George has been in a mental hospital for three years and is finally ready to go out into the real world again. Eddie Dash, a dedicated con man, is supposed to keep him out of trouble, but ... See full summary »
A man is murdered. Two men witness it. A blind man who hears the killer, and a deaf man who sees them. The police don't think they're credible witnesses, but the killers don't want to take any chances. The two men must now work together to save themselves and bring the killers to justice.Written by
Jean-Marc Rocher <tss.yh.nec.co.jp>
Gene Wilder almost wasn't in this movie. Per his autobiography, he turned the script down twice (due to its treatment of the deaf and the blind). He intended to do the same when offered it a third time, but his agent talked him into meeting with TriStar Pictures (the studio behind the film). The TriStar people asked Gene to re-write the script for him and Richard Pryor, which he agreed to do. See more »
Wally and Dave's ice cream cones at the end. See more »
[impersonating a European doctor]
Tell me the first thing that pops into your brain.
It's amazing! This man is cured!
See more »
In the original version, when Dave (Gene Wilder) impersonates a psychiatrist and asks Wally (Richard Pryor) to tell him the first thing he thinks of, Wally shouts "PUSSY!" In the television version, this is changed to "PASTA!" See more »
Very funny pairing of the two wonderful comic actors
I remember first seeing this movie when I was about five years old, and I found it hilarious. I caught the movie a couple more times on network TV, but this is the first time I watched it again in its unedited form.
Needless to say, Richard Pryor and Gene Wilder are both wonderful talents with an irreplacable chemistry, and that chemistry is utilized very well throughout. Of course, the brilliantly original premise helps as well. A blind guy and a deaf guy who pair up to solve a murder? Classic! That premise is used wonderfully. There's a great line where they're interrogated and angry officer screams out, "Between the two of you, you saw and heard everything!"
There's a lot of great fish-out-of-water humor involving Pryor's blindness and Wilder's deafness. One of the most hilarious gags, along with the car chase, is when Pryor helps another blind man to walk across the street, and they end up in the back of a truck. Now that's a literal example of the blind leading the blind. Each gag is delivered and timed very well, thanks for the great actors and veteran director Arthur Hiller, who has directed the two leads before in "Silver Streak."
This isn't a perfect comedy. A few gags fall flat, but the key word is "few." Some reviewers and audiences have regarded this as the low point in Wilder's and Pryor's careers. I think of "Another You" as the low point, which is a horribly forgettable comedy that unfortunately was the last film they did together.
A good deal of the gags are far-fetched, but this is a slapstick farce and you have to expect that. That's why I always say that this is a very tricky sub-genre and if not done correctly, the audience will totally stop suspending disbelief and simply scoff at its foolishness.
Fans of Pryor and Wilder should not be disappointed. Also, if you want to see an early (comic) performance by Kevin Spacey, it's also worth checking out. Speaking of worth checking out, Joan Severance provides great eye candy, and she has a couple of nude scenes to boot. I was born in 1982, so this was the first movie where I saw the two comics together on screen, so "See No Evil" is more unique to me than it probably is to others. But come on! With scenes like a high-speed car chase involving a blind man and a deaf man trying to escape, how can this not be regarded as a "unique" comedy?
My score: 7 (out of 10)
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