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Bicentennial Man (1999)

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An android endeavors to become human as he gradually acquires emotions.

Director:

Chris Columbus

Writers:

Isaac Asimov (short story "The Bicentennial Man"), Isaac Asimov (novel) | 2 more credits »
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Popularity
4,266 ( 2,199)
Nominated for 1 Oscar. Another 2 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robin Williams ... Andrew Martin
Embeth Davidtz ... Little Miss Amanda Martin / Portia Charney
Sam Neill ... 'Sir' Richard Martin
Oliver Platt ... Rupert Burns
Kiersten Warren ... Galatea
Wendy Crewson ... 'Ma'am' Martin
Hallie Eisenberg ... Little Miss Amanda Martin - Age 7 (as Hallie Kate Eisenberg)
Lindze Letherman ... 'Miss' Grace Martin - Age 9
Angela Landis ... 'Miss' Grace Martin
John Michael Higgins ... Bill Feingold - Martin's Lawyer
Bradley Whitford ... Lloyd Charney
Igor Hiller Igor Hiller ... Lloyd Charney - Age 10
Joe Bellan Joe Bellan ... Robot Delivery Man #1
Brett Wagner ... Robot Delivery Man #2
Stephen Root ... Dennis Mansky - Head of NorthAm Robotics
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Storyline

This film follows the 'life' and times of the lead character, an android who is purchased as a household robot programmed to perform menial tasks. Within a few days the Martin family realizes that they don't have an ordinary droid as Andrew begins to experience emotions and creative thought. In a story that spans two centuries, Andrew learns the intricacies of humanity while trying to stop those who created him from destroying him. Written by <N2XFYLS@aol.com>

Plot Summary | Plot Synopsis

Taglines:

One robot's 200 year journey to become an ordinary man.

Genres:

Comedy | Drama | Sci-Fi

Motion Picture Rating (MPAA)

Rated PG for language and some sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Germany

Language:

English

Release Date:

17 December 1999 (USA) See more »

Also Known As:

Andrew Martin See more »

Filming Locations:

Alameda, California, USA See more »

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Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend USA:

$8,234,926, 19 December 1999, Wide Release

Gross USA:

$58,220,776, 28 May 2000

Cumulative Worldwide Gross:

$93,700,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Robin Williams later provided a voice in A.I. Artificial Intelligence (2001), which was also about a robot who wanted to be human. See more »

Goofs

When Andrew is walking through the park with Portia, his shirt is wide open. When they stop to talk, it is almost closed. When they walk again, it is open again. See more »

Quotes

Little Miss: I have a friend who is very special to me. He's sweet and exceptionally intelligent, but, well - he's not really a - I mean, a relationship between us would be impossible. It would never, could never, work out.
See more »

Connections

References Demolition Man (1993) See more »

Soundtracks

The Hunt Quartet Suite No. 1, 2nd movement: Menuetto
Written by Franz Joseph Haydn (as Franz Joseph Haydn)
Courtesy of Chappel Library/Firstcom
See more »

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User Reviews

 
Fine performances and a shapely message are the things that make this misadvertised production work. *** our of ****
12 January 2000 | by Movie-12See all my reviews

BICENTENNIAL MAN (1999) ***

Starring: Robin Williams, Sam Neill, Wendy Crewson, Embeth Davidtz, and Oliver Platt Directed by Chris Columbus. Running Time: 133 minutes. Rated PG (for mild language and some sex-related material)

By Blake French:

Chris Columbus is very good at directing tearjerkers. He has a history of constructing such movies as "Stepmom" and "Mrs. Doubtfire." "Bicentennial Man" is being misadvertised as a humble family comedy. Although it starts out unsatisfying, the film gradually becomes more and more penetrating as we discover the film is really about inner emotions, the changing of times, how people change over time, and the meaning of life from an original point of view. "Bicentennial Man" is a sweet, touching production with lots of heart and a shapely message.

At first "Bicentennial Man" looks to be about a futuristic family who buys an android robot that is supposed to do housework and serve them. The family of four includes two children, one named Little Miss, and the parents who are called by the name of Sir and Ma'am. They adopt Andrew expecting him to be similar to all the other androids in the area. Nearly every household has one. However, Sir soon notices certain features about Andrew that make him unique, different from any other android he has ever seen. Andrew occupies creativity and emotional personality, elements that these robots are presumed not to contain.

The film doesn't contain a good an introduction to the family who adopts Andrew, which is mainly the reason why I was never entirely concerned for the characters. But the reasoning behind the lack of focus on the family is due to the fact that "Bicentennial Man" isn't about the family who buys Andrew, but a narrative of Andrew himself.

A running flaw in the film is our foundering curiosity that only grows more ponderous as the script progresses. The audience desires more information about why Andrew is so different from the other robots. There are obvious reasons, sure, but what I wanted was an explanation of why he is special. A lust for information that is never appropriately granted.

The film skips ahead a generation or so. Sir and Ma'am age and Little Miss grows to be a full grown woman. Many things change for Andrew. He begins to wonder what lies beyond the likes of his household. He longs for emotional reactions to take place on his face and the concept of freedom. Sir has taught Andrew about death, sex, love, humor, and time. He gradually wants more and more independence. This is where Andrew starts becoming interested in turning from a mechanical being to a biological being.

The age advancing make-up is believable and awe-inducing. I could hardly trust my eyes that Sam Neill wasn't an old man in the movie. However, although I can see that the filmmakers had no other reliable option, I disliked the jumps in time the it takes. The time gaps force us out of massive plot pieces, some of which are important to the character development.

There are some really funny moments in "Bicentennial Man." Most of them appear when the picture becomes a bit emotionally heavy, in order to relieve such tension in the audience. This is a wise choice in the writer's part; the viewers who do mistake this movie as a family comedy will gain some satisfaction from these insulated humorous moments.

I wanted more information on how the robot Andrew gradually becomes ''human.'' I felt cheated out of a lot of decent, noteworthy material here. I felt this way because the scenes where we do have the privilege to see Andrew reinvented are wonderfully inventive and interesting. The film should have leaned towards that material a little more.

The movie features super charged performances by the entire cast. Robin Williams offers an emotionally accurate acting job that brings the confusion and imagination of the android Andrew to life. The supporting cast is also filled with fine performances with Sam Neill, Wendy Crewson, Embeth Davidtz, and Oliver Platt.

Even though I can admit that "Bicentennial Man" contains several flawed motives, I still was a little surprised that the film opened to many negative reviews. This isn't a bad movie, just a differently anticipated one. The movie sets up its effective conclusion from the very beginning; it is the only logical climax for such a story. Although it leaves viewers with a sense of well-being, I thought it posed too many spiritual and biological questions. Overall, however, the movie is a well-depicted idea that deserves more appreciation from audiences than its receiving.

Brought to you by Touchstone Pictures and Columbia Pictures.


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