Salmonberries (1991) User Reviews

I like weird, but not boring

[EatingRaisins · 2/10 · 11 November 2022]

I like picking up random movies I've never heard of, to see what I think. This was one of them. I went in with no expectations and was still disappointed. If anything, I can usually get amusement and a laugh out of a strange movie, but this fell flat on all marks. The acting was bad because it was so flat. ...it was really bad. The story just kind of existed, and wasn't interesting in any way. Things progressed very slowly, which is fine in itself, but there was basically no feeling of anticipation. Now, I like off-beat stuff, but this, I just couldn't get into. I think it tries to be artsy at times, or something, I'm not really sure what to think about some of the scenes. It was just plain boring.

I'm giving it a 2/10 simply because I was able to finish the movie, and because I've seen worse. But make no mistake... This movie is quite bad. And not even in a funny way. I was having a hard time even picking a rating for this movie. It's kind of like watching an instructional video for your new Singer sewing machine- it's not really something that you rate. It just kind of... Exists.

Intriguing direction and editing

[JuguAbraham · 8/10 · 24 July 2002]

The story of the film is not something to write home about; but its direction and editing makes you take note of the mastery of techniques in both the fields.

Take the example of the character of Roswitha's German brother: we are told he is deaf. Yet he speaks; literally and more with his nervous hands, his mournful attentive stance, they all speak volumes. It is not acting you spot but the deft, confident direction.

k d lang's theme song "Barefoot" is haunting and the more you hear it, it grows on you. But her performance did not evoke much response in me. I do not consider her performance to be great by any standards.

However Rosel Zech as Roswitha is pleasure to watch as she blooms from a cold person to a warm personality in the course of the film. Zech and Adlon have contributed much to the film as did Conrad Gonzales' editing. Gonzales and Adlon together have made electricity come alive on celluloid--electricity goes off during crucial scenes, electric neon lights buzz, electric surges in voltages create capture enigmatic scenes as still life...

Adlon's exteriors are predictably white; his interiors are dark, both in Alaska and in Germany. But there are brief moments when the dark interiors become white like a ritual, in a baptism of sorts.

Adlon's choice of actors intrigued me including the casting of Chuck Connors and k d lang. Why did he choose to make this film? What was the basis of the "salmonberries" storyline? Was it a book? It reminded me of Kurosawa making "Derzu Uzala" in old USSR. Both movies asked questions about roots of characters. Only Kurosawa was much better of the two. This is my first Adlon film but he has made me take note of a very distinct style of direction that cannot be ignored. Hollywood could learn a thing or two from this film which is so close to pristine European cinema.

Weird

[Wanda Skutnik · 1/10 · 21 August 1998]

This is one of the strangest movies I've ever seen. Half the time you can't tell if you're watching a dream sequence or it's actually part of real time. It may be all my fault. I enjoy the classic movies from the 40's and 50's with stars like Greer Garson, Robert Mitchum, James Stuart, John Wayne , Gregory Peck, etc. I was saddened to see one of Chuck Connors last acting efforts be such an embarrassent.

Will Never Forget this Film

[jogrant-68406 · 10/10 · 24 March 2016]

Salmonberries is a beautiful film that is set in one of the harshest environments on Earth, in Kotzebue, Alaska. The story reveals many deep layers that overlap and entwine, and discovering those layers is powerfully insightful. I know I will never forget the characters of this film: Butch, Roswitha and Kotz. Getting by in such an environment would be incredibly difficult – the wind and the cold being the main factors. People are forced to live closely side-by-side simply for survival. Bingo Chuck represents all that could be wrong or unpleasant in such an environment. Butch represents that all obstacles and unpleasantness can be risen above to find one's own Nirvana, and he does so stunningly. One of the most beautiful films I have ever seen and I am so thankful to the Adlon family for their touching and honest perceptions, their tender ability to see the beautiful and the destructive and to offer it as Salmonberries. And many thanks to Conrad Gonzales.

Beautiful and vastly underrated

[spooky_hh · 10/10 · 5 September 2008]

I think it's sad that this movie suffers from a shadowy existence under "Bagdad Café". I always found "Bagdad Cafe" to be dragging and weird, while "Salmonberries" is one of the most fascinating and extraordinary movies I have ever seen. Also after having watched it several times, it never loses its very strong appeal to me.

There are two very interesting and totally un-stereotypical main characters, which I both like very much in spite of their (or because of their?) quirkiness. They are played very well by k.d. lang and Rosel Zech. They both have interesting and touching life stories that are slowly revealed throughout the film. Both the revealing of their stories and the development of their unique relationship keeps you guessing where the film will go and keeps you interested.

The story itself is helped a lot through other things like the extraordinarily beautiful imagery of the film. The Alaska scenery is stunning but never cheesy. And anyone who ever saw this film will ever forget the image of Switha's bedroom with the sunlight shining through the glasses with the berries.

