Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his ... See full summary »
Paulino and Carmela are husband and wife, troubadours touring the countryside during the Spanish Civil War. They are Republicans, and with their mute assistant, Gustavete, they journey into... See full summary »
Ana is an equestrian sharpshooter for a one ring circus in Madrid for a week. Marcos is a reporter doing a Sunday supplement piece. He interviews her and she invites him to dinner with the ... See full summary »
Julian, a middle-aged single doctor, meets his childhood friend Pablo again. The latter is back from Africa and has just married a beautiful young blonde, Elena. Julian falls in love with ... See full summary »
José Luis López Vázquez,
The tumultuous and adventurous life of Michelangelo Merisi, controversial artist, called by Fate to become the immortal Caravaggio. A violent genius that will dare to defy the ideal vision ... See full summary »
Elena Sofia Ricci,
In Madrid, the orphan sisters Irene, Ana and Maite are raised by their austere aunt Paulina together with their mute and crippled grandmother after the death of their mother and their ... See full summary »
Students of the university of Salamanca are brutally murdered by a black masked minstrel. Alex, an architecture student who has recently moved to Salamanca discovers a pattern behind the ... See full summary »
Biography of famed artist Salvador Dali, focusing mainly on his relationship with girlfriend Gala and the time they spent in New York City in 1940 and his early days in Spain collaborating with filmmaker Luis Bunuel.
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in flashbacks stirred by conversations with his daughter, by awful headaches, and by the befuddlement of age, he relives key times in his life, particularly his relationship with the Duchess of Alba, his discovery of how he wanted to paint (insight provided by Velázquez's work), and his lifelong celebration of the imagination. Throughout, his reveries become tableaux of his paintings. Written by
In some copies on the film, when Goya's daughter Rosario is showing him her drawing, sitting on an easel in the background we see "La lechera de Burdeos/The Milkmaid of Bordeaux", one of the artist's last paintings. The image we see is reversed - the milkmaid is facing to the right and in the original she faces to the left. This is so due to the fact that the negative of some DVDs and some release prints is inverted in a brief middle section of the film that includes this scene. Another scene is that in which he is commissioned to paint the frescoes of San Antonio de la Florida Chapel. See more »
Peter Greenaway was the first to show us that film could be "moving painting" (as opposed to moving photography). The life of Goya is reflected to the screen through his paintings and it is very beautifully done.Saura is very careful to stress the "artistic" side of Goya's personality and all his love affairs, political views are secondary to it. You can get a clear picture of what kind of a painter this spanish was. A little too formalistic maybe...Good job anyway. Pleasure for the eyes..
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