DEAD OF WINTER is a fine 1980s thriller with a solid, small cast. The plot centers on a naive actress, played well by Mary Steenburgen, who accepts a job on a rather hush-hush production. She is told that she is to replace a troubled actress who walked off set, however, she never quite makes the set. Instead, she is taken to an isolated mansion where eccentric millionaire Jan Rubes claims to be the film's producer. Mary does everything Rubes and his assistant, Roddy McDowell, ask of her because she views this as her big break.
But things aren't what they seem in the mansion. With a blizzard raging outside, Steenburegn is essentially trapped indoors with two men she hardly knows who may or may not be working on a movie. Mary makes a few shocking discoveries while she wastes time in the mansion, locating photographs of a dead woman that Rubes claims to be the actress she is to replace. Mary and the deceased actress bare a striking resemblance and as time rolls along, she feels that their machinations are devious and that her life is in danger.
STORY: $$$ (The story doesn't really offer anything new. There are a few moments when you'll ask why Mary's character does the things that she does, but all in all the script isn't too bad. The screenplay builds enough terror and offers jolts in the right places. Also, from the beginning of the film, we know Mary Steenburgen's character is desperate so her going along with the game seems justifiable).
ACTING: $$$$ (Mary Steenburgen essentially plays three roles in this film: the main character, the murdered actress and the murdered actress' sister. She does a fine job in all three roles and effectively turns off the naive aspiring actress role when she has to play the calculating sister of the dead thespian. Roddy McDowell is a treat as always in his role as Jan Rubes' sidekick and Rubes, confound to a wheelchair, is exceptional is his role of eccentric man of means. When he chases Mary up the stairs, walking for the first time in years, he'll give you the willies).
NUDITY: None
But things aren't what they seem in the mansion. With a blizzard raging outside, Steenburegn is essentially trapped indoors with two men she hardly knows who may or may not be working on a movie. Mary makes a few shocking discoveries while she wastes time in the mansion, locating photographs of a dead woman that Rubes claims to be the actress she is to replace. Mary and the deceased actress bare a striking resemblance and as time rolls along, she feels that their machinations are devious and that her life is in danger.
STORY: $$$ (The story doesn't really offer anything new. There are a few moments when you'll ask why Mary's character does the things that she does, but all in all the script isn't too bad. The screenplay builds enough terror and offers jolts in the right places. Also, from the beginning of the film, we know Mary Steenburgen's character is desperate so her going along with the game seems justifiable).
ACTING: $$$$ (Mary Steenburgen essentially plays three roles in this film: the main character, the murdered actress and the murdered actress' sister. She does a fine job in all three roles and effectively turns off the naive aspiring actress role when she has to play the calculating sister of the dead thespian. Roddy McDowell is a treat as always in his role as Jan Rubes' sidekick and Rubes, confound to a wheelchair, is exceptional is his role of eccentric man of means. When he chases Mary up the stairs, walking for the first time in years, he'll give you the willies).
NUDITY: None
