Un ex-convicto y su devota esposa deben huir del peligro cuando un atraco no sale según lo planeado.Un ex-convicto y su devota esposa deben huir del peligro cuando un atraco no sale según lo planeado.Un ex-convicto y su devota esposa deben huir del peligro cuando un atraco no sale según lo planeado.
- Premios
- 3 nominaciones
Philip Seymour Hoffman
- Frank Hansen
- (as Philip Hoffman)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaWhile filming the scene in which Doc notices Rudy waiting in ambush outside his hotel room, Michael Madsen dropped his pants off camera in order to get the desired look of surprise out of Alec Baldwin.
- ErroresThe last time Doc fires the shotgun from the taxi, it switches from his right to left to right hand.
- Citas
Rudy Travis: It's been my experience that having friends is overrated.
- Versiones alternativasUS theatrical version trimmed sex scenes between Alec Baldwin and Kim Basinger to get a R-rating. The European release and US unrated videocassette are uncut.
- Bandas sonorasCarmelita
Written by David White
Opinión destacada
The big gundown
Roger Donaldson's remake of Sam Peckinpah's 1972 gangster movie classic "The Getaway" is alright, but cannot - as many remakes - reach the power, humor and style of the original version. There are some plus points - the bloody and lengthened showdown in the hotel at the end tries to overpower the impact of the original version, and it works.
There are some good supporting roles from James Woods and Michael Madsen (with dreadful hair style that belongs rather into an Ace Ventura or Wayne's World movie). The plot, even many story details, are just repetitions of the Peckinpah movie, but the tempo of the film is okay as well.
Otherwise there are also too many low points: the score is boring and can't compete with Quincy Jones' original jazz funk fusion grooves. The photography is to clean despite all the Mexican dust and sometimes too MTV style and without the dirty atmosphere that was typical for many Peckinpah movies.
Kim Basinger is alright in the Ali McGraw role, but Alec Baldwin is trying too hard to copy an image of Steve McQueen which isn't working at all. The dialogues aren't as witty as with McQueen and McGraw, and Donaldson would have done a far better job if he could have managed to give an individual life to this picture instead of just doing a 1994 techno grunge remix of an early seventies classic.
Anyway, if you like to watch an entertaining contemporary gangster and road movie, the 1993 version of "The Getaway" is still fun to watch. But if you have the choice to take the original VHS or DVD, skip the remake.
There are some good supporting roles from James Woods and Michael Madsen (with dreadful hair style that belongs rather into an Ace Ventura or Wayne's World movie). The plot, even many story details, are just repetitions of the Peckinpah movie, but the tempo of the film is okay as well.
Otherwise there are also too many low points: the score is boring and can't compete with Quincy Jones' original jazz funk fusion grooves. The photography is to clean despite all the Mexican dust and sometimes too MTV style and without the dirty atmosphere that was typical for many Peckinpah movies.
Kim Basinger is alright in the Ali McGraw role, but Alec Baldwin is trying too hard to copy an image of Steve McQueen which isn't working at all. The dialogues aren't as witty as with McQueen and McGraw, and Donaldson would have done a far better job if he could have managed to give an individual life to this picture instead of just doing a 1994 techno grunge remix of an early seventies classic.
Anyway, if you like to watch an entertaining contemporary gangster and road movie, the 1993 version of "The Getaway" is still fun to watch. But if you have the choice to take the original VHS or DVD, skip the remake.
útil•179
- Mikew3001
- 24 jun 2002
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- The Getaway
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 16,094,974
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,806,515
- 13 feb 1994
- Total a nivel mundial
- USD 30,057,974
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What is the Brazilian Portuguese language plot outline for La huida (1994)?
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