Photos and Videos
Cast verified as complete
Bruce Penhall | ... |
Chris Cannon
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Mark Barriere | ... |
Mark Austin
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Suzi Simpson | ... |
Becky Midnite
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Tanquil Lisa Collins | ... |
Ava Noble
(as Tai Collins)
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Rodrigo Obregón | ... |
Santiago
(as Rodrigo Obregon)
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Julie Strain | ... |
Jewel Panther
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Alan Abelew | ... |
Dickson
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Tom Abbott | ... |
Rip
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Ron Browning | ... |
Slash
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Kym Malin | ... |
Cowboy's Hostess
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Stacy Lynn Brown | ... |
Dancer #1
(as Stacey Lyn Brown)
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Angela Wright | ... |
Dancer #2
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Carl Weatherly | ... |
Confederate Lieutenant
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Don Primrose Jr. | ... |
Confederate Sergeant
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Cassidy Phillips | ... |
Thug #1
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Chris Barnette | ... |
Thug #2
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Sherrie Nelson | ... |
Woman in Restaurant
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Adam Bernard | ... |
Federal Agent
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Bridgette Wilder | ... |
Agency Secretary
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Richard Frederick | ... |
Valet
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Rest of cast listed alphabetically: | |||
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Louie Ballis | ... |
Man Demanding Money from Santiago (uncredited)
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Paul Hudson | ... |
Ranger (uncredited)
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Wess Shannon Rahn | ... |
Ranger (uncredited)
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Andy Sidaris | ... |
Man in Dickson's Lobby (uncredited)
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Chris Sidaris | ... |
Man in Red Tie at Dallas Restaurant (uncredited)
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Directed by
Christian Drew Sidaris | ... | (as Drew Sidaris) |
Written by
Wess Shannon Rahn | ... | (written by) (as Wess Rahn) & |
Christian Drew Sidaris | ... | (written by) (as Christian Sidaris) |
Produced by
Brian Bennos | ... | producer |
Wess Shannon Rahn | ... | producer (as Wess Rahn) |
Andy Sidaris | ... | executive producer |
Arlene Sidaris | ... | executive producer |
Music by
Ron Di Iulio | ... | (as Ron DiIulio) |
Cinematography by
Mark Morris | ... | director of photography |
Editing by
Craig Stewart |
Editorial Department
Zahid Ali | ... | post production coordinator: lab |
Robert J. Castaldo | ... | assistant editor (as Bob Castaldo) |
Robert Colley | ... | negative cutter |
Gary Wallace | ... | film timer / negative cutter |
Art Direction by
Bill Pryor | ... | (as William Pryor) |
Makeup Department
Judy Mathai | ... | hair design / make-up design |
Second Unit Director or Assistant Director
Cassidy Phillips | ... | assistant director |
Art Department
Lorelei Shark | ... | key art |
Sound Department
Steve Brand | ... | foley artist |
Robert J. Castaldo | ... | sound effects editor (as Bob Castaldo) |
Skip Godwin | ... | production sound mixer |
Andrés Medrano | ... | boom operator (as Andre Medrano) |
Jeff Timbs | ... | assistant sound effects |
Byron Wilson | ... | re-recording mixer |
Special Effects by
David Glass | ... | special effects |
Bo Roberts | ... | special effects |
Camera and Electrical Department
Jonathan Holloway | ... | assistant camera (as Jonathon Holloway) |
Paul Hudson | ... | lighting design / photography: second unit, Civil War |
David Parks | ... | photography: second unit, Washington, D.C. |
Craig Stewart | ... | assistant camera |
Derek Wells | ... | key grip (as Derek Welch) |
Carl Wetherly | ... | best boy |
Costume and Wardrobe Department
Kim Bond | ... | wardrobe |
Script and Continuity Department
Brian Bain | ... | script supervisor |
Transportation Department
Gene Alleman | ... | provider: ATV / provider: motorcycles |
Additional Crew
Tony Bifano | ... | production coordinator: lab |
Doris Eaton | ... | travel consultant |
Marc J. Federman | ... | production insurance |
Charles Floyd | ... | film consultant: lab / sales consultant: lab |
