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The English Patient (1996)

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At the close of WWII, a young nurse tends to a badly-burned plane crash victim. His past is shown in flashbacks, revealing an involvement in a fateful love affair.

Director:

Anthony Minghella

Writers:

Michael Ondaatje (novel), Anthony Minghella (screenplay)
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Popularity
1,439 ( 19)
Won 9 Oscars. Another 54 wins & 75 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ralph Fiennes ... Almásy
Juliette Binoche ... Hana
Willem Dafoe ... Caravaggio
Kristin Scott Thomas ... Katharine Clifton
Naveen Andrews ... Kip
Colin Firth ... Geoffrey Clifton
Julian Wadham ... Madox
Jürgen Prochnow ... Major Muller
Kevin Whately ... Hardy
Clive Merrison ... Fenelon-Barnes
Nino Castelnuovo ... D'Agostino
Hichem Rostom Hichem Rostom ... Fouad
Peter Rühring Peter Rühring ... Bermann
Geordie Johnson Geordie Johnson ... Oliver
Torri Higginson ... Mary
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Storyline

October 1944 in war torn Italy. Hana, a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio, part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely in tact and that he is running away from his past, in part or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

In memory, love lives forever. See more »

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated R for sexuality, some violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK

Language:

English | German | Italian | Arabic

Release Date:

6 December 1996 (USA) See more »

Also Known As:

El paciente inglés See more »

Filming Locations:

Degache, Tunisia See more »

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Box Office

Budget:

$27,000,000 (estimated)

Opening Weekend USA:

$278,439, 17 November 1996, Limited Release

Gross USA:

$78,651,430, 7 September 1997

Cumulative Worldwide Gross:

$134,700,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (rough cut)

Sound Mix:

Dolby Digital | SDDS (8 channels)| DTS-Stereo

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Nicole Kidman revealed in 2011 that she met with Anthony Minghella to discuss a possible role in this film, but was eventually turned down. They later worked together on Cold Mountain (2003). See more »

Goofs

Amount of water in the glass handed to Count László upon arriving at the army poster after walking out of the desert. See more »

Quotes

Katharine Clifton: D'you not come in?
Almásy: No. I should go home.
Katharine Clifton: Will you please come in?
Almásy: Mrs. Clifton...
Katharine Clifton: [scowls] Don't.
Almásy: I believe you still have my book.
See more »

Crazy Credits

The producer and director wish to thank The Tozeur District Governor. See more »

Connections

Referenced in Buffy the Vampire Slayer: Beauty and the Beasts (1998) See more »

Soundtracks

The Darktown Strutters' Ball
(1917) (uncredited)
Music and Lyrics by Shelton Brooks
Sung a cappella by Kristin Scott Thomas
Later sung a cappella by Ralph Fiennes
See more »

Frequently Asked Questions

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User Reviews

David Lean with laughs
4 November 2000 | by Dodger-9See all my reviews

Winner of nine Oscars and a shelf full of other awards, The English Patient is an epic in every sense of the word.

Three years before making The Talented Mr Ripley, Anthony Minghella delivered a mesmerising drama of huge proportions for a mere $20million. It may lose a lot on the small screen but the script still packs something of a wallop and will leave many blubbing into their cushions. A great cast - Ralph Fiennes, Kristin Scott Thomas and Willem Dafoe among them - provide more first class performances than you can shake a stick at and elegantly flesh out the tale of a hideously scarred central character, waiting for death.

The eclectic characters that come into contact with him are also nursing their own hurts and, thanks to an erratic narrative that flits between pre and post-World War Two, this tale unfolds so well, you may wish it would never end.

Fiennes delivers a measured performance as the eponymous, enigmatic character, Laszlo de Almasy; Scott Thomas is coolly elegant as his glacial lover, Katharine Clifton; while Juliette Binoche and Dafoe have rarely been better in their supporting roles.

There are many memorable images, such as the opening painting of a stick figure superimposed over the shifting dunes of the desert, the Daffodil yellow biplane soaring over the mountains and Fiennes' scarred character carried through the rain at the end of the war.

An intelligent adult film which never takes itself as seriously as the David Lean movies of yesteryear.

The scene where a character walks away during a movie screening is pure Brief Encounter - until they crack their head on scaffolding. It's touches such as this which make The English Patient all the more delicious a movie.

Although a bit of a bum-number, it definitely warrants the near-three hour running time.

It was a tough movie to get made given, as director Minghella says, that its star was burned beyond recognition in a bed, remembering things about Europe and the War, and it was to be directed by a film-maker who had never done anything on this scale before. But the cast was committed and, when the project appeared to have fallen through, never gave up.

Ralph Fiennes says: "I did have complete faith that it would sort itself out. The script was so extraordinary and brilliant that I couldn't accept that it wouldn't be made at some point."

Fiennes fell in love with the desert when they were filming in Tunisia. He found the hotel where they stayed, at an oasis in the south, dispiriting, but the desert itself was "hypnotic, wonderful and very moving. It is sort of ironic that it becomes a set. It is bigger than a set and you come in and stake your claim and you are framing bits of a desert which is so enormous and infinite and an extraordinary place." One of the problems with the production, aside from raising the budget, was shooting in the sand.

Every retake meant moving to a new location or resculpting the sand to make it look untouched by the size 10s of an international film crew. Minghella compared his problems to those of the late great David Lean whose epic, Lawrence of Arabia, this most resembles.

"Lean would shoot and then go 40 kilometres to find an untouched spot," he remarked during production. "It's no wonder he was found wandering in the desert."

Minghella cut his teeth on Inspector Morse and it's rather nice to see none other than Kevin Whateley among the supporting cast. Listen closely and you may even hear John Thaw's cries of "Lewis!" drifting across the dunes.


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