Uma mulher se envolve com um homem que ela mal conhece. Mas as complicações se desenvolvem durante suas aventuras sexuais.Uma mulher se envolve com um homem que ela mal conhece. Mas as complicações se desenvolvem durante suas aventuras sexuais.Uma mulher se envolve com um homem que ela mal conhece. Mas as complicações se desenvolvem durante suas aventuras sexuais.
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- CuriosidadesDirector Adrian Lyne used emotionally manipulative tactics on Kim Basinger during the shooting to elicit the performance he wanted from the somewhat new actress, which Basinger later criticized harshly. For example, Lyne did not allow Mickey Rourke and Basinger to talk to each other off-set. The two were kept isolated from each other and Lyne would tell Basinger rumors about how Rourke intended to make her like or dislike him so that she would carry that attitude into the scene. Lyne would also offer Rourke performance notes, but Basinger none, in order to unnerve her. In a very unusual and expensive move along these lines, Lyne shot the film sequentially, so that Basinger's actual emotional breakdown over time would be effectively translated to the screen.
- Erros de gravaçãoWhen John turns on his stereo to play Joe Cocker's "You Can Keep Your Hat On" for Elizabeth's striptease, the speaker switch on the power amplifier is in the off position.
- Versões alternativas117 minute uncut and unrated European version is available on DVD.
- ConexõesEdited into Die Geschichte des erotischen Films (2004)
- Trilhas sonorasThe Best Is Yet To Come
Performed by Luba
Written by Graham Lyle and Terry Britten
Courtesy of Capitol Records, Inc.
Produced by Narada Michael Walden for Perfection Light Productions
Avaliação em destaque
Curious but entertaining
I find it interesting that people can get so many different feelings and experiences from one movie, but then; this is exactly the type of movie that would cause such disparity. The question really is, are you watching the movie for entertainment, or to critique it? There are wondrous scenes of erotic intimacy here (unfortunately not as fully developed as they could be) - and glimpses into just what two people "in lust" will allow themselves to be led into... The sensuousness of the relationship is the key - not the believability of the surroundings or the rest of the 'plot'. Is it believable? It certainly is conceivable... Liz (Kim Basinger) studying slides at work, so distracted by her thoughts of intimacy with a man she hardly knows that she can't keep her hands off herself... John so taken with her that he will spend exorbitantly for a gift - to give a woman he doesn't know - but feels that he must meet. The passion and need for these two lonely people that lets them open doors to their inner selves and allow another in BEFORE thinking of the consequences (there are ALWAYS consequences, in film and life; for opening "those" doors). Is it believable that they would win the fight with the street thugs? No. Is it believable that the adrenaline rush, the release of the flight impulse and fear, the closeness found in 'defeating a common enemy'; could possibly lead to the intensity of sexual closeness and climax in a semi-secluded spot (under falling water at that)? Yes. Are the other scenes believable? It's entertainment, not a psychology class... They are conceivable, certainly. Ever been really mad at your partner, and that anger leads to words then breaking dishes then apologies then hugging then closeness then sex? How about anger leading directly to sex? It can happen, and it does. It is not so much a rape as it is a purging of desire. The scene with Liz blindfolded, and the whore coming in to the room - you share the tenseness Liz feels. Will she be stimulated? Of course. Will she let John know it turns her on? He already knows it does. He wants HER to know that he knows it will.
This movie is a glimpse of what manipulators people are. The efforts made to manipulate another person into 'making them want what you want'. So much so, that it becomes their desire, not yours. So much so that the desire is to see if you can manipulate the other becomes more consuming than the original goal. Seeing if she WILL crawl across the floor becomes more important than seeing her actually doing so. And her feeling the depth of her self in what she will do - and finding she is doing it because SHE wants to, not because he wants it. Liz takes her pleasure from John, too. What appears to be a "rape in progress" as John pushes Liz back on the table, ends with her crying because she was excited enough by it to climax. That is perhaps the 'real' rape; her discovery that even if she is initially violated, in her mind she realizes it arouses her enough to let it continue; and as it continues she finds herself clutching at her 'attacker'; and attaining orgasm. The rape as much of her mind as it is her body. It is her discovery of what she learns of herself. When she finally leaves the relationship, he finds he can't live without her. Who manipulated who?
This movie, dated as it is, is still fresh because it is enough like life to be real. No, we may not be that rich or that attractive or that selfish or that spoiled. But we also may wish at times that we were...
This movie is a glimpse of what manipulators people are. The efforts made to manipulate another person into 'making them want what you want'. So much so, that it becomes their desire, not yours. So much so that the desire is to see if you can manipulate the other becomes more consuming than the original goal. Seeing if she WILL crawl across the floor becomes more important than seeing her actually doing so. And her feeling the depth of her self in what she will do - and finding she is doing it because SHE wants to, not because he wants it. Liz takes her pleasure from John, too. What appears to be a "rape in progress" as John pushes Liz back on the table, ends with her crying because she was excited enough by it to climax. That is perhaps the 'real' rape; her discovery that even if she is initially violated, in her mind she realizes it arouses her enough to let it continue; and as it continues she finds herself clutching at her 'attacker'; and attaining orgasm. The rape as much of her mind as it is her body. It is her discovery of what she learns of herself. When she finally leaves the relationship, he finds he can't live without her. Who manipulated who?
This movie, dated as it is, is still fresh because it is enough like life to be real. No, we may not be that rich or that attractive or that selfish or that spoiled. But we also may wish at times that we were...
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- thegypsyspirate
- 9 de dez. de 2001
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- How long is 9½ Weeks?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- 9½ Weeks
- Locações de filme
- 101 Spring Street, Nova Iorque, Nova Iorque, EUA("Spring Street Gallery")
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 17.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 6.735.922
- Fim de semana de estreia nos EUA e Canadá
- US$ 328.804
- 23 de fev. de 1986
- Faturamento bruto mundial
- US$ 6.735.922
- Tempo de duração1 hora 57 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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What is the streaming release date of 9 1/2 Semanas de Amor (1986) in Canada?
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