Rhonda Geuin | ... | production assistant |
Bennie McAdoo | ... | technical advisor: Civil War |
Robert Smith | ... | projectionist |
Thanks
Louie Ballis | ... | the producers wish to thank (as Dr. Louie Ballis) |
Eric Bennos | ... | the producers wish to thank (as Dr. Eric Bennos) |
George Dement | ... | the producers wish to thank (as Mayor George Dement) |
Ronda Hagedorn | ... | the producers wish to thank |
Judie Kahn | ... | the producers wish to thank |
Betty Jo LeBrun | ... | the producers wish to thank: Shreveport-Bossier Film Commission |
Cy Morrison | ... | the producers wish to thank |
Dick Nelson | ... | the producers wish to thank |
Sherrie Nelson | ... | the producers wish to thank |
Al Newman | ... | the producers wish to thank |
Chris Sidaris | ... | the producers wish to thank |
James Vozzella | ... | the producers wish to thank |
Scott Willhite | ... | the producers wish to thank |
Production Companies
- Malibu Bay Films
- Skyhawks Films
- MBP (Germany) (in association with)
- Starlight Film (in association with)
- H.R.S. Funai Co. Ltd. (in association with)
Distributors
- Ascot Filmverleih (1993) (Germany) (theatrical)
- H.R.S. Funai Co. Ltd. (1993) (Japan) (theatrical)
- Malibu Bay Films (1993) (Canada) (theatrical)
- Columbia TriStar Film Distributors (1993) (United Kingdom) (theatrical)
- Columbia Tristar Film Distributors (1993) (Ireland) (theatrical)
- Benelux Film Distributors (1993) (Netherlands) (theatrical)
- Gaumont (1993) (France) (theatrical)
- Ascot Elite Home Entertainment (1993) (Germany) (VHS)
- JungoTV (2021) (World-wide) (Digital Video Distribution Rights)
- Mill Creek Entertainment (2020) (United States) (Blu-ray)
Special Effects
Other Companies
- Allied Film and Video (post-production services)
- Cambridge Club of Shreveport (thanks)
- Cowboys (thanks)
- Ellerbe Fire Department (thanks)
- Greenwood Fire Department (thanks)
- Hollywood Camera (camera equipment provided by)
- Kawasaki-Suzuki (atv)
- Kawasaki-Suzuki (motorcycles)
- Near North Insurance Brokerage (production insurance)
- Ramada Inn, Shreveport, LA (thanks)
- Shreveport Police Department (thanks)
- Shreveport Regional Airport (thanks)
- Shreveport-Bossier Film Commission (thanks)
- Skyhawk 300 Stereo (recorded in)
- Texas Film Commission (thanks)
- The City of Bossier, Louisiana (thanks)
- The City of Shreveport, Louisiana (thanks)
- VIP Boats (motorboats)
- W. P. Donnelly & Associates (producer's representatives)
Storyline
Plot Summary |
The Battle of Pleasant Hill, 1864. During the American Civil War, two courageous soldiers, under the order of the Confederate guerrilla leader William Quantrill, seized a shipment of Union gold and buried it in the woods. Fast forward over a century, and the same forest becomes the backdrop for a high-stakes FBI operation. As three federal agents try to take down the drug-manufacturing empire of the ruthless criminal kingpin Santiago, an unexpected twist derails their mission. Now suspended from duty, the trio of operatives uncovers the long-lost treasure, only to trigger a dangerous cat-and-mouse game. With Jewel Panther, Santiago's favourite assassin, and their corrupt associate hot on the agents' heels, can sheer brute force thwart the enemy's plans? Written by Nick Riganas |
Plot Keywords | |
Taglines | Bullets, bombs and babes! See more » |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | The link between this film and the others in the "L.E.T.H.A.L. Ladies" series is obscure if the film is viewed by itself; although several actors also appear in prior installments, they play different characters, and the name of the agency for which the heroes work is never made clear in this film. The film's connection to the L.E.T.H.A.L. universe is established retroactively in subsequent installments with the introduction of the character Cobra, played by Julie K. Smith in this film's nominal sequel, The Dallas Connection (1994); Cobra is later revealed to be a L.E.T.H.A.L. Force agent in Day of the Warrior (1996) and L.E.T.H.A.L. Ladies: Return to Savage Beach (1998). See more » |
Goofs | Panther is said to be arriving in Dallas from Houston, but she is clearly seen driving on I-20. In Texas, I-20 runs east/west, while Dallas is a roughly four hour drive north of Houston. Anyone traveling to Dallas from Houston would take I-45, not I-20. See more » |
Movie Connections | Featured in Some Nudity Required (1998). See more » |
Quotes |
Chris Cannon:
Are you familiar with this cross-bow? It's the latest in silent assault weapons technology. The tip of this arrow explodes three seconds after penetration. Becky Midnite: Reminds *me* of an old boyfriend... See more » |