film. See more » |
| Goofs | In some copies on the film, when Goya's daughter Rosario is showing him her drawing, sitting on an easel in the background we see "La lechera de Burdeos/The Milkmaid of Bordeaux", one of the artist's last paintings. The image we see is reversed - the milkmaid is facing to the right and in the original she faces to the left. This is so due to the fact that the negative of some DVDs and some release prints is inverted in a brief middle section of the film that includes this scene. Another scene is that in which he is commissioned to paint the frescoes of San Antonio de la Florida Chapel. See more » |
| Movie Connections | Referenced in Frida (2002). See more » |
| Soundtracks | Fandango See more » |