During my bizarre life long mission to track down all the obscure slasher movies ever released I came across this little known mid-eighties entry, which threw a real curve ball into the mix. Terminal Choice is NOT a typical genre piece in the Halloween/Friday the 13th mould. But it does include enough of the trappings (mystery killer/bloody deaths) to allow it to carve a way into the category. Unlike fellow medicinal additions such as Hospital Massacre and Visiting Hours, Sheldon Larry's mystery thriller uses futuristic computer technology as the main method of slaughter. This makes a refreshing change from the traditional surgical masked psycho with a scalpel, and its always interesting to see a slice of originality in a cycle that has often been slandered for its repetitiveness.
Terminal Choice is set in a high tech clinic in the near future, where operations are controlled by a huge computer terminal and monitored by numerous doctors. This is certainly not the kind of hospital that you or I would want to have your tonsils removed at, because the medics gamble on patient's recovery and survival. Lylah Crane (Teri Austin) is in for a minor complaint, which Dr. Frank Holt (Joe Spano) believes he has handled with ease. Things turn nasty when an unseen someone enters the head computer terminal and poisons the youngster's drip with an unknown substance. The female chokes on her own blood and leaves Dr. Holt under extreme pressure as the top suspect in an in-house investigation. When more patients fall victim to fatal computerised glitches, Frank unravels a sadistic conspiracy of murder, deceit and treachery. But who is responsible for these unexplained killings ?
Even though Terminal Choice has been bemusingly overlooked, it does hold its corner remarkably well as an appealing mystery thriller. The first murder is extremely bloody and succeeds impressively in leaving the viewer flinching away from the screen. Sheldon Larry focuses mainly on making the most of people's underlying fear of untrustworthy medical centres. A fear that is embedded in almost anybody that has at one time or another put their life in the hands of a stranger in a white coat. That's why TC flourishes as an enjoyable and fascinating cinematic journey. Boasting equal moments of suspense and fascination, this never outstays its welcome and despite a fairly predictable false-scare climax, the majority of the runtime is eminently triumphant.
So many eighties slasher movies famously launched the careers of actors that would become home-names in later years. Brad Pitt, Bill Paxton, Tom Hanks, Sally Kirkland this list is endless! Well this time around it's Ellen Barkin looking amusingly fresh-faced and youthful. Some time later she would embark on a lengthy career that would highlight with starring roles alongside method titans Al Pacino (Sea of Love) and Mickey Rourke (Johnny Handsome). Here she plays young nurse and soon-to-be victim Mary O' Conner, and does a good enough job with a small part. The rest of the cast manage to keep things running smoothly enough without a hiccup and I especially thought that Diane Venora added flamboyance to her character.
Some people may argue that this really isn't much of a slasher movie. To be honest, they certainly have a case in point. But as I said earlier, Larry was well aware of the clichés, especially with the Tenebrae-like stalking of Ellen Barking in the shower. Many features of the time were still cashing in on the mystery-killer craze, and it looks as if Peter Lawson was keeping that in mind when he put pen to paper. When you consider the fact that movies like Candyman, Childs Play and Demon Possessed are often falsely accused of fitting in the cycle, Terminal Choice slots among the guidelines with relevant ease.
Making good use of an infamous trepidation and chucking in a few better than average performances, Terminal Choice succeeds as a solid mid-week night's diversion. As one writer on the IMDb said previously, you may never trust a hospital again. That's an atmosphere that titles like the rancid Hospital Massacre could only ever dream of creating
Terminal Choice is set in a high tech clinic in the near future, where operations are controlled by a huge computer terminal and monitored by numerous doctors. This is certainly not the kind of hospital that you or I would want to have your tonsils removed at, because the medics gamble on patient's recovery and survival. Lylah Crane (Teri Austin) is in for a minor complaint, which Dr. Frank Holt (Joe Spano) believes he has handled with ease. Things turn nasty when an unseen someone enters the head computer terminal and poisons the youngster's drip with an unknown substance. The female chokes on her own blood and leaves Dr. Holt under extreme pressure as the top suspect in an in-house investigation. When more patients fall victim to fatal computerised glitches, Frank unravels a sadistic conspiracy of murder, deceit and treachery. But who is responsible for these unexplained killings ?
Even though Terminal Choice has been bemusingly overlooked, it does hold its corner remarkably well as an appealing mystery thriller. The first murder is extremely bloody and succeeds impressively in leaving the viewer flinching away from the screen. Sheldon Larry focuses mainly on making the most of people's underlying fear of untrustworthy medical centres. A fear that is embedded in almost anybody that has at one time or another put their life in the hands of a stranger in a white coat. That's why TC flourishes as an enjoyable and fascinating cinematic journey. Boasting equal moments of suspense and fascination, this never outstays its welcome and despite a fairly predictable false-scare climax, the majority of the runtime is eminently triumphant.
So many eighties slasher movies famously launched the careers of actors that would become home-names in later years. Brad Pitt, Bill Paxton, Tom Hanks, Sally Kirkland this list is endless! Well this time around it's Ellen Barkin looking amusingly fresh-faced and youthful. Some time later she would embark on a lengthy career that would highlight with starring roles alongside method titans Al Pacino (Sea of Love) and Mickey Rourke (Johnny Handsome). Here she plays young nurse and soon-to-be victim Mary O' Conner, and does a good enough job with a small part. The rest of the cast manage to keep things running smoothly enough without a hiccup and I especially thought that Diane Venora added flamboyance to her character.
Some people may argue that this really isn't much of a slasher movie. To be honest, they certainly have a case in point. But as I said earlier, Larry was well aware of the clichés, especially with the Tenebrae-like stalking of Ellen Barking in the shower. Many features of the time were still cashing in on the mystery-killer craze, and it looks as if Peter Lawson was keeping that in mind when he put pen to paper. When you consider the fact that movies like Candyman, Childs Play and Demon Possessed are often falsely accused of fitting in the cycle, Terminal Choice slots among the guidelines with relevant ease.
Making good use of an infamous trepidation and chucking in a few better than average performances, Terminal Choice succeeds as a solid mid-week night's diversion. As one writer on the IMDb said previously, you may never trust a hospital again. That's an atmosphere that titles like the rancid Hospital Massacre could only ever dream of creating