On top of that comes the equally beautiful and haunting song "Barefoot" sung by k.d. lang herself. It's amazing how you can hear how much the film inspired her as a singer and songwriter in the recording.

I honestly recommend to buy the DVD - also because in the Extras, there is a great interview, well it's more like a meeting, where director Percy Adlon meets with k.d. lang 11 years later and shares memories. Again, in k.d.'s thoughtful and insightful comments you see what an emotional film this was to produce.

I honestly can't imagine how anyone can find this film weak or boring. Of course there are minor flaws - Kotzebue's too sudden and strong change of character when they visit Berlin is the most obvious one - but this film always strikes a chord in me.

A must-see film

[jtur88 · 10/10 · 25 January 2001]

After clearing away all the acting and plot lines and cinematography and scripts, what I want to see in a movie is something that makes me sit up an take notice. Something that opens my eyes and my mind to some new previously-unperceived reality. Salmonberries does this in a powerful way. Salmonberries transports you to a place where you have never been, to a culture you have never known, and opens the hearts and souls of people you have never known, and lays it bare. See this film.

This grew for me on 2nd viewing

[runamokprods · 8/10 · 20 May 2010]

A sort of mix of 'Bagdad Café' and 'Three Women' set in Alaska. k.d. lang plays an androgynous miner who falls in love with a straight, private, local German librarian. They both have muddy, tragic pasts that slowly emerge.

There are some deeply moving moments, and some wonderful slightly magical realist touches. The cinematography is very good. But while lang does a decent job, I can't help thinking a stronger, more experienced actress could have brought out even more in this amazing role.

That said, I did enjoy this much more on a second viewing. While it bothered me that it felt at times like Adlon was trying to re-create the magic of 'Bagdad Café' (odd, surreal setting, quirky out of place characters, cinematography that uses color in exaggerated ways for effect, etc.) overall I found myself more able to just let go and accept this tale on its own merits. And doing that, it made me smile.

Incredible!

[Etoile · 9/10 · 27 January 1999]

I'll watch anything with k.d. lang in it, but this movie is remarkable for much more than its star. Every part of the movie is exquisite -- the cinematography is incredible, the acting is intense, the music is powerful, and so on. Each character is beautifully developed as far as necessary for the story. I can't even find further words for this movie. I have seen a lot of movies, and to date there are only two I really believe in. This is one of them.

Alaska lies in Germany

[hasosch · 8/10 · 6 November 2009]

There is a dream sequence in the movie, a concert given by Chuck Connors, where he runs through a transparent foil on which is written "Germany". Kotzebue is named, as we hear from the lesson hold by Rosel Zech in her library, after the German August Von Kotzebue. And then there is Roswitha herself, living since 21 years in this icy asylum, escaped from the German Democratic Republic, cheated by her brother, her husband killed. The West would not have been an alternative, it had to be the land of the Eskimos that had been settled since the early 18th century mostly be the missionaries of Herrnhut, Germany. "Alaska is my home", Roswitha says later.

There is an outer and an inner story in this movie. The outer story is the extraordinary and partly one-sided friendship by an androgynous native and the German librarian. This story is, frankly, mediocre. But much more important, it seems at least to me, is the inner story: Imagine you are 21 years exiled in Alaska and now you have suddenly the chance to fly to Berlin, your home-town, and exactly at the time when the East German Wall falls which kept you exiled for such a long time. When outer things collapse, then there is always the problem how your inner reacts, how you hold it back from also collapsing. I think this is what this movie is really about, and I also think that this is the reason, why the climax, the landing of the machine of Alaskan Airlines in Tempelhof, is prepared by the stunning beauty of the remote landscape of the former Air Force Station at the Arctic Sea. As long you are in asylum, you represent this asylum and if it be only for you alone. This is why Alaska is Germany, and, as we heard, not only for Roswitha. If you are not convinced that I am right, ask yourself about this short scene with the tightrope walker, or have you missed it? Shortly after the landing of "Kotz" and Roswitha in Berlin. - Nietzsche, Zarathustra, chapter 6, correct.

A Film of Unusual Beauty

[bibiana-09981 · 10/10 · 11 April 2022]

This movie takes place in a remote Alaskan village, in a landscape that is bleak and stunning at the same time. Two lonely souls-both outsiders, in a sense-meet here and slowly fall in love. One is a native of East Germany who works as the village librarian. The other is a young transgender man, abandoned at birth, obsessed with finding his biological parents. There is also an excellent supporting cast portraying the people who live in this small town, fighting the rough environment and finding happiness and fun where they can. The plot is filled with twists, sadness, and even comedy-and the Alaskan scenery is breathtaking.