A man is murdered. Two men witness it. A blind man who hears the killer, and a deaf man who sees them. The police don't think they're credible witnesses, but the killers don't want to take any chances. The two men must now work together to save themselves and bring the killers to justice.Written by
Jean-Marc Rocher <tss.yh.nec.co.jp>
To prepare for his role, Richard Pryor went to Braille Institute in Los Angeles, where he was taught "cane technique" (the correct way a person who is blind uses a white cane) and visited classrooms to observe mannerisms of the blind students. See more »
Goofs
When Wally stops the police car after driving into the sides of beef at the meat market, you can clearly see that it is Wally's stunt double driving through the driver side window. See more »
Quotes
Wally:
So, you're the fat fuck that runs this show!
Sutherland:
Beautifully put, Mr. Karew. You're obviously a poet, a man after my own heart.
See more »
Alternate Versions
There are 2 versions of this movie that only differ in their aspect ratios. The proper theatrical aspect ratio of the film is 1:85: 1. However, when it was broadcast on TV in the 90s in many countries, the version shown was 1:33: 1, adapted to the TV screen format of that time. This means that, in this TV version, picture was lost on the left and right side of the image but it was gained at the top and bottom of the screen, and this is the version that was also released on VHS at that time. There is a famous shower scene about 1 hour and 11 minutes into the movie, which is probably the most conspicuously affected by this change of format. In the 1:85: 1 version of this scene, the actress' breasts are not visible, while in the 1:33: 1 VHS/TV version, we can see her naked upper torso, including her nipples. See more »
I remember first seeing this movie when I was about five years old, and I found it hilarious. I caught the movie a couple more times on network TV, but this is the first time I watched it again in its unedited form.
Needless to say, Richard Pryor and Gene Wilder are both wonderful talents with an irreplacable chemistry, and that chemistry is utilized very well throughout. Of course, the brilliantly original premise helps as well. A blind guy and a deaf guy who pair up to solve a murder? Classic! That premise is used wonderfully. There's a great line where they're interrogated and angry officer screams out, "Between the two of you, you saw and heard everything!"
There's a lot of great fish-out-of-water humor involving Pryor's blindness and Wilder's deafness. One of the most hilarious gags, along with the car chase, is when Pryor helps another blind man to walk across the street, and they end up in the back of a truck. Now that's a literal example of the blind leading the blind. Each gag is delivered and timed very well, thanks for the great actors and veteran director Arthur Hiller, who has directed the two leads before in "Silver Streak."
This isn't a perfect comedy. A few gags fall flat, but the key word is "few." Some reviewers and audiences have regarded this as the low point in Wilder's and Pryor's careers. I think of "Another You" as the low point, which is a horribly forgettable comedy that unfortunately was the last film they did together.
A good deal of the gags are far-fetched, but this is a slapstick farce and you have to expect that. That's why I always say that this is a very tricky sub-genre and if not done correctly, the audience will totally stop suspending disbelief and simply scoff at its foolishness.
Fans of Pryor and Wilder should not be disappointed. Also, if you want to see an early (comic) performance by Kevin Spacey, it's also worth checking out. Speaking of worth checking out, Joan Severance provides great eye candy, and she has a couple of nude scenes to boot. I was born in 1982, so this was the first movie where I saw the two comics together on screen, so "See No Evil" is more unique to me than it probably is to others. But come on! With scenes like a high-speed car chase involving a blind man and a deaf man trying to escape, how can this not be regarded as a "unique" comedy?
My score: 7 (out of 10)
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I remember first seeing this movie when I was about five years old, and I found it hilarious. I caught the movie a couple more times on network TV, but this is the first time I watched it again in its unedited form.
Needless to say, Richard Pryor and Gene Wilder are both wonderful talents with an irreplacable chemistry, and that chemistry is utilized very well throughout. Of course, the brilliantly original premise helps as well. A blind guy and a deaf guy who pair up to solve a murder? Classic! That premise is used wonderfully. There's a great line where they're interrogated and angry officer screams out, "Between the two of you, you saw and heard everything!"
There's a lot of great fish-out-of-water humor involving Pryor's blindness and Wilder's deafness. One of the most hilarious gags, along with the car chase, is when Pryor helps another blind man to walk across the street, and they end up in the back of a truck. Now that's a literal example of the blind leading the blind. Each gag is delivered and timed very well, thanks for the great actors and veteran director Arthur Hiller, who has directed the two leads before in "Silver Streak."
This isn't a perfect comedy. A few gags fall flat, but the key word is "few." Some reviewers and audiences have regarded this as the low point in Wilder's and Pryor's careers. I think of "Another You" as the low point, which is a horribly forgettable comedy that unfortunately was the last film they did together.
A good deal of the gags are far-fetched, but this is a slapstick farce and you have to expect that. That's why I always say that this is a very tricky sub-genre and if not done correctly, the audience will totally stop suspending disbelief and simply scoff at its foolishness.
Fans of Pryor and Wilder should not be disappointed. Also, if you want to see an early (comic) performance by Kevin Spacey, it's also worth checking out. Speaking of worth checking out, Joan Severance provides great eye candy, and she has a couple of nude scenes to boot. I was born in 1982, so this was the first movie where I saw the two comics together on screen, so "See No Evil" is more unique to me than it probably is to others. But come on! With scenes like a high-speed car chase involving a blind man and a deaf man trying to escape, how can this not be regarded as a "unique" comedy?
My score: 7 (out of 10)