Stir of Echoes

Actually, I found this movie more satisfying than "Sixth sense". It doesn't have a stunning payoff like "sixth sense" (what film does?), but until the, in some ways hasty, conclusion, it's well made, scary and, since I have a knowledge of occult things through a good friend, rather believable. Kevin Bacon is credible in his part and so do Illeana Douglas. Kathryn Erbe however is stuck with nothing to do for large chunks of the movie. Effectively and atmosphericly shot, with some effective jolts that made me jump. To some, the conclusion may be a little simple and drawn-out, but I thought it was satisfying and filled to the brim with suspense. I find that the digging in the cellar/garden is a nice build-up for the finale, not that it goes on forever as a previous reviewer stated. It's only one thing that bothers me about the ending, and it is that too little is explained and a few threads of the story are totally abandoned. But that's only a minor complaint. For the most part, this is a creepy, interesting, well-made, scary and well played little thriller.

I have always admired and marveled at Kevin Bacon's versatility as an actor. From the likable fish-out-of-water guy who trips the light-fantastic through a piece of fluff like FOOTLOOSE, to putting everything on the line to play a pedophile in the unnerving THE WOODSMAN, there's hardly anything he can't - or won't do - to show his amazing range.

That being said, STIR OF ECHOES still holds what is for me one of his all-time Top Five performances.

He plays Tom Witzky, a regular mug living with his family in a working-class suburb of Chicago. Though he loves his family, hotter-than-hot wife Maggie (Kathryn Erbe) and precocious son Jake (Zachary David Cope), he's also a man becoming bored with his life. He wants to do and be something more than who and what he is.

Obviously, the old adage "be careful what you wish for" went right over Tom's head.

At a party for family and friends, Tom volunteers to be hypnotized by his flaky sister-in-law, Lisa (the always excellent Illeana Douglas), who makes a powerful suggestion to Tom that his mind takes literally. What happens next will change his life and everyone's around him forever.

A 'doorway' has been opened inside Tom's head that allows him to communicate with the dead, and for them to reach out and touch him...whether he wants to or not. When the "nightmares" that he's been having begin to intensify, Tom knows he must find a way to close that doorway for good before he loses his family...and his sanity. The urgency is heightened when he discovers how sensitive he was before the hypnotic suggestion, in the most chilling way possible...it seems that son Jake can see and talk to the dead as well.

In the tradition of THE CHANGELING, LADY IN WHITE and THE SIXTH SENSE, the focus of Tom's visions comes from one apparition in particular, who won't leave him or his family in peace until he can figure out what it wants and why. The situation provides fodder for one intense and terrifying performance, and with help from a strong supporting cast, Bacon comes through like a champ.

When movies like this are adapted from older works by classic authors, I usually proceed with the greatest caution. But Richard Matheson's creepy novel has been skillfully transformed by David Koepp, a man who knows a little bit about balancing thoughtful plotting and dialogue with outright terror, (as in APARTMENT ZERO) and the outstanding job he does here will make you think twice the next time somebody wants to 'put you out' at a party with something more than just shots of Captain Morgan...

When I review a movie I don't go into plot; you can read that anywhere. I'm a screenwriter myself so I tend to write about idiosyncratic things that you'd not look for, but your mind sees. The film has a fresh story, is beautifully lit, artistically shot, and is worth the watch. In the trivia section, one of the contributors has it exactly correct: what they would do is slow the film speed down as much as possible and have the actress walk as normally as she can. Then they speed the film up to regular speed and all the little mannerisms come out in an eerie sort of ghostly ethereal way. It's not used much - Hitchcock would have loved this technique. Lots of fortuitous things happen, like when Bacon kicks a bucket through a window which was accidental but Bacon had the presence of mind to stay in character thus the shot made the movie. The direction was better than average the acting better than average. Ileana Douglas is always good Bacon is usually good or Erbe is underrated and too seldom cast so you had the makings already of a film that you knew had potential. Add the weird twist and Jennifer Morrison, AKA Doctor Cameron from the show "House", and you have a movie that is great to watch on a rainy Sunday afternoon. I recommend it.

Stir of Echoes (1999) tells the story of Tom, a middle aged man who, after being hypnotized, starts seeing things. This is the start of a suspenseful psychological thriller that sucked me in and did not let go until the credits rolled.

The acting by all the lead and supporting characters is more than adequate. Kevin Bacon is right at home in his role of a somewhat bitter individual who undergoes heavy changes throughout the film. He does a great job, as do the other actors. The film is shot in a sober and down-to-earth way, giving it a serious tone. Plot wise, the movie is also more than decent, with only a few small plot holes which will only bother the most scrutinous of viewers.

The movie's plot does however remind some viewers of other thrillers, mainly The Shining and The Sixth Sense (another 1999 release which overshadowed Stir of Echoes with a larger marketing campaign and larger overall budget). Some aspects of the story are indeed less than original, but the movie as a whole feels different and is very enjoyable.

Overall, the movie falls just short of greatness in its genre. I found the quality and depth of the story to be good, but not quite as good as some of the afore mentioned greats in the thriller/horror genres. even still, I recommend this film to every fan of thrillers and suspense.

This creepy thriller concerns about a family, when the marriage goes to a party into a calmed neighboring, happen weird events. Tom (Kevin Bacon, Sleepers) being hypnotized by his sister in law(Ileana Douglas), then, he winds up with clairvoyant abilities that link to disappeared teen girl(Jennifer Morrison, today famous by House). These faculties also have traumatized his young boy( similarly to kid in ¨The sixth sense, he isn't only one seeing dead), carrying the fear under his frail shoulders, but he can communicate with the deceased adolescent and presumed missing. Tom and son's visions lead to have problems with his wife(Kathryn Erbe, Law and Order) and friends(Kevin Dunn, secondary in Gozzilla). It leads to unexpected and breakthrough twist ending about what's happened before.

The movie packs suspense, tension, shocks, grisly horror and eerie scenes when the ghoul appear. The film takes accent as the suspense as well as the terror. Provides an imaginative, highly original and well-knit screenplay by David Koepp, also director, and based on novel by Richard Matheson. Sinister and mysterious atmosphere is finely made by cameraman Fred Murphy. Creepy music score fitting to the horror film by James Newton Howard, he's habitual maker of frightening atmospheres such as ¨Sixth sense, Devil's advocate¨ and composer of all films by Night Shyamalan. The motion picture is well directed by David Koepp, a famous screenwriter(Zathura, War of the worlds, Spiderman, Mission impossible) and occasionally director(Secret window,The trigger effect). The flick will like to terror fans because gets decent scares and intense sequences of horror.