In the Old West, the government hires three strippers to travel to mining towns and keep the lonely--and, no doubt, horny--miners entertained. At one town the patriarch of a grungy outlaw ... See full summary »
Taylor St. Clair
A contemporary noir set entirely at night Nightbeats is an homage to the classic noirs of the 1940's, though told as a contemporary drama, not a gumshoe satire, Nightbeats follow the lives ... See full summary »
A school for strippers is in financial trouble. They audition for The Big Strip Joint Owner, and he's pleased, except that the new girl can't make herself take her clothes off. After ... See full summary »
Young prisoner Jan, nicknamed Roughboy (Petr Cepek), tries to commit suicide. He was imprisoned for a fight in which he injured a functionary of the National Committee and for stealing ... See full summary »
Acclaimed actress surprisingly accepts the lead role in a controversial erotic film directed by her self-centered husband. They fight and she, taken in by the role and crew's constant flirting, cheats on him. Will their marriage survive?
Dr. Honeywell, a crusader against sin, has the police close down the local strip palace, putting Allison, Bobbie, Trixie, and Fern out of business. The girls decide to start a new clean ... See full summary »
The Brazilian is a short, slapstick comedy about a girl (Polly) who is convinced by her best friend (Clair) that a Brazilian bikini wax is a genius way to win the heart of her long time ... See full summary »
Odette Springer is working in the B movie industry as a singer/composer, hating it but needing the work. She begins making this documentary about the low budget sex and slasher flicks and the people who work on them. Along the way, she meets unrepentantly boorish producers, directors arguing the legitimacy of what they're doing and numerous actresses who feel trapped, with no other way to succeed in Hollywood. The project is eye-opening to the viewer...and to Odette herself.Written by
Michael "Rabbit" Hutchison <email@example.com>
Hack directors/producers like Jim Wynorski, Dave DeCoteau, and Fred Olen Ray have long been guilty of substituting bare breasts for skilled or even competent filmmaking. And the women who own these breasts, either naturally or through silicone enhancement, are no less guilty. Are these women exploited? Yes, probably, but so are the male viewers who waste their money and their Friday nights watching this crap rather than developing relationships with real women. And while Wynorski, Olen Ray et. al. may be laughing all the way to the bank, they're no more likely to win an Academy Award than actresses like Maria Ford. They're equally trapped in a soul-less industry that exploits their dubious talents. But while this documentary preaches about the exploitation of women it nevertheless contains rampant female nudity and appeals to the sort of male viewer who will watch it with the sound down and/or one hand on the fast forward button. It is truly a sad state of affairs that low-budget filmmaking today has become almost completely synonymous with softcore porn, but this hypocritical doc. does little to remedy that situation. I was particularly offended with the way the documentary (or at least some of the interviewees)seems to equate horror/exploitation movies with snuff and sexual sadism. The truth is the"erotic thriller" is the domain of people who don't have the talent to make horror movies yet are a tad too respectable for hardcore "adult" industry. And the less said of the co-director's tastelessly self-indulgent revelations of child sexual abuse the better. Why can't all these self-loathing industry types just find another line of work?
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