Directed by
| Sidney J. Furie | ||
Writing Credits (WGA)
| Susan Black | ... | (written by) |
Cast (in credits order) complete, awaiting verification
| Jaclyn Smith | ... | Megan Potter | |
| Robert Clohessy | ... | David Potter | |
| Kim Coates | ... | Dr. Jesse Bethan | |
| Ed Lauter | ... | Harry, Megan's Father | |
| Lorena Gale | ... | Jerry, David's Assistant | |
| Katharine Isabelle | ... | Lacey Potter (as Katharine Isobel) | |
| Louise Fletcher | ... | Nana, Megan's Mother | |
| Merrilyn Gann | ... | Phyllis | |
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Douglas Newell | ... | Art Professor |
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Ken Roberts | ... | Racetrack Owner |
| Francisco Trujillo Avalos-Davidson | ... | Cafe Manager (as Francisco Trujillo) | |
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Kate Lancaster | ... | Gwen |
| Mark Schooley | ... | Administrator | |
| L. Harvey Gold | ... | Psychiatrist | |
| Bill Dow | ... | Doctor | |
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Beatrice Zeilinger | ... | Waitress |
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Elan Ross Gibson | ... | Nurse |
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Richard Chilton | ... | Police Officer |
| Rest of cast listed alphabetically: | |||
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Morgan Lewington | ... | Orderly (uncredited) |
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Megyn Shott | ... | Shopper (uncredited) |
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Blaine Wasylkiw | ... | Man in nightclub (uncredited) |
Produced by
| Jeffrey Barmash | ... | line producer (as Jeff Barmash) |
| George Erschbamer | ... | line producer |
| Andre Morgan | ... | executive producer (as Andre E. Morgan) |
| Albert S. Ruddy | ... | executive producer |
Music by
| Paul Zaza | ... | (music composed by) |
Cinematography by
| David Geddes | ... | director of photography |
Editing by
| Nick Rotundo | ||
Casting By
| Allison Cowitt | ||
| Mike Fenton | ... | (as Michael Fenton) |
Production Design by
| Brian Davie | ||
Set Decoration by
| Michael Bethune | ||
Costume Design by
| David Lisle | ||
Makeup Department
| Barbara Farman | ... | hair stylist: Jaclyn Smith / makeup artist: Jaclyn Smith |
| Joanne Kinchella | ... | key makeup artist |
| Nancy Steyns | ... | key hair stylist |
Production Management
| Antonio Germinario | ... | unit manager (as Tony Germinario) |
| John T. Prince | ... | production manager (as John Prince) |
| Michael Rosser | ... | unit manager |
| Wes Irwin | ... | post-production supervisor (uncredited) |
Second Unit Director or Assistant Director
| Dave Bene | ... | second assistant director |
| Pierre Henry | ... | first assistant director |
| Morgan Lewington | ... | trainee assistant director |
Art Department
| Don Anderson | ... | property master |
| Matthew Versteeg | ... | on-set dresser |
Sound Department
| Darren Brisker | ... | sound mixer |
| Mark Beck | ... | supervising sound editor (uncredited) |
| Alan deGraaf | ... | re-recording mixer (uncredited) |
| Gary Vaughan | ... | re-recording mixer (uncredited) / supervising sound editor (uncredited) |
Stunts
| Celia Bond | ... | stunt double |
Camera and Electrical Department
| Fred Boyd | ... | gaffer |
| Jeff Plecas | ... | key grip |
| Scott Dale | ... | cinematographer: documentary (uncredited) |
| Richard Eagan | ... | camera assistant (uncredited) |
| Chris Helcermanas-Benge | ... | still photographer (uncredited) |
| John Seale | ... | first assistant camera (uncredited) |
Casting Department
| Marie Tate | ... | extras casting |
| Lindsay Walker | ... | casting: Vancouver |
| Dax Belanger | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
| Ariella Berbrier | ... | wardrobe supervisor |
Editorial Department
| Paul Mitchell | ... | first assistant editor |
| Larry Engelmann | ... | final colorist (uncredited) |
Location Management
| Curtis Campbell | ... | location manager |
Script and Continuity Department
| Pam Lawrence | ... | script supervisor |
| Paul A. Birkett | ... | script coordinator (uncredited) |
Transportation Department
| Mark Boiko | ... | transportation coordinator |
Additional Crew
| Cara Fores | ... | assistant to the producer |
| Karen McCullough | ... | production coordinator (uncredited) |
| Tom Teotico | ... | production assistant (uncredited) |
Thanks
| Keith Flournoy | ... | acknowledgement: this film is inspired by the life experiences of |
| Sheryl Flournoy | ... | acknowledgement: this film is inspired by the life experiences of